Frederick Simpson Coburn, "While from a proud tower in the town Death looks gigantically down"

 
The City in the Sea. The Complete Works of Edgar Allan Poe, London / New York, 1902

Tyra Kleen, The Reaper

Thiel Gallery, Stockholm

Date: 1909

Technique: Oil on canvas 

Tyra Kleen, Never More

 
Illustration for "The Raven" by Edgar Allan Poe.
Taken from "Black and White: A Weekly Illustrated Record and Review", London; 1906.

Frederick Simpson Coburn, Untitled

 

Illustration from "The Complete Works of Edgar Allan Poe"(?)

Arthur Kampf, The Agony

 
Date: 1909

Gustave Doré, The Vision of Death

 

Illustration for La Grande Bible de Tours.

Engraver: Héliodore Pisan

Date: 1868

Technique: Woodcut, 25 x 19.5 (plate)

Christian Griepenkerl, Death as a Rider

 

Private collection

Date: 1897

Technique: Oil on canvas, 60.5 x 72.5 cm

Adolph Friedrich Erdmann von Menzel, The Uninvited Guest 1 & 2

 
Date: 1844-45

Technique: Unknown

Gustave Doré, The Bridge of Sighs (One More Unfortunate)

Date: 1882

Technique: Engraving

Marcel Roux, The Grim Reaper

 

Date: 1907

Technique: Unknown

Théobald Chartran, The Funeral (L'enterrement)

 

Musée des Beaux-Arts de la ville de Paris

Date: 1892

Technique: Oil on wood, 28 x 45 cm

Franz Jüttner, Elektrischer Todtentanz

Illustration from "Lustige Blätter", No. 22, 1901

Source

Pavel Karlovich Wenig, Tired! Death sitting on the battlefield (Устала! Смерть, сидящая на поле боя)

Postcard

Date: 1915

Source

Søren Jørgensen Lund, The Old Horse

Wellcome Collection

Date: 1900
Technique: Etching, 10.3 x 14.7 cm

Source

Edgar Bundy, Death as general rides a horse on a battlefield

Wellcome Collection

Date: 1911
Technique: Watercolour, 32 x 54.5 cm

Source

John Leech, The 'Silent Highway' - Man. 'Your money or your life'

Punch magazine, 10 July 1858, No. 35.

Banksy, The Grim Reaper, 2005

Source 1
Source 2

James Ferrier Pryde, The Death Bed

Fitzwilliam Museum, Cambridge

Date: 1913
Technique: Oil on canvas, 120.6 x 104.8 cm

Source

Antonio Rizzi, Alarms at Twilight

Private collection

Date: c. 1914
Technique: Unknown

Source

Witold Wojtkiewicz, The Last String (Ostatnia struna)

Muzeum Narodowe w Warszawie

Date: c. 1903
Technique: Charcoal and crayon on paper, 67 x 39.5 cm

Source

Zygmunt Andrychiewicz, The Dying Artist (Śmierć artysty. Ostatni przyjaciel)

Muzeum Narodowe w Warszawie

Date: 1901
Technique: Oil on canvas, 103.5 x 125.3 cm