{"id":851,"date":"2014-05-30T11:52:08","date_gmt":"2014-05-30T10:52:08","guid":{"rendered":"http:\/\/contextes.hypotheses.org\/?p=851"},"modified":"2014-05-30T11:52:08","modified_gmt":"2014-05-30T10:52:08","slug":"colloque-international-figures-du-critique-ecrivain-programme","status":"publish","type":"post","link":"https:\/\/contextes.hypotheses.org\/851","title":{"rendered":"Colloque international: Figures du critique-\u00e9crivain (Programme)"},"content":{"rendered":"<h1 style=\"text-align: center\" align=\"center\">Figures du critique-\u00e9crivain<\/h1>\n<h1 style=\"text-align: center\" align=\"center\">Formes et pratiques du discours m\u00e9talitt\u00e9raire<\/h1>\n<p>&nbsp;<\/p>\n<h1><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-860\" alt=\"Colloque\" src=\"http:\/\/contextes.hypotheses.org\/files\/2014\/05\/Colloque-213x300.jpg\" width=\"213\" height=\"300\" srcset=\"https:\/\/contextes.hypotheses.org\/files\/2014\/05\/Colloque-213x300.jpg 213w, https:\/\/contextes.hypotheses.org\/files\/2014\/05\/Colloque.jpg 547w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/h1>\n<p style=\"text-align: center\"><a href=\"http:\/\/contextes.hypotheses.org\/files\/2014\/05\/Ul3220_Colloque-KUL_web.pdf\">Affiche<\/a><\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/contextes.hypotheses.org\/files\/2014\/05\/Programme-Figures-du-critique-\u00e9crivain-Bxl.pdf\">Programme<\/a><\/p>\n<h1 style=\"text-align: left\" align=\"center\">Palais des Acad\u00e9mies de Bruxelles<\/h1>\n<h1><span style=\"text-decoration: underline\">Mercredi 11 juin 2014\u00a0<\/span><\/h1>\n<h2>9h Accueil<\/h2>\n<h2>Introduction<\/h2>\n<ul>\n<li><b>9h20 <\/b>Introduction par Val\u00e9rie Sti\u00e9non (Universit\u00e9 Paris 13) &amp; Laurence van Nuijs (KU\u00a0Leuven &#8211; FWO-Vlaanderen)<\/li>\n<\/ul>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 1\u00a0: Fondements de la critique moderne<\/span><\/h2>\n<ul>\n<li><b>9h50<\/b> Jean-Pierre Bertrand (Universit\u00e9 de Li\u00e8ge), \u00ab\u00a0Repentirs et ressentiments de Sainte-Beuve\u00a0\u00bb<\/li>\n<li><b>10h30<\/b>\u00a0Dominique Copp\u00e9e (Universit\u00e9 de Namur), \u00ab\u00a0Sainte-Beuve po\u00e8te dans le <i>Tableau<\/i> de 1828\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>11h10-11h30<\/b> Pause-caf\u00e9<\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 2\u00a0: Critiques de la critique<\/span><\/h2>\n<ul>\n<li><b>11h30<\/b> Brigitte Diaz (Universit\u00e9 de Caen), \u00ab\u00a0Sainte ou prostitu\u00e9e\u00a0? La critique vue par les \u00e9crivains au XIX<sup>e<\/sup> si\u00e8cle (Stendhal, Balzac, Sand, Flaubert)\u00a0\u00bb<\/li>\n<li><b>12h10<\/b> Marielle Mac\u00e9 (CNRS \u2013 EHESS), \u00ab\u00a0La haine de l\u2019essai\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>12h50-14h30<\/b> Repas<\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 3: Cr\u00e9ativit\u00e9 du geste critique<\/span><\/h2>\n<ul>\n<li><b>14h30<\/b> Laurent Demoulin (Universit\u00e9 de Li\u00e8ge), \u00ab\u00a0Francis Ponge et le principe de non-contradiction\u00a0\u00bb<\/li>\n<li><b>15h10<\/b> Tonia Raus (Universit\u00e9 du Luxembourg), \u00ab\u00a0\u2018&#8230;une id\u00e9e peut-\u00eatre tr\u00e8s vague de l\u2019\u00e9criture\u2019\u00a0: la configuration de l\u2019\u0153uvre de Georges Perec\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>15h50-16h10 <\/b>Pause-caf\u00e9<\/p>\n<ul>\n<li><b>16h10<\/b> Jacques Dubois (Universit\u00e9 de Li\u00e8ge), \u00ab\u00a0De Pierre Bayard \u00e0 la critique interventionniste\u00a0\u00bb<\/li>\n<\/ul>\n<h2><span style=\"text-decoration: underline\">Rencontre d&#8217;auteur, organis\u00e9e avec Passa Porta <\/span><\/h2>\n<ul>\n<li><b>20h\u00a0<\/b>Conf\u00e9rence de Charles Dantzig, anim\u00e9e par Gilles Collard (Rue A. Dansaert 46, Bruxelles\u00a0: <a href=\"http:\/\/www.passaporta.be\/fr\/agenda\/charles-dantzig\">http:\/\/www.passaporta.be\/fr\/agenda\/charles-dantzig<\/a>)<\/li>\n<\/ul>\n<h1><\/h1>\n<h1><\/h1>\n<h1><\/h1>\n<h1><span style=\"text-decoration: underline\">Jeudi 12 juin 2014\u00a0<\/span><\/h1>\n<h2>9h15 Accueil<\/h2>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 4\u00a0: Post\u00e9rit\u00e9s du critique<\/span><\/h2>\n<ul>\n<li><b>9h30<\/b> Anthony Glinoer (Universit\u00e9 de Sherbrooke), \u00ab\u00a0Mythographie de Gustave Planche\u00a0\u00bb<\/li>\n<li><b>10h10<\/b> Denis Saint-Amand (FNRS\u00a0\u2013\u00a0Universit\u00e9 de Li\u00e8ge), \u00ab\u00a0F\u00e9lix F\u00e9n\u00e9on\u00a0: de l\u2019animation \u00e0 la naturalisation critique\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>10h50-11h10<\/b> Pause-caf\u00e9<\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 5 : Ateliers de l&#8217;oeuvre\u00a0 <\/span><\/h2>\n<ul>\n<li><b>11h10<\/b> Catherine Botterel-Michel (Universit\u00e9 Paris IV Sorbonne), \u00ab\u00a0L\u2019\u0153uvre critique de Maupassant\u00a0: un pan d\u2019une \u0153uvre en devenir\u00a0\u00bb<\/li>\n<li><b>11h50<\/b> Raffaella Tedeschi (Universita degli Studi di Catania), \u00ab\u00a0L\u2019impressionisme vu par Octave Mirbeau\u00a0: entre critique d\u2019art et production romanesque\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>12h30-14h <\/b>Repas<\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 6\u00a0: Lectures et r\u00e9\u00e9critures<br \/>\n<\/span><\/h2>\n<ul>\n<li><b>14h <\/b>Mamadou Abdoulaye Ly (Universit\u00e9 de Yunnan, Chine), \u00ab\u00a0L\u2019art de la critique selon Andr\u00e9 Gide et Marcel Proust\u00a0\u00bb<\/li>\n<li><b>14h40<\/b> Anca C\u0103lin (Universit\u00e9 Dun\u0103rea de Jos de Gala\u0163i, Roumanie) &amp; Alain Milon (Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense), \u00ab\u00a0Maurice Blanchot et l\u2019\u00e9criture critique de la critique\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>\u00a015h20-15h40\u00a0: Pause-caf\u00e9<\/b><\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 7: Les critiques vus d&#8217;ailleurs<\/span><\/h2>\n<ul>\n<li><b>15h40<\/b> St\u00e9phanie Bernier (Universit\u00e9 de Sherbrooke), \u00ab\u00a0Situation des<i> <\/i>\u2018critiques-\u00e9crivains\u2019 au Canada fran\u00e7ais\u00a0: l\u2019exemple de la collection \u2018Les Jugements\u2019\u00a0\u00bb<\/li>\n<li><b>16h20<\/b> Carole Bisenius-Penin (Universit\u00e9 de Lorraine, CREM), \u00ab\u00a0Les formes du m\u00e9tadiscours chez Italo Calvino et Umberto Eco\u00a0: la posture hybride du critique-\u00e9crivain, Herm\u00e8s et Janus\u00a0\u00bb<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h1><span