Cüneyt ÖZ
Assoc. Prof. Dr. | Doç. Dr.
Address: Dicle University, Faculty of Letters, Department of Archaeology 21280 Sur-Diyarbakır/TURKEY
[email protected]/ [email protected]
Address: Dicle University, Faculty of Letters, Department of Archaeology 21280 Sur-Diyarbakır/TURKEY
[email protected]/ [email protected]
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the early 7th century AD in the port. The reason for the absence of potteries in the port after the early 7th century AD must be the decline in their production, as well as the Arab raids that affected the Mediterranean Region in the same century. This type of potteries, widely used in the Mediterranean Region, was found in small numbers in the port of Andriake, but the variety of types is great. The discovery of these potteries in the port proves that Myra and Andriake had trade relations with the North African cities.
Saint Menas is one of the military saints born to an Egyptian Christian family. After declaring that he was a Christian, he was executed and killed, and his lifeless body was tried to be burned in the fire. His body, saved from the fire by the believers of Menas, was taken to Egypt and buried in Abu Mina in the Mareotis Region. A large church dedicated to the saint was built in Abu Mina in the 4th century AD. After Abu Mina became a complex city, ampullae with depictions of Saint Menas were crafted there. These ampullae were taken to their destinations by those who came to the saint’s church to fulfill their sacred pilgrimage, by putting holy water and oil, which are believed to heal their inner world. The ampulla found in Andriake must have been brought to Andriake by someone from Myra who went to Abu Mina for a holy pilgrimage.
Résumé: Une Ampulla de la fin de l'époque romaine avec la représentation de Saint Menas provenant de l'Église B d'Andriake Cette étude se concentre sur une Ampulla découverte dans l'église B d'Andriake. Datée du début du VIIe siècle, cette ampoule présente une représentation de Saint Menas en position d'orant, entouré de chameaux. L'église B, construite au Ve siècle, a été utilisée jusqu'au VIIe siècle. L'ampoule a été mise au jour lors de fouilles menées entre 2011 et 2013 et est présumée avoir été produite dans le sanctuaire de Saint Menas à Abu Mina. Saint Menas était l'un des saints militaires nés dans une famille chrétienne égyptienne. Après avoir déclaré sa foi chrétienne, il fut exécuté et son corps, sauvé du bûcher par ses fidèles, fut enterré à Abu Mina en Égypte. Des ampoules avec des représentations de Saint Menas étaient produites à Abu Mina et utilisées par les pèlerins qui se rendaient dans son église pour accomplir leur pèlerinage sacré. L'ampoule retrouvée à Andriake aurait été rapportée par quelqu'un de Myra qui était parti en pèlerinage à Abu Mina.
type consists of Roman bowls. Examples from the Roman period are predominant in the Myra and Andriake pihandled bowls. Since they were found in a mixed context, they were dated using the analogical method; the date of 2nd-1st century BC is suggested for Type 1, and late 1st century BC – 2nd century AD is suggested for type 2. The smooth and elaborate handles of Type 2 pi-handled bowls from the Roman period show that they were made in accordance with the Hellenistic tradition. As a matter of fact, the locally produced pi-handled bowls found in Limyra, located in the same region, were produced following the Late Hellenistic characteristics. Red, Brown, and gray tones are dominant in the clay and primers of Myra-Andriake samples. Different color tones can be seen inside and outside of the linings of some of the evaluated bowls, just like the Knidos pi bowls with handles. In some, a single color lining is dominant. These two features show that Myra-Andriake bowls have common features with both Cnidus and Limyra. Myra probably acquired these bowls from local workshops (Limyra) in Knidos and the inner market via its port. On the tondos of the pedestal fragments belonging to Type 2 bowls, there are embossed frog motifs as well as amphorae, palmette, and notch decorations made in the stamp technique. The making of frog motifs, which are used extensively in Knidos pi-handled bowls, is mostly
associated with the god Dionysus, Apollo, and the water cult. The fact that the bowls remind of a small lake with a frog in it when viewed from above is associated with the birth mythology of Apollo. Apart from these, it is
thought that frogs symbolizing abundance and fertility refer to the wine production and trade in Knidos. The discovery of these reliefs in Myra can be explained by the presence of people worshiping the same cult (Apollo)
as Knidos or by the bourgeois tastes of the upper class. The legend that Leto, mentioned in Ovidius' Metamorphosis, came to Lycia after giving birth to Apollo (twins) and that when he wanted to quench his thirst,
he turned those who did not allow him into frogs, suggests that these bowls may have been given a different meaning.
