Watched 1899 by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.

1899 is a multilingual German period mystery-science fiction television series created by Jantje Friese and Baran bo Odar. It premiered on Netflix on 17 November 2022. It received mostly positive critical reviews, with praise for its casting, directing, cinematography, and acting. The creators had ideas for two more seasons, but in January 2023, the show was cancelled.

I really enjoyed Dark and although it was slow to start, really enjoyed 1899 by the end of the first season. It is interesting to see the show cancelled by Netflix:

Plans are a funny thing in the streaming business. Obscure shows like Squid Game can find their audience, become cultural juggernauts, and then get additional seasons. Others, like Warrior Nun, can also find rabid fans but just not enough of them to stay alive. As the streaming landscape expands, the possibility of any show surviving starts to feel like Squid Game itself—and the thrum of “red light,” “green light” leaves everyone on their toes. 

Watched The Umbrella Academy by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.

The Umbrella Academy is an American superhero streaming television series based on the comic book series of the same name written by Gerard Way, illustrated by Gabriel Bá, and published by Dark Horse Comics. Created for Netflix by Steve Blackman and developed by Jeremy Slater, it revolves around a dysfunctional family of adopted sibling superheroes who reunite to solve the mystery of their father’s death and the threat of an imminent apocalypse. The series is produced by Borderline Entertainment (season 1–2), Irish Cowboy (season 3), Dark Horse Entertainment, and Universal Content Productions. Netflix gave seasons 1 & 2 a TV-14 rating while season 3 received a TV-MA rating.

The cast features Elliot Page, Tom Hopper, David Castañeda, Emmy Raver-Lampman, Robert Sheehan, Aidan Gallagher, Cameron Britton, Mary J. Blige, John Magaro, Adam Godley, Colm Feore, Justin H. Min, Ritu Arya, Yusuf Gatewood, Marin Ireland, Kate Walsh, Genesis Rodriguez, and Britne Oldford. The adaptation began development as a film optioned by Universal Pictures in 2011. It was eventually shelved in favor of a television series in 2015, before being officially greenlit by Netflix in July 2017. The series is filmed in Toronto and Hamilton, Ontario.

The first season was released on Netflix on February 15, 2019. In April 2019, Netflix reported that 45 million households had watched season one during its first month of release, thus becoming one of the most-streamed series of the year. That same month, following the success of the first season, the series was renewed for a second season, which was released on July 31, 2020.[1][2] In November 2020, the series was renewed for a third season, which was released on June 22, 2022.

I found The Umbrella Academy to be a quirky series that poses far more questions than it answers. I think that is always going to happen when super humans start jumping through time.

Although I enjoyed the story line, what I liked the most were the characters and their various relationships. In particular, I enjoyed Klaus’ absurdity and Number Five’s old man in a child’s body.

Watched 2021 South Korean Netflix TV series by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.

Squid Game (Korean: 오징어 게임; RR: Ojing-eo Geim) is a South Korean survival drama television series created by Hwang Dong-hyuk for Netflix. Its cast includes Lee Jung-jae, Park Hae-soo, Wi Ha-joon, HoYeon Jung, O Yeong-su, Heo Sung-tae, Anupam Tripathi, and Kim Joo-ryoung.

The series revolves around a contest where 456 players, all of whom are in deep financial hardship, risk their lives to play a series of deadly children’s games for the chance to win a ₩45.6 billion (US$35 million, €33 million, or £29 million as of broadcast) prize. The title of the series draws from a similarly named Korean children’s game. Hwang had conceived of the idea based on his own economic struggles early in life, as well as the class disparity in South Korea and capitalism. Though he had initially written it in 2009, he was unable to find a production company to fund the idea until Netflix took an interest around 2019 as part of their drive to expand their foreign programming offerings.

Finally got around to watching Squid Game. What I liked the most was the exploration and redemption of characters.
Watched science-fiction television series from Wikimedia Foundation, Inc.

Altered Carbon is an American cyberpunk television series created by Laeta Kalogridis and based on the 2002 novel of the same title by English author Richard K. Morgan.[1] In a world where consciousness can be transferred to different bodies, Takeshi Kovacs, a former soldier turned investigator, is released from prison in order to solve a murder. The first season consists of ten episodes and premiered on Netflix on February 2, 2018.[2] On July 27, 2018, the series was renewed for a second season of eight episodes,[3] which was released on February 27, 2020, with an anime film set before the first season released on March 19, 2020. Though the series received generally positive reviews, it was canceled after two seasons.[4]

I enjoyed watching Altered Carbon. As all great science fiction does, it posed many questions around life, death and reality.

When it’s firing on all cylinders, Altered Carbon is to hard sci-fi what The Witcher is to high fantasy: a series that just plunges you into its strange and meticulously detailed world, one that’s fun and accessible as long as you understand that the ridiculousness is part of the appeal.

Watched The Witcher – 2019 fantasy drama television series from Wikimedia Foundation, Inc.

The Witcher is a Polish-American fantasy drama television series created by Lauren Schmidt Hissrich, based on the book series of the same name by Polish writer Andrzej Sapkowski. Set on a fictional, medieval-inspired landmass known as “the Continent”, The Witcher explores the legend of Geralt of Rivia and Princess Ciri, who are linked to each other by destiny.[9] It stars Henry Cavill, Freya Allan and Anya Chalotra.

The Witcher feels somewhere between Lord of the Rings and Game of Thrones. It focuses on Geralt of Rivia, a witcher. His complicated edict that he does not kill out of fear, but rather to save lives, reminds me of The Punisher and his justifications.
Liked Netflix’s Password-Sharing Crackdown Has a Silver Lining by Brian Barrett (WIRED)

Admittedly, freeloaders primarily threaten the cohesiveness of your recommendations lists. It’s not the end of the world. They could also, though, steal whatever personal data your profile holds.

The much bigger issue is that the wider the password circle gets, the more risk you personally take on that your password will become compromised. And given how often people reuse passwords across multiple sites and services, that means your exposure could extend far beyond Netflix.

Listened Netflix’s decline and why stricter regulation could strengthen the tech giants from Radio National

Netflix dominates online TV streaming, but for how long?

The market appears to be decentralising, as major content-makers decide to abandon Netflix and go it alone.

Also, Cory Doctorow on how more government regulation could inadvertently make the tech giants even stronger.

What is needed, he says, is an emphasis on encouraging competition.

And meet the Scottish developer trying to build a genuine alternative to today’s surveillance-ridden internet.

Antony Funnell leads a conversation about the state of technology. He speaks with Stephen McBride about the future of Netflix, Cory Doctorow about the potential of interoperability to break up big tech and Nick Lambert on the creation of Maidsafe, an alternative to the internet.

Doctorow provides a useful introduction to the discussion of adversarial interoperability. He discusses the fact that many of today’s giants – Facebook, Google – had their starts through interoperability, but once settled they closed such doors.

Liked How Netflix works: the (hugely simplified) complex stuff that happens every time you hit Play by Mayukh Nair (Medium)

This is what happens when you hit that Play button:

Hundreds of microservices, or tiny independent programs, work together to make one large Netflix service.
Content legally acquired or licensed is converted into a size that fits your screen, and protected from being copied.
Servers across the world make a copy of it and store it so that the closest one to you delivers it at max quality and speed.
When you select a show, your Netflix app cherry picks which of these servers will it load the video from.
You are now gripped by Frank Underwood’s chilling tactics, given depression by BoJack Horseman’s rollercoaster life, tickled by Dev in Master of None and made phobic to the future of technology by the stories in Black Mirror. And your lifespan decreases as your binge watching turns you into a couch potato.