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ORCID15th ISMIR 2014: Taipei, Taiwan
- Hsin-Min Wang, Yi-Hsuan Yang, Jin Ha Lee:
Proceedings of the 15th International Society for Music Information Retrieval Conference, ISMIR 2014, Taipei, Taiwan, October 27-31, 2014. 2014
Papers
- Abhishek Singhi, Daniel G. Brown:
On Cultural, Textual and Experiential Aspects of Music Mood. 3-8 - Li Su, Li-Fan Yu, Yi-Hsuan Yang:
Sparse Cepstral, Phase Codes for Guitar Playing Technique Classification. 9-14 - Münevver Köküer, Peter Jancovic, Islah Ali-MacLachlan, Cham Athwal:
Automated Detection of Single- and Multi-Note Ornaments in Irish Traditional Flute Playing. 15-20 - Bob L. T. Sturm, Nick Collins:
The Kiki-Bouba Challenge: Algorithmic Composition for Content-based MIR Research and Development. 21-26 - Aäron van den Oord, Sander Dieleman, Benjamin Schrauwen:
Transfer Learning by Supervised Pre-training for Audio-based Music Classification. 29-34 - Harald Grohganz, Michael Clausen, Meinard Müller:
Estimating Musical Time Information from Performed MIDI Files. 35-40 - Isabel Barbancho, George Tzanetakis, Lorenzo J. Tardón, Peter F. Driessen, Ana M. Barbancho:
Estimation of the Direction of Strokes and Arpeggios. 41-46 - Sam van Herwaarden, Maarten Grachten, W. Bas de Haas:
Predicting Expressive Dynamics in Piano Performances using Neural Networks. 47-52 - Siddharth Sigtia, Emmanouil Benetos, Srikanth Cherla, Tillman Weyde, Artur S. d'Avila Garcez, Simon Dixon:
An RNN-based Music Language Model for Improving Automatic Music Transcription. 53-58 - Mathieu Giraud, Florence Levé, Florent Mercier, Marc Rigaudière, Donatien Thorez:
Towards Modeling Texture in Symbolic Data. 59-64 - Nadine Kroher, Emilia Gómez, Catherine Guastavino, Francisco Gómez, Jordi Bonada:
Computational Models for Perceived Melodic Similarity in A Cappella Flamenco Singing. 65-70 - Christopher Antila, Julie Cumming:
The VIS Framework: Analyzing Counterpoint in Large Datasets. 71-76 - Yoonchang Han, Kyogu Lee:
Hierarchical Approach to Detect Common Mistakes of Beginner Flute Players. 77-82 - Siying Wang, Sebastian Ewert, Simon Dixon:
Robust Joint Alignment of Multiple Versions of a Piece of Music. 83-88 - Bob L. T. Sturm, Rolf Bardeli, Thibault Langlois, Valentin Emiya:
Formalizing the Problem of Music Description. 89-94 - Tom Arjannikov, John Z. Zhang:
An Association-based Approach to Genre Classification in Music. 95-100 - Srikanth Cherla, Tillman Weyde, Artur S. d'Avila Garcez:
Multiple Viewpiont Melodic Prediction with Fixed-Context Neural Networks. 101-106 - Laurent Pugin, Rodolfo Zitellini, Perry Roland:
Verovio: A library for Engraving MEI Music Notation into SVG. 107-112 - Diego Furtado Silva, Rafael Geraldeli Rossi, Solange Oliveira Rezende, Gustavo Enrique De Almeida Prado Alves Batista:
Music Classification by Transductive Learning Using Bipartite Heterogeneous Networks. 113-118 - Antti Laaksonen:
Automatic Melody Transcription based on Chord Transcription. 119-124 - Marius Miron, Julio José Carabias-Orti, Jordi Janer:
Audio-to-score Alignment at the Note Level for Orchestral Recordings. 125-130 - Matevz Pesek, Ales Leonardis, Matija Marolt:
A Compositional Hierarchical Model for Music Information Retrieval. 131-136 - Brecht De Man, Brett Leonard, Richard L. King, Joshua D. Reiss:
An Analysis and Evaluation of Audio Features for Multitrack Music Mixtures. 137-142 - Karthik Yadati, Martha A. Larson, Cynthia C. S. Liem, Alan Hanjalic:
Detecting Drops in Electronic Dance Music: Content based approaches to a socially significant music event. 143-148 - Nikolay Glazyrin:
Towards Automatic Content-Based Separation of DJ Mixes into Single Tracks. 149-154 - Rachel M. Bittner, Justin Salamon, Mike Tierney, Matthias Mauch, Chris Cannam, Juan Pablo Bello:
MedleyDB: A Multitrack Dataset for Annotation-Intensive MIR Research. 155-160 - Zheng Tang, Dawn A. A. Black:
Melody Extraction from Polyphonic Audio of Western Opera: A Method based on Detection of the Singer's Formant. 161-166 - Dawen Liang, John W. Paisley, Dan Ellis:
Codebook-based Scalable Music Tagging with Poisson Matrix Factorization. 167-172 - Emmanouil Benetos, Roland Badeau, Tillman Weyde, Gaël Richard:
Template Adaptation for Improving Automatic Music Transcription. 175-180 - Zhiyao Duan, David Temperley:
Note-level Music Transcription by Maximum Likelihood Sampling. 181-186 - Lucas Thompson, Simon Dixon, Matthias Mauch:
Drum Transcription via Classification of Bar-Level Rhythmic Patterns. 187-192 - Carlos Eduardo Cancino-Chacón, Stefan Lattner, Maarten Grachten:
Developing Tonal Perception through Unsupervised Learning. 195-200 - Alessio Bazzica, Cynthia C. S. Liem, Alan Hanjalic:
Exploiting Instrument-wise Playing/Non-Playing Labels for Score Synchronization of Symphonic Music. 201-206 - Marcelo Enrique Rodríguez-López, Anja Volk, Dimitrios Bountouridis:
Multi-Strategy Segmentation of Melodies. 207-212 - Phillip B. Kirlin:
A Data Set for Computational Studies of Schenkerian Analysis. 213-218 - Agustín Martorell, Emilia Gómez:
Systematic Multi-scale Set-class Analysis. 219-224 - Taro Masuda, Kazuyoshi Yoshii, Masataka Goto, Shigeo Morishima:
Spotting a Query Phrase from Polyphonic Music Audio Signals Based on Semi-supervised Nonnegative Matrix Factorization. 227-232 - Akira Maezawa, Katsutoshi Itoyama, Kazuyoshi Yoshii, Hiroshi G. Okuno:
Bayesian Audio Alignment based on a Unified Model of Music Composition and Performance. 233-238 - Ju-Chiang Wang, Ming-Chi Yen, Yi-Hsuan Yang, Hsin-Min Wang:
Automatic Set List Identification and Song Segmentation for Full-Length Concert Videos. 239-244 - Arthur Flexer:
On Inter-rater Agreement in Audio Music Similarity. 245-250 - Bin Wu, Andrew Horner, Chung Lee:
Emotional Predisposition of Musical Instrument Timbres with Static Spectra. 253-258 - Joren Six, Marc Leman:
Panako - A Scalable Acoustic Fingerprinting System Handling Time-Scale and Pitch Modification. 259-264 - Oriol Nieto, Morwaread Mary Farbood, Tristan Jehan, Juan Pablo Bello:
Perceptual Analysis of the F-Measure to Evaluate Section Boundaries in Music. 265-270 - Anna M. Kruspe:
Keyword Spotting in A-capella Singing. 271-276 - Emilio Molina, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho:
The Importance of F0 Tracking in Query-by-singing-humming. 277-282 - Shrikant Venkataramani, Nagesh Nayak, Preeti Rao, Rajbabu Velmurugan:
Vocal Separation using Singer-Vowel Priors Obtained from Polyphonic Audio. 283-288 - Chun-Ta Chen, Jyh-Shing Roger Jang, Chun-Hung Lu:
Improving Query by Tapping via Tempo Alignment. 289-294 - Dominique Fourer, Jean-Luc Rouas, Pierre Hanna, Matthias Robine:
Automatic Instrument Classification of Ethnomusicological Audio Recordings. 295-300 - Kirill A. Sidorov, Andrew Jones, A. David Marshall:
Music Analysis as a Smallest Grammar Problem. 301-306 - Thomas Prätzlich, Meinard Müller:
Frame-Level Audio Segmentation for Abridged Musical Works. 307-312 - Rafael Caro Repetto, Xavier Serra:
Creating a Corpus of Jingju (Beijing Opera) Music and Possibilities for Melodic Analysis. 313-318 - Jens Madsen, Bjørn Sand Jensen, Jan Larsen:
Modeling Temporal Structure in Music for Emotion Prediction using Pairwise Comparisons. 319-324 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Musical Structural Analysis Database Based on GTTM. 325-330 - Marcelo F. Caetano, Frans Wiering:
Theoretical Framework of A Computational Model of Auditory Memory for Music Emotion Recognition. 331-336 - Geoffroy Peeters, Victor Bisot:
Improving Music Structure Segmentation using lag-priors. 337-342 - Shuo Zhang, Rafael Caro Repetto, Xavier Serra:
Study of the Similarity between Linguistic Tones and Melodic Pitch Contours in Beijing Opera Singing. 343-348 - Christian Frisson, Stéphane Dupont, Willy Yvart, Nicolas Riche, Xavier Siebert, Thierry Dutoit:
A Proximity Grid Optimization Method to Improve Audio Search for Sound Design. 349-354 - Matevz Pesek, Primoz Godec, Mojca Poredos, Gregor Strle, Joze Guna, Emilija Stojmenova, Matevz Pogacnik, Matija Marolt:
Introducing a Dataset of Emotional and Color Responses to Music. 355-360 - Olivier Lartillot:
In-depth Motivic Analysis based on Multiparametric Closed Pattern and Cyclic Sequence Mining. 361-366 - Colin Raffel, Brian McFee, Eric J. Humphrey, Justin Salamon, Oriol Nieto, Dawen Liang, Daniel P. W. Ellis:
MIR_EVAL: A Transparent Implementation of Common MIR Metrics. 367-372 - Anna Aljanaki, Frans Wiering, Remco C. Veltkamp:
Computational Modeling of Induced Emotion Using GEMS. 373-378 - Jan Van Balen, Dimitrios Bountouridis, Frans Wiering, Remco C. Veltkamp:
Cognition-inspired Descriptors for Scalable Cover Song Retrieval. 379-384 - Xiao Hu, Jin Ha Lee, Kahyun Choi, J. Stephen Downie:
A Cross-Cultural Study on the Mood of K-POP Songs. 385-390 - Peter van Kranenburg, Folgert Karsdorp:
Cadence Detection in Western Traditional Stanzaic Songs using Melodic and Textual Features. 391-396 - Shrey Dutta, Hema A. Murthy:
Discovering Typical Motifs of a Raga from One-Liners of Songs in Carnatic Music. 397-402 - Brian McFee, Dan Ellis:
Analyzing Song Structure with Spectral Clustering. 405-410 - Oriol Nieto, Morwaread Mary Farbood:
Identifying Polyphonic Musical Patterns From Audio Recordings Using Music Segmentation Techniques. 411-416 - Karen Ullrich, Jan Schlüter, Thomas Grill:
Boundary Detection in Music Structure Analysis using Convolutional Neural Networks. 417-422 - Andre Holzapfel, Florian Krebs, Ajay Srinivasamurthy:
Tracking the "Odd": Meter Inference in a Culturally Diverse Music Corpus. 425-430 - Ajay Srinivasamurthy, Rafael Caro Repetto, Sundar Harshavardhan, Xavier Serra:
Transcription and Recognition of Syllable based Percussion Patterns: The Case of Beijing Opera. 431-436 - Joshua L. Moore, Thorsten Joachims, Douglas R. Turnbull:
Taste Space Versus the World: an Embedding Analysis of Listening Habits and Geography. 439-444 - Zhe Xing, Xinxi Wang, Ye Wang:
Enhancing Collaborative Filtering Music Recommendation by Balancing Exploration and Exploitation. 445-450 - Audrey Laplante:
Improving Music Recommender Systems: What Can We Learn from Research on Music Tastes? 451-456 - Sally Jo Cunningham, David M. Nichols, David Bainbridge, Hassan Ali:
Social Music in Cars. 457-462 - Mohamed Morchid, Richard Dufour, Georges Linarès:
A Combined Thematic and Acoustic Approach for a Music Recommendation Service in TV Commercials. 465-470 - Abhishek Singhi, Daniel G. Brown:
Are Poetry and Lyrics All That Different? 471-476 - Po-Sen Huang, Minje Kim, Mark Hasegawa-Johnson, Paris Smaragdis:
Singing-Voice Separation from Monaural Recordings using Deep Recurrent Neural Networks. 477-482 - Katayoun Farrahi, Markus Schedl, Andreu Vall, David Hauger, Marko Tkalcic:
Impact of Listening Behavior on Music Recommendation. 483-488 - Bogdan Vera, Elaine Chew:
Towards Seamless Network Music Performance: Predicting an Ensemble's Expressive Decisions for Distributed Performance. 489-494 - Ling-Chi Hsu, Yu-Lin Wang, Yi-Ju Lin, Cheryl D. Metcalf, Alvin W. Y. Su:
Detection of Motor Changes in Violin Playing by EMG Signals. 495-500 - Wang-Kong Lam, Tan Lee:
Automatic Key Partition Based on Tonal Organization Information of Classical Music. 501-506 - Po-Kai Yang, Chung-Chien Hsu, Jen-Tzung Chien:
Bayesian Singing-Voice Separation. 507-512 - Filip Korzeniowski, Sebastian Böck, Gerhard Widmer:
Probabilistic Extraction of Beat Positions from a Beat Activation Function. 513-518 - Sanghoon Jun, Seungmin Rho, Eenjun Hwang:
Geographical Region Mapping Scheme Based on Musical Preferences. 519-524 - John Ashley Burgoyne, W. Bas de Haas, Johan Pauwels
:
On Comparative Statistics for Labelling Tasks: What can We Learn from MIREX ACE 2013? 525-530 - Eita Nakamura, Nobutaka Ono, Shigeki Sagayama:
Merged-Output HMM for Piano Fingering of Both Hands. 531-536 - Maria Panteli, Niels Bogaards, Aline K. Honingh:
Modeling Rhythm Similarity for Electronic Dance Music. 537-542 - Martin Przyjaciel-Zablocki, Thomas Hornung, Alexander Schätzle, Sven Gauß, Io Taxidou, Georg Lausen:
MuSe: A Music Recommendation Management System. 543-548 - Andreas Arzt, Gerhard Widmer, Reinhard Sonnleitner:
Tempo- and Transposition-invariant Identification of Piece and Score Position. 549-554 - Ming-Ju Wu, Jyh-Shing Roger Jang, Chun-Hung Lu:
Gender Identification and Age Estimation of Users Based on Music Metadata. 555-560 - Daniel Boland, Roderick Murray-Smith:
Information-Theoretic Measures of Music Listening Behaviour. 561-566 - Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho:
Evaluation Framework for Automatic Singing Transcription. 567-572 - Julián Urbano, Dmitry Bogdanov, Perfecto Herrera, Emilia Gómez, Xavier Serra:
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features? 573-578 - Xiao Hu, Jin Ha Lee, Leanne Ka Yan Wong:
Music Information Behaviors and System Preferences of University Students in Hong Kong. 579-584 - Shoto Sasaki, Kazuyoshi Yoshii, Tomoyasu Nakano, Masataka Goto, Shigeo Morishima:
LyricsRadar: A Lyrics Retrieval System Based on Latent Topics of Lyrics. 585-590 - Eric J. Humphrey, Justin Salamon, Oriol Nieto, Jon Forsyth, Rachel M. Bittner, Juan Pablo Bello:
JAMS: A JSON Annotated Music Specification for Reproducible MIR Research. 591-596 - Pierre Saurel, Francis Rousseaux, Marc Danger:
On The Changing Regulations of Privacy and Personal Information in MIR. 597-602 - Sebastian Böck, Florian Krebs, Gerhard Widmer:
A Multi-model Approach to Beat Tracking Considering Heterogeneous Music Styles. 603-608 - Jonathan Driedger, Meinard Müller, Sascha Disch:
Extending Harmonic-Percussive Separation of Audio Signals. 611-616 - Frederick Z. Yen, Yin-Jyun Luo, Tai-Shih Chi:
Singing Voice Separation Using Spectro-Temporal Modulation Features. 617-622 - Tomohiko Nakamura, Kotaro Shikata, Norihiro Takamune, Hirokazu Kameoka:
Harmonic-Temporal Factor Decomposition Incorporating Music Prior Information for Informed Monaural Source Separation. 623-628 - Mi Tian, György Fazekas, Dawn A. A. Black, Mark B. Sandler:
Design And Evaluation of Onset Detectors using Different Fusion Policies. 631-636 - Matthew E. P. Davies, Sebastian Böck:
Evaluating the Evaluation Measures for Beat Tracking. 637-642 - Maura Church, Michael Scott Cuthbert:
Improving Rhythmic Transcriptions via Probability Models Applied Post-OMR. 643-648 - Sebastian Stober, Daniel J. Cameron, Jessica A. Grahn:
Classifying EEG Recordings of Rhythm Perception. 649-654 - J. Stephen Downie, Xiao Hu, Jin Ha Lee, Kahyun Choi, Sally Jo Cunningham, Yun Hao:
Ten Years of MIREX (Music Information Retrieval Evaluation eXchange): Reflections, Challenges and Opportunities. 657-662
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