Affichage des articles dont le libellé est Asia. Afficher tous les articles
Affichage des articles dont le libellé est Asia. Afficher tous les articles

lundi 17 juillet 2017

[List II/22d] Kingdom of Characene

Army list. My army consists of two Arabo-Aramaic bodies of the Osmani tribe, who ruled the kingdom (list II/22d) and a body of nomadic pre-Islmaic Arabs (List II/23a). I chose to represent the Roman and Parthian period of the kingdom. The generals and heavy infantrymen are of the pure Arabo-Aramaic style as they were found in Hatra or Palmyra. The archers on foot are represented, as well as the light infantry, by veteran troops such as the pre-Islamic Arabs. The camel riders ride on naked dromedaries, less harnessed than the cataphractary dromedaries that could be found in Hatra or in certain armies of the Parthian suzerain.

- 2 Generals 4Kn
- 2 Light cavalry LH
- 2 Light camelmen LCm 
- 2 Heavy infantry 4Bd
- 3 Heavy javelinmen 3Ax
- 13 Archers Ps
Nomadic allies
- 1 General Cv
- 1 Light cavalry LH
- 1 Light camelmen LCm 
- 4 Camelmen Cm
- 3 Heavy infantry 4Bd
- 2 Archers Ps                         

 The Characene (or Kharacene or Caracene or Charakene or Mesen or Meshun in Judeo-Aramaic: חבל ימא, Hevel Yama "the land of the sea") is a former independent (or semi-independent) Hellenistic kingdom, located in the extreme South of the fertile region which lies at the mouth of the Tigris and the Euphrates, on the Arabian-Persian Gulf. In fact we do not really know its borders. They are different according to classical authors or geographers, but are traditionally associated with the southern region of Babylonia, in present-day Iraq, Iran and Kuwait.

    Basically, the kingdom must have as its boundaries to the west, the Arabian desert, to the north, the Chaldean marshes and to the south the Persian Gulf. Several islands in the Persian Gulf, including Bahrain, also belonged to the kingdom of Characena. It was created at the end of the 2nd century BC and was a vassal of the Parthian empire. It is very probable that the official language of the kingdom was the Greek koinè, the language spoken in the Hellenistic or Hellenized countries, but there is no certainty even today on this subject.

Source: Antikforever.com



 The kingdom of Characene is founded about 127 BC. BC by Aspasinè, named Hyspaosines by classical authors, an ancient satrap of Antiochos IV Epiphanes. Surviving the dissolution of the Seleucid Empire, the Characene became a vassal of the Parthian Empire until its fall at the beginning of the third century. The Sassanid kings put an end to the local royal dynasty and replaced it with governors.

Although vassal of the Parthians, the kingdom has always had a pro-Roman policy, and welcomed the Roman invasion of Trajan in 116. The emperor himself stays at Spasinou Charax, and personally attends the departure of the ships for India, regretting being too old to undertake the journey, as Alexander of Macedonia had done. Thereafter, the kingdom seems to have escaped long enough for the Parthians to take over Mesopotamia, it is only in 150 that it returns to the zone of direct influence of the empire of the Arsacides after the defeat of the King Meredate (or Meherdate) before Vologese IV. The latter undoubtedly takes an important spoil from Spasinou Charax, including a statuette of Hercules found in Seleucia of the Tiger and bearing the inscription that revealed this episode.

Source: Wikipedia


Coins of king Meredathes




Meredates seems to have been placed on the throne of Characene may be as governor initially, by a successor of his father Pacorus II after the Romans were driven out of the area of ​​Parthians. However, their invasion was at the origin of a civil war in the Parthian empire and Vologese IV was the son of a major rival of Pacorus II for the throne of "Great King." Vologesius IV attempted to re-establish his authority over several provinces of the Parthian empire which had declared independence during the war against Rome.

Meredates is also known by some coins, and by an inscription discovered in Palmyra. He was a son of Pacorus II as indicated by his coins stamped in the most Parthian style arsacide. The mention on the pieces confirms his filiation "Meredates, son of Phokoros, King of Kings, King of Omani"

dimanche 5 mars 2017

Siamese medieval temple

This ruined temple is destined for my Siamese army. It will also serve my Khmer army as long as an Angkor type village is not realized.















Tropical forests

Forest decorations for our armies listed in the tropical zone.
The plants are fixed on removable bases in order to place troops.






Un éléphant Chola se déplace dans la jungle
Un temple siamois émerge des feuillage



mardi 28 février 2017

[List III/20a] Sui Chinese 隋朝 (581-623 AD)

I already have a Chinese army(my western Hàn army) but the rich history of this country and the differences between the armies of the various dynasties have always prompted me to develop other Chinese armies. The Song, the Wei or the Tang are all of particular interest to me (and I have long played these armies in 15mm on the rule DBM)

For several months, the Souei have attracted my attention.



The list is tactically pleasant and the troops varied. In Big Battle, it would give that:
- 3 Generals 4Kn
- 3 Sino-wei 4Kn
- 3 Chinese cavalrymen 3Kn
- 8 Pu-sing 3Pk
- 4 Pu-sing 8Bw
- 12 Pu-she Ps
- 1 Mo-ho (Mandchous) LH
- 2 Catapults Art

The composition of this list is quite free and the above proposal corresponds to my personal choice. None of my armies to this day has a similar combination. Moreover, it is very different from my Chinese army han. 


Sui dynasty 隋朝

One of the shortest dynasties in Chinese history, (29 years), although of great historical importance, the Sui dynasty reigned from 589 to 618. It made it possible for the Tang Three hundred and sixty years of division, the starting point of a "New Empire." It was from the first kingdom that unification came, which would be the work of Yang-kien, the descendant of a powerful family of the " Chinese aristocracy. The latter, after having overthrown the two Nordic states, conducted an army of five hundred thousand men to the south, seized the capital of the Chen, and proclaimed the Sui dynasty. (...) The Sui dynasty is characterized by its administrative and economic work, which served as a basis for the centralized Chinese Empire of the 7th and 8th centuries: construction of a large canal to supply China with Henan and Shanxi In the Wei Valley) in rice and other products from lower Yangzi (an area of ​​economic importance, and gigantic granaries in the Wei Valley and north-west of Henan. (Monique Vincent)


The Sui dynasty emerged when the daughter of the powerful Yang Jian became Empress Dowager of the Northern Zhou, with her son-in-law occupying the throne. After crushing a military insurrection in the eastern provinces, Zhou's prime minister, Yang Jian, deposed the emperor-child and enthralled Emperor Wendi of the Sui. During the associated purge, Wendi executed no fewer than 59 princes of the royal house of the Zhou while he succeeded, by his Confucian virtues, to be posthumously named "the cultivated Emperor"(文帝 wéndi) (Wikipedia)



Figures

Several manufacturers offer Souei, Newline design or TAG figures, for example. Other manufacturers offer Tang, several of which can be used in Souei.

Cataphracts TAG

Archers TAG

Spearman Newline design

jeudi 23 février 2017

[Project] Ruined khmer city

A project very easy to carry out but which will be costly (which risks deferring its realization): a Khmer city in ruin, on the principle of Angkor Wat.




There is a plethora of aquarium decorations on this theme. It will be enough to assemble two or three together and to "link" all by vegetation type jungle, even one or two basins.

This type of city could then be played with my Khmer army (in spite of the ruin aspect, the chromium will be present) or even with my Siamese of the kingdom of Ayutthaya, the latter having taken historical possession of the Khmer territories Then justified)






mardi 7 février 2017

[List II/46] Kuchan luggages

The luggage of my Kushan army is represented by a packing elephant. Two Scythian riders composing his crew gave the luggage the "Yuezhi" chrome characteristic of the Kouchanes riders.

The nomadic influence of the army is represented by the great number of quiver and gorytes carried.






Gandhara, Graeco-Buddhist art (1st to 5th century AD) Part of frieze in gray schist representing an elephant carrying a load on the back. Greco-Buddhist art is a synthesis of Greek and Indo-Buddhist styles that started in Gandhara (an ancient kingdom of Afghanistan and northwestern Pakistan centered on the Swat and Kabul valleys, two tributaries of The Indus) when the Indo-Greek rulers, descendants of the companions of Alexander the Great, came into contact with Indian Buddhists, especially under Menander I (reign 160-135 BC), called Milinda Sanskrit.

    The relay of the Indo-Greeks was taken in the first century by the Kushan rulers whose zenith is under Kanishka I, another great protector of Buddhism.

    One of the notable aspects of Greco-Buddhist statuary is the figurative representation of the Buddha, formerly represented in symbolic form (wheel, footprint), which took the face of the Greek gods and especially of Apollo. The style of Gandhara flourished from the 1st century, under the Kushan dynasty, in the 5th century, when it disappeared with the invasion of the Shvetahūna, or white Huns. The Buddhas of Bamiyan, destroyed in 2001 by the Taliban, were one of the most spectacular achievements of the Greco-Buddhist art of Gandhara.

Text above and photo below taken from the site of sale Proantic.com
"Shale elephant - Gandhara region (1st-5th c.) - Archeology"
 

mercredi 14 décembre 2016

[Liste III/55] Samuraï camp and baggages

My two sons and I have each developed a Samurai army, which allows us to play a war between clans but also to unite the three armies to constitute a big battle army.


As a result, our Japanese camp is divisible into three small camps intended for single DBA parties. Each with the specific Món of his clan. The choice was made to strongly differentiate each of the three small camps in order to give the big battle camp a non-monolithic aspect.

Antoine's encampment: This is the screen of Mön's armored canvas with its lord at rest.


Image from Akira Kurosawa's film RAN

Film Kagemusha, by Akira Kurosawa



 


The baggage of Quentin: a musician communicating the instructions of the general to the army by means of a Taiko (great drum).

 

 



My baggage: two servants carrying a palanquin whose occupant went out to give his orders relayed by a seashell bell ringer.