typology, Hayes Form 2, 3, and 8 constitute the main forms, while Hayes Form 2A, 3B, C, D, E, and F constitute the sub-types. Form 3 plates are the majority group among the main forms. Examples of Form 3C and F constitute a large portion of these plates. Among the examined potteries, bowls are represented by a single example belonging to Hayes Form 8. Late Roman C Red Slip Wares found at Andriake are dated to the beginning of the 5th century AD and the first half of the 6th century AD. The reason for not finding this group of potteries in the settlement after the first half of the 6th Century AD stems from the fact that the Arab raids impacting the entire Mediterranean in the 7th Century AD also impacted Andriake. In addition to Late Roman C Wares, Phocaean pans dated between 1st and 3rd centuries AD were found in the port, indicating that Myra had traded with Phokaia through its port for a long time (from the 1st century AD to the 6th century AD).
Keywords: Myra (Lycia), Andriake Port, Late Roman Pottery, Late Roman C Red Slip Ware, Trade
With the Andriake Form 7 Variant samples, belonging to the Late Roman D red slip wares group, a new subtype is added to Hayes Form 7 basin.
Keywords: Andriake, Late Roman Pottery, Late Roman D Red Slip Ware, Hayes Form 7, Andriake Form 7 Variant.
second half of the IInd century B.C. and the first half of the Ist century B.C. The bowls have quite different types of decorations such as ionic kymation, guilloche, rosette, braid (?), acanthus leaf, pine-cone, different
types of leaves (long petals, ferns, etc.), strings of pearls, strings of dots, and wave patterns. It is thought that the bowls found in the Myra theater were produced in Western Anatolian workshops in Ephesos, which influenced the Attica and Delos type. The clay and slip properties of these bowls are similar to those of the Ephesian samples. Apart from this
similarities, on the medallion part of one of the bowls found in Myra, the signature of the Philon Workshop operating in Ephesos shows that the origin of the Myra examples is Ephesus.
the 4th century BC. Clays with dense texture and non-porous, pink, and reddish-yellow tones are tempered with lime and stone. It is considered that the Lekythos was used during the offering in the tombs in the Classical Period, besides that it was a burial gift in the tombs. Since similar Lekythos was found in tombs of necropolis, experts suggest that the Lekythos of Konya Archaeology Museum was also found in
tombs. Stylistically, most of these Lekythos of Konya Archaeology Museum, are sloppy craftsmanship and low-grade glazes, which indicates that these Lekythos are imitations of Attic examples.
Keywords: Konya Archaeological Museum, Lekythos, Shouldered-Ribbed-Squat Lekythos
Myra, Andriake was established in the southwest of the main city in Çayağzı locality where Kokarçay (Andriakos) flows into the sea. The
focal point of the excavations conducted under the direction of Prof. Dr. Nevzat Çevik since 2009 was the Andriake port. The subject of this
study is a group of basins unearthed during the excavations in the Wine Workshops in the port, in front of the Granarium, and on the
Synagogue floor. These basins are thought to have been produced in Myra dated to 1st – 3rd AD is divided into two types according to their
different form features. A total of 20 basins belonging to these types named Andriake Form 1 and Form 2 were evaluated. This study aims to
give information about the typology, clay properties, chronology, and production centers of the analyzed basins.
