Tag: Plotline

Plot Device Characters

On By coilerxiiIn Analysis, Fiction, ReadingLeave a comment

Some characters in stories are obvious devices to make the plot go in a certain way, instead of being actual characters. They serve as a very interesting example of how personal taste matters-people who agree that the characