{"id":390,"date":"2019-08-22T11:42:04","date_gmt":"2019-08-22T16:42:04","guid":{"rendered":"https:\/\/pages.stolaf.edu\/different-visions\/?post_type=project&p=390"},"modified":"2023-12-03T20:42:34","modified_gmt":"2023-12-04T02:42:34","slug":"issue-four-active-objects","status":"publish","type":"project","link":"https:\/\/differentvisions.org\/project\/issue-four-active-objects\/","title":{"rendered":"Issue Four: Active Objects"},"content":{"rendered":"

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\u00a0Issue Four: Active Objects<\/h1>\n

 <\/p>\n

The essays in this issue are drawn from two sessions on \u201cActive Objects\u201d sponsored by the Material Collective at the 2012 International Congress of Medieval Studies at Kalamazoo: \u201cOptics and Transparency\u201d and \u201cAgency and Phenomenology.\u201d The papers all consider ways in which medieval objects had agency; that is, how they acted upon viewers and shaped response.<\/span><\/p>\n

\n

DOI: https:\/\/doi.org\/10.61302\/IVCS7326<\/a><\/span><\/p>\n

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Contents<\/span><\/h3>\n

 <\/p>\n

Karen Eileen Overbey & Benjamin C. Tilghman<\/strong>. Active Objects: An Introduction<\/em><\/a>.<\/span><\/p>\n

Joseph Salvatore Ackley<\/strong>, Institute of Fine Arts, New York University. <\/span>Copper-alloy Substrates in Precious Metal Treasury Objects: Concealed and Yet Excessive<\/em><\/a>.<\/p>\n

Benjamin C. Tilghman<\/strong>, Lawrence University. <\/span>On the Enigmatic Nature of Things in Anglo-Saxon Art<\/em><\/a>.<\/p>\n

Genevra Kornbluth<\/strong>, Independent Scholar. Active Optics: Carolingian Rock Crystal on Medieval Reliquaries<\/em><\/a>.<\/span><\/p>\n

Alexa Sand<\/strong>, Utah State University. Materia Meditandi: Haptic Perception and Some Parisian Ivories of the Virgin and Child, ca. 1300<\/em><\/a>.<\/span><\/p>\n

Beatrice Kitzinger<\/strong>, Stanford University. The Instrumental Cross and the Use of the Gospel Book Troyes, Biblioth\u00e8que Municipale MS 960<\/em><\/a>.<\/span><\/p>\n

Anne F. Harris<\/strong>, DePauw University. Of Liturgical Straws and Spiritual Breadboxes: a review of Caroline Walker Bynum,<\/em> Christian Materiality: An Essay on Religion in Late Medieval Europe (New York: Zone Books, 2011) and Mary Carruthers,<\/em> The Experience of Beauty in the Middle Ages (Oxford: Oxford University Press, 2013)<\/em><\/a>.<\/span><\/p>\n

\n

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\u00a0Issue Four: Active Objects   The essays in this issue are drawn from two sessions on \u201cActive Objects\u201d sponsored by the Material Collective at the 2012 International Congress of Medieval Studies at Kalamazoo: \u201cOptics and Transparency\u201d and \u201cAgency and Phenomenology.\u201d The papers all consider ways in which medieval objects had agency; that is, how they […]<\/p>\n","protected":false},"author":3260,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_crdt_document":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-390","project","type-project","status-publish","hentry"],"yoast_head":"\nIssue Four: Active Objects - Different Visions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/differentvisions.org\/project\/issue-four-active-objects\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Issue Four: Active Objects - Different Visions\" \/>\n<meta property=\"og:description\" content=\"\u00a0Issue Four: Active Objects   The essays in this issue are drawn from two sessions on \u201cActive Objects\u201d sponsored by the Material Collective at the 2012 International Congress of Medieval Studies at Kalamazoo: \u201cOptics and Transparency\u201d and \u201cAgency and Phenomenology.\u201d The papers all consider ways in which medieval objects had agency; 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