Keywords: Myra, Andriake, Basins, Andriake Form 1, Andriake Form 2
Çayağzı area, where the stream currently called Kokarçay (Andriakos) flows into the sea. Excavations in the Andriake port are
being carried out by a large team since 2009. The subject of this study comprises 12 terracotta mortars unearthed in the
excavations in the Wine Workshops, 2015 Workshop Excavation Soil, Horrea Hadriani/Granarium, Synagogue, Front of Horrea
Hadriani/Granarium, and Harbor Buildings. Known by many different names in different languages, mortars are indispensable
tools of kitchens of the archaic period. Mortars have been used in many areas in the kitchen, such as making bread, cake,
porridge, puree, soup, and cheese, crushing/grinding various grains, herbs and spices, and marinating meats. Other than these,
they have been used in many different areas, in sacred ceremonies, measurement of dry foods, medicine and cosmetics, crushing
glass and certain metals, making paint, as urns in burial rituals, as grave gifts, as pithos and amphora covers.
Roman mortars unearthed from Andriake were analyzed in six different types according to their mouth profiles. Of these
types, Type 1 and Type 4 were called Italian mortars. Type 2 mortar is unique. This mortar type is believed to be a local type
manufactured in Myra. Although a type similar to Type 3 mortar was found in Syria, its origin is unknown. Type 5 and Type 6
mortars are known as Syrian mortars. But it is yet unclear whether these two types were manufactured in Syria or in Myra. There
are inscriptions in Greek on two of the Type 5 mortars. While the inscription on one of the specimens was a good luck wish, the
other one probably indicated the name of the factory/manufacturer or the gift giver. Mortars evaluated in the study belong to a
wide date range, between the end of the 1st century BC and the 6th century AD. It is seen that the mortars unearthed from
Andriake have a wide range of different types. The results of this study, in which Andriake mortars were analyzed, provide new
contributions to the provincial and regional mortar typology and ceramic works.
Keywords: Myra (Lycia), Andriake Port, Roman Period, Mortar/Mortarium, grinding bowl
Keywords: Myra (Lycia), Port of Andriake, Roman Period, Patera, Tagenon
during excavations at Rhodiapolis in 2006, 2007,
2009, and 2011 and recorded as inventory and study
items in Antalya Archeology Museum collection, were
studied in this article. There are nine terracotta oillamps
belonging to Rhodiapolis in the museum. These
oil-lamps were examined in four categories under the
main title of the Hellenistic and Roman Periods. There
are three oil-lamps from the Hellenistic Period and six
oil-lamps from the Roman Period. The earliest oillamp
dates back to the second half of the IIIrd century
and the IInd century B.C., the latest dates back to the
Vth-VIIth century A.D. Among the oil-lamps in the
artifact warehouse of the ancient city, Howland Type
37 C Variant and Broneer Type 15 oil-lamps which
date back to Vth-VIIth century A.D. are the majority
based on their numbers. The excavations in Rhodiapolis
confirmed the ceramics production in the city by
the analysis results of the production wastes. Since
most of the oil-lamps examined are late period samples
and that the production wastes recovered in the
ancient city especially belong to the late period, it suggests
that Howland Type 37 C Variant and Broneer
Type 15 oil-lamps might have been produced in Rhodiapolis.
However, our idea has not been proven for
the time being due to the absence of wastes of this type
of oil-lamp in the late period ceramic production
wastes. Excavations in the coming years will reveal data
to support our suggestion.
elemental compositions of ceramics from the same area by selecting appropriate statistical methods (such as parametric tests). These two spectroscopic methods, which are very important in terms of understanding ceramic technology in the Archaic Period, are widely used in archaeometric studies. How these techniques are applied to ceramics and interpreted is examined.
Keywords: Archaeometry, Ceramic, Spectroscopic Methods, XRF, XRD
the early 7th century AD in the port. The reason for the absence of potteries in the port after the early 7th century AD must be the decline in their production, as well as the Arab raids that affected the Mediterranean Region in the same century. This type of potteries, widely used in the Mediterranean Region, was found in small numbers in the port of Andriake, but the variety of types is great. The discovery of these potteries in the port proves that Myra and Andriake had trade relations with the North African cities.
Saint Menas is one of the military saints born to an Egyptian Christian family. After declaring that he was a Christian, he was executed and killed, and his lifeless body was tried to be burned in the fire. His body, saved from the fire by the believers of Menas, was taken to Egypt and buried in Abu Mina in the Mareotis Region. A large church dedicated to the saint was built in Abu Mina in the 4th century AD. After Abu Mina became a complex city, ampullae with depictions of Saint Menas were crafted there. These ampullae were taken to their destinations by those who came to the saint’s church to fulfill their sacred pilgrimage, by putting holy water and oil, which are believed to heal their inner world. The ampulla found in Andriake must have been brought to Andriake by someone from Myra who went to Abu Mina for a holy pilgrimage.
Résumé: Une Ampulla de la fin de l'époque romaine avec la représentation de Saint Menas provenant de l'Église B d'Andriake Cette étude se concentre sur une Ampulla découverte dans l'église B d'Andriake. Datée du début du VIIe siècle, cette ampoule présente une représentation de Saint Menas en position d'orant, entouré de chameaux. L'église B, construite au Ve siècle, a été utilisée jusqu'au VIIe siècle. L'ampoule a été mise au jour lors de fouilles menées entre 2011 et 2013 et est présumée avoir été produite dans le sanctuaire de Saint Menas à Abu Mina. Saint Menas était l'un des saints militaires nés dans une famille chrétienne égyptienne. Après avoir déclaré sa foi chrétienne, il fut exécuté et son corps, sauvé du bûcher par ses fidèles, fut enterré à Abu Mina en Égypte. Des ampoules avec des représentations de Saint Menas étaient produites à Abu Mina et utilisées par les pèlerins qui se rendaient dans son église pour accomplir leur pèlerinage sacré. L'ampoule retrouvée à Andriake aurait été rapportée par quelqu'un de Myra qui était parti en pèlerinage à Abu Mina.
type consists of Roman bowls. Examples from the Roman period are predominant in the Myra and Andriake pihandled bowls. Since they were found in a mixed context, they were dated using the analogical method; the date of 2nd-1st century BC is suggested for Type 1, and late 1st century BC – 2nd century AD is suggested for type 2. The smooth and elaborate handles of Type 2 pi-handled bowls from the Roman period show that they were made in accordance with the Hellenistic tradition. As a matter of fact, the locally produced pi-handled bowls found in Limyra, located in the same region, were produced following the Late Hellenistic characteristics. Red, Brown, and gray tones are dominant in the clay and primers of Myra-Andriake samples. Different color tones can be seen inside and outside of the linings of some of the evaluated bowls, just like the Knidos pi bowls with handles. In some, a single color lining is dominant. These two features show that Myra-Andriake bowls have common features with both Cnidus and Limyra. Myra probably acquired these bowls from local workshops (Limyra) in Knidos and the inner market via its port. On the tondos of the pedestal fragments belonging to Type 2 bowls, there are embossed frog motifs as well as amphorae, palmette, and notch decorations made in the stamp technique. The making of frog motifs, which are used extensively in Knidos pi-handled bowls, is mostly
associated with the god Dionysus, Apollo, and the water cult. The fact that the bowls remind of a small lake with a frog in it when viewed from above is associated with the birth mythology of Apollo. Apart from these, it is
thought that frogs symbolizing abundance and fertility refer to the wine production and trade in Knidos. The discovery of these reliefs in Myra can be explained by the presence of people worshiping the same cult (Apollo)
as Knidos or by the bourgeois tastes of the upper class. The legend that Leto, mentioned in Ovidius' Metamorphosis, came to Lycia after giving birth to Apollo (twins) and that when he wanted to quench his thirst,
he turned those who did not allow him into frogs, suggests that these bowls may have been given a different meaning.