style=\"text-decoration: underline\">Vendredi 13 juin 2014\u00a0<\/span><\/h1>\n<h2>9h15 Accueil<\/h2>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 8\u00a0: Mod\u00e8les et l\u00e9gitimation <\/span><\/h2>\n<ul>\n<li><b>9h30<\/b> Pierre Glaudes (Universit\u00e9 Paris IV Sorbonne), \u00ab\u00a0Exercice, histoire et critique de la critique dans <i>Les \u0152uvres et les hommes <\/i>de Barbey d\u2019Aurevilly\u00a0\u00bb<\/li>\n<li><b>10h10<\/b> Laetitia Hanin (Universit\u00e9 catholique de Louvain &#8211; FNRS), \u00ab\u00a0Femme, critique, \u00e9crivain. Jeu d\u2019interaction, enjeu de l\u00e9gitimation\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>10h50-11h10<\/b> Pause-caf\u00e9<\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 9\u00a0: De la critique comme second m\u00e9tier<\/span><\/h2>\n<ul>\n<li><b>11h10<\/b> Matthew Sandefer (Princeton University), \u00ab\u00a0Pol\u00e9mique et litt\u00e9rature catholique au XIX<sup>e<\/sup> si\u00e8cle\u00a0\u00bb<\/li>\n<li><b>11h50<\/b> Charles Coustille (EHESS \u2013 Northwestern University), \u00ab\u00a0L\u2019\u00e9crivain-professeur, successeur de l\u2019\u00e9crivain journaliste\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>12h30-14h00 <\/b>Repas<b>\u00a0<\/b><\/p>\n<h2><span style=\"text-decoration: underline\">S\u00e9ance 10\u00a0: Postures de th\u00e9oriciens \u00a0\u00a0<i>\u00a0<\/i><\/span><\/h2>\n<ul>\n<li><b>14h00<\/b> Yan Hamel (T\u00c9LUQ), \u00ab\u00a0Le cas Doubrovsky\u00a0\u00bb<\/li>\n<li><b>14h40<\/b> Sophie Jaussi (Universit\u00e9 de Fribourg), \u00ab\u00a0L\u2019\u00e9criture personnelle comme roman de la th\u00e9orie chez Philippe Forest\u00a0\u00bb<\/li>\n<\/ul>\n<ul>\n<li><b>15h20<\/b> Juliette Drigny (Universit\u00e9 Paris IV Sorbonne), \u00ab\u00a0R\u00e9sistance ambig\u00fce du post-structuralisme \u00e0 la figure du critique-\u00e9crivain\u00a0: l\u2019exemple de Julia Kristeva\u00a01966-1982\u00a0\u00bb<\/li>\n<\/ul>\n<p><b>16h-16h20<\/b> Pause-caf\u00e9<\/p>\n<p><b>16h20<\/b> Conclusions du colloque par Val\u00e9rie Sti\u00e9non (Universit\u00e9 Paris 13) et Laurence van Nuijs (FWO \u2013 KU\u00a0Leuven)<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\">*<\/p>\n<p align=\"center\">*\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 *<\/p>\n<p><b>Organisatrices <\/b><\/p>\n<p>Val\u00e9rie Sti\u00e9non (Universit\u00e9 Paris 13, FNRS\/ULg)<\/p>\n<p>Laurence van Nuijs (FWO\/KU Leuven)<\/p>\n<p>&nbsp;<\/p>\n<p><b>Comit\u00e9 scientifique<\/b><\/p>\n<p>Paul Aron (FNRS\/ULB)<\/p>\n<p>Jan Baetens (KU\u00a0Leuven)<\/p>\n<p>Jean-Pierre Bertrand (ULg)<\/p>\n<p>David Gullentops (VUB)<\/p>\n<p>Franc Schuerewegen (UA\/ Universiteit Nijmegen)<\/p>\n<p>Val\u00e9rie Sti\u00e9non (Universit\u00e9 Paris 13, FNRS\/ULg)<\/p>\n<p>Laurence van Nuijs (FWO\/KU Leuven)<\/p>\n<p>David Vrydaghs (Universit\u00e9 de Namur)<\/p>\n<p>&nbsp;<\/p>\n<p><b>Lieu du colloque<\/b><\/p>\n<p>Koninklijke Vlaamse Academie van Belgi\u00eb voor Wetenschappen en Kunsten<\/p>\n<p>Palais des Acad\u00e9mies &#8211; Salle Rubens<\/p>\n<p>1, Rue Ducale<\/p>\n<p>1000 Bruxelles<\/p>\n<p>&nbsp;<\/p>\n<p><b>Lieu de la rencontre d\u2019auteur (avec Charles Dantzig)<\/b><\/p>\n<p>Passa Porta &#8211; Maison internationale des litt\u00e9ratures \u00e0 Bruxelles<\/p>\n<p>46, Rue Antoine Dansaert<\/p>\n<p>1000 Bruxelles<\/p>\n<p>Renseignements: <a href=\"http:\/\/www.passaporta.be\/fr\/agenda\/charles-dantzig\">http:\/\/www.passaporta.be\/fr\/agenda\/charles-dantzig<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><b>Contacts\u00a0<\/b><\/p>\n<p>Val\u00e9rie Sti\u00e9non\u00a0: <a href=\"mailto:v.stienon@ulg.ac.be\">v.stienon@ulg.ac.be<\/a> \u200e<\/p>\n<p>Laurence van Nuijs\u00a0: <a href=\"mailto:laurence.vannuijs@arts.kuleuven.be\">laurence.vannuijs@arts.kuleuven.be<\/a><\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>Cet \u00e9v\u00e9nement a re\u00e7u le soutien des institutions suivantes<\/b><\/p>\n<p align=\"center\">Fonds National de la Recherche Scientifique<\/p>\n<p align=\"center\">Fonds Wetenschappelijk Onderzoek<\/p>\n<p align=\"center\">Facult\u00e9 de Philosophie et Lettres de l\u2019Universit\u00e9 de Li\u00e8ge<\/p>\n<p align=\"center\">Onderzoekseenheid Literatuurwetenschap KU Leuven<\/p>\n<p align=\"center\">Koninklijke Vlaamse Academie van Belgi\u00eb voor Wetenschappen en Kunsten<\/p>\n<p align=\"center\">VisitBrussels<\/p>\n<p align=\"center\">Wallonie-Bruxelles International<\/p>\n<p align=\"center\">Passa Porta<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Figures du critique-\u00e9crivain Formes et pratiques du discours m\u00e9talitt\u00e9raire &nbsp; Affiche Programme Palais des Acad\u00e9mies de Bruxelles Mercredi 11 juin 2014\u00a0 9h Accueil Introduction 9h20 Introduction par Val\u00e9rie Sti\u00e9non (Universit\u00e9 Paris 13) &amp; Laurence&#46;&#46;&#46;<\/p>\n","protected":false},"author":3681,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_license":"","publish_to_discourse":"","publish_post_category":"","wpdc_auto_publish_overridden":"","wpdc_topic_tags":"","wpdc_pin_topic":"","wpdc_pin_until":"","discourse_post_id":"","discourse_permalink":"","wpdc_publishing_response":"","wpdc_publishing_error":"","footnotes":""},"categories":[193],"tags":[],"ppma_author":[224],"class_list":["post-851","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"authors":[{"term_id":224,"user_id":3681,"is_guest":0,"slug":"laurencevn","display_name":"laurencevn","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/e9042382fa61cbc80064727591699c8a78fda4783ae9d5105c324ad6f0dadabd?s=96&d=mm&r=g","1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/posts\/851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/users\/3681"}],"replies":[{"embeddable":true,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/comments?post=851"}],"version-history":[{"count":5,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/posts\/851\/revisions"}],"predecessor-version":[{"id":865,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/posts\/851\/revisions\/865"}],"wp:attachment":[{"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/media?parent=851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/categories?post=851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/tags?post=851"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/contextes.hypotheses.org\/wp-json\/wp\/v2\/ppma_author?post=851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}