π What makes the ultimate film soundtrack?
There is a universal relatability to a brilliant film score, even in fragments. Morricone is credited for (re)defining the sound of the Western (although his music obviously went much further than that); meanwhile, US composer John Williams summons otherworldly adventures, across the Star Wars and Superman sagas, ET and more. When Brand reminisces about leaving a busy cinema screening of Close Encounters of the Third Kind (1977), I instantly think of Williamsβs five-note UFO synth motif: βEvery single one of us in the crowd looked up at the sky when we walked out,β said Brand. βSuddenly, we were in a world where that was possible. I wanted the real world to be like filmβ¦ and music is the thing that will allow you to do that.β