typology, Hayes Form 2, 3, and 8 constitute the main forms, while Hayes Form 2A, 3B, C, D, E, and F constitute the sub-types. Form 3 plates are the majority group among the main forms. Examples of Form 3C and F constitute a large portion of these plates. Among the examined potteries, bowls are represented by a single example belonging to Hayes Form 8. Late Roman C Red Slip Wares found at Andriake are dated to the beginning of the 5th century AD and the first half of the 6th century AD. The reason for not finding this group of potteries in the settlement after the first half of the 6th Century AD stems from the fact that the Arab raids impacting the entire Mediterranean in the 7th Century AD also impacted Andriake. In addition to Late Roman C Wares, Phocaean pans dated between 1st and 3rd centuries AD were found in the port, indicating that Myra had traded with Phokaia through its port for a long time (from the 1st century AD to the 6th century AD).
Keywords: Myra (Lycia), Andriake Port, Late Roman Pottery, Late Roman C Red Slip Ware, Trade
With the Andriake Form 7 Variant samples, belonging to the Late Roman D red slip wares group, a new subtype is added to Hayes Form 7 basin.
Keywords: Andriake, Late Roman Pottery, Late Roman D Red Slip Ware, Hayes Form 7, Andriake Form 7 Variant.
second half of the IInd century B.C. and the first half of the Ist century B.C. The bowls have quite different types of decorations such as ionic kymation, guilloche, rosette, braid (?), acanthus leaf, pine-cone, different
types of leaves (long petals, ferns, etc.), strings of pearls, strings of dots, and wave patterns. It is thought that the bowls found in the Myra theater were produced in Western Anatolian workshops in Ephesos, which influenced the Attica and Delos type. The clay and slip properties of these bowls are similar to those of the Ephesian samples. Apart from this
similarities, on the medallion part of one of the bowls found in Myra, the signature of the Philon Workshop operating in Ephesos shows that the origin of the Myra examples is Ephesus.
the 4th century BC. Clays with dense texture and non-porous, pink, and reddish-yellow tones are tempered with lime and stone. It is considered that the Lekythos was used during the offering in the tombs in the Classical Period, besides that it was a burial gift in the tombs. Since similar Lekythos was found in tombs of necropolis, experts suggest that the Lekythos of Konya Archaeology Museum was also found in
tombs. Stylistically, most of these Lekythos of Konya Archaeology Museum, are sloppy craftsmanship and low-grade glazes, which indicates that these Lekythos are imitations of Attic examples.
Keywords: Konya Archaeological Museum, Lekythos, Shouldered-Ribbed-Squat Lekythos
Myra, Andriake was established in the southwest of the main city in Çayağzı locality where Kokarçay (Andriakos) flows into the sea. The
focal point of the excavations conducted under the direction of Prof. Dr. Nevzat Çevik since 2009 was the Andriake port. The subject of this
study is a group of basins unearthed during the excavations in the Wine Workshops in the port, in front of the Granarium, and on the
Synagogue floor. These basins are thought to have been produced in Myra dated to 1st – 3rd AD is divided into two types according to their
different form features. A total of 20 basins belonging to these types named Andriake Form 1 and Form 2 were evaluated. This study aims to
give information about the typology, clay properties, chronology, and production centers of the analyzed basins.
Keywords: Myra, Andriake, Basins, Andriake Form 1, Andriake Form 2
Çayağzı area, where the stream currently called Kokarçay (Andriakos) flows into the sea. Excavations in the Andriake port are
being carried out by a large team since 2009. The subject of this study comprises 12 terracotta mortars unearthed in the
excavations in the Wine Workshops, 2015 Workshop Excavation Soil, Horrea Hadriani/Granarium, Synagogue, Front of Horrea
Hadriani/Granarium, and Harbor Buildings. Known by many different names in different languages, mortars are indispensable
tools of kitchens of the archaic period. Mortars have been used in many areas in the kitchen, such as making bread, cake,
porridge, puree, soup, and cheese, crushing/grinding various grains, herbs and spices, and marinating meats. Other than these,
they have been used in many different areas, in sacred ceremonies, measurement of dry foods, medicine and cosmetics, crushing
glass and certain metals, making paint, as urns in burial rituals, as grave gifts, as pithos and amphora covers.
Roman mortars unearthed from Andriake were analyzed in six different types according to their mouth profiles. Of these
types, Type 1 and Type 4 were called Italian mortars. Type 2 mortar is unique. This mortar type is believed to be a local type
manufactured in Myra. Although a type similar to Type 3 mortar was found in Syria, its origin is unknown. Type 5 and Type 6
mortars are known as Syrian mortars. But it is yet unclear whether these two types were manufactured in Syria or in Myra. There
are inscriptions in Greek on two of the Type 5 mortars. While the inscription on one of the specimens was a good luck wish, the
other one probably indicated the name of the factory/manufacturer or the gift giver. Mortars evaluated in the study belong to a
wide date range, between the end of the 1st century BC and the 6th century AD. It is seen that the mortars unearthed from
Andriake have a wide range of different types. The results of this study, in which Andriake mortars were analyzed, provide new
contributions to the provincial and regional mortar typology and ceramic works.
Keywords: Myra (Lycia), Andriake Port, Roman Period, Mortar/Mortarium, grinding bowl
Keywords: Myra (Lycia), Port of Andriake, Roman Period, Patera, Tagenon
during excavations at Rhodiapolis in 2006, 2007,
2009, and 2011 and recorded as inventory and study
items in Antalya Archeology Museum collection, were
studied in this article. There are nine terracotta oillamps
belonging to Rhodiapolis in the museum. These
oil-lamps were examined in four categories under the
main title of the Hellenistic and Roman Periods. There
are three oil-lamps from the Hellenistic Period and six
oil-lamps from the Roman Period. The earliest oillamp
dates back to the second half of the IIIrd century
and the IInd century B.C., the latest dates back to the
Vth-VIIth century A.D. Among the oil-lamps in the
artifact warehouse of the ancient city, Howland Type
37 C Variant and Broneer Type 15 oil-lamps which
date back to Vth-VIIth century A.D. are the majority
based on their numbers. The excavations in Rhodiapolis
confirmed the ceramics production in the city by
the analysis results of the production wastes. Since
most of the oil-lamps examined are late period samples
and that the production wastes recovered in the
ancient city especially belong to the late period, it suggests
that Howland Type 37 C Variant and Broneer
Type 15 oil-lamps might have been produced in Rhodiapolis.
However, our idea has not been proven for
the time being due to the absence of wastes of this type
of oil-lamp in the late period ceramic production
wastes. Excavations in the coming years will reveal data
to support our suggestion.
elemental compositions of ceramics from the same area by selecting appropriate statistical methods (such as parametric tests). These two spectroscopic methods, which are very important in terms of understanding ceramic technology in the Archaic Period, are widely used in archaeometric studies. How these techniques are applied to ceramics and interpreted is examined.
Keywords: Archaeometry, Ceramic, Spectroscopic Methods, XRF, XRD
context finds were taken into account in the dating of the works, mainly the analogical method was adopted. Based on the weight and diameter of the spindle whorls evaluated in the study, it is contended that small-scale sensitive and high-quality textile production may have been undertaken
in the castle. The archeozoological studies conducted at the site also support this view.
Due to lamps are one of the archaelogical materials of excavations and museum collections in great quantities.
This study contains 43 terracotta lamps preserved at Silifke Museum. All of these lamps are bought by the musuem because of that the finding places of these are unknown.
Collection of lamps in Silifke Museum is dated to Late Classical-Early Hellenistic, Hellenistic and Roman. These lamps have 23 types and sub-types. 33 piece of collection dated to Roman, 9 piece dated to Hellenistic and 1 piece dated to Late Classical-Early Hellenistic era.
The earlier terracotta lamp Silifke Type 1 is dated to late of 4th century BC. to first quarter 3rd century BC., the latest terracotta lamp Silifke Type 23 is dated to 6th century AD.
32 of lamps are decorated and 11 of them is undecorated. Decoration consist of floral, stamp and symbol figures was made on discus and shoulder.
Production cites of Lamp collection is Cyprus (11 piece), Ephesos (4 piece), Tarsus (2 piece), Knidos (1 piece) and Pergamon (1 piece).
Neolithic Pot Sherds with Schematic Human Reliefs from Kendale Hecala in The Upper Tigris Region ss/pp: 1-12
Mehmet IŞIKLI / Gülşah ÖZTÜRK
Doğu Anadolu Kura-Aras Seramiği Üzerine On the Eastern Anatolian Kura-Araxes Ceramicss/pp: 13-29
Murat FIRAT
Phokaia Mozaikler Alanında Ele Geçen Roma Dönemi Amphoraları
The Roman Amphorae Found in the Phocaea Mosaic
ss/pp: 30-53
H. Asena KIZILARSLANOĞLU
Kilikia Bölgesi Roma Dönemi Üretimi: Pompei V Amphorası ve Elaiussa Sebaste Buluntuları
Cilicia Producation in the Roman Period: Pompei V Amphora and Elaiussa Sebaste Finds ss/pp: 54-71
Sonay YÜKSEL
Antalya Müzesinde Bulunan Roma Dönemi Kandilleri
Roman Period Lamps in the Antalya Museumss/pp: 72-96
Safiye AYDIN
Olba Kazılarında Bulunan Geç Antik Dönem Unguentariumlar
Late Antique Unguentaria Discovered at Olba Excavations
ss/pp: 97-135
Cüneyt ÖZ / Özge ÖZER
Seramik Arkeometrisinde Spektroskopik Yöntemlerin Uygulanması ve Yorumlanması:XRF, XRD Application and Interpretation Of Spectroscopic Methods in Ceramic Archaeometry: XRF, XRD ss/pp: 136-153
Murat EROĞLU / Yusuf Kağan KADIOĞLU / Kıymet DENİZ / Marie-Henriette GATES, Ann E. KILLEBREW / Jennifer TOBIN
Küçük Burnaz (Hatay-Erzin) Yerleşmesinde Ele Geçen Amphora ve Tuğla-Kiremit-Künk Örnekleri Arkeometrik Çalışmaları ve Kaynak Değerlendirmesi, Archeometric Analyses and Provenance Evaluations of The Amphora and Brick-Rooftile-Pipe Samples
from Küçük Burnaz Settlement (Hatay-Erzin), ss/pp: 154-185
2019 yılında ilk sayısını yayınlamaya başlayacak Seramik Araştırmaları Dergisi (The Journal of Ceramic Research), Neolitik Dönem’den, Osmanlı Dönemi sonuna kadar ithal ya da yerel üretim seramikleri ve bu seramikleri ile ilişkili analojik, arkeometrik, etnoarkeolojik vb. çalışmaların yayınlandığı bir dergidir. Her Aralık ayında, yılda bir sayı olarak yayımlanan dergimiz Açık Erişim Sistemi’nde (https://dergipark.org.tr/srmka) uluslararası hakemli bir dergidir. Okuyucular dergideki makaleleri tam metin olarak okuyup indirebilme ve kaynak olarak gösterebilme hakkına sahip olacaklardır. Dergiye gönderilen makalelerdeki tüm seramikler www.srmka.com sitesinde de yayınlanacaktır. Dergimize gönderilen makalelerin değerlendirilmesinde ya da yayım sürecinde bir ücret talep edilmemektedir. Dergide yayımlanan makalelerin sorumluluğu yazara aittir.
ABOUT THE JOURNAL
The Journal of Ceramic Research, a collection of studies on local and imported ceramics from the Neolithic Age to the end of the Ottoman period in combination with comparative archaeology, archaeometry and ethnoarchaeology i.a., was published first in 2019. The Journal of Ceramic Research, is an open access (https://dergipark.org.tr/srmka) and internationally peer-reviewed journal which appears once a year, in December. The journal provides permanent access to its content, free of charge to read, download and cite for everybody. The submitted pottery is also available to everyone through www.srmka.com. There are no publication fees. All responsibilities for the published articles belong to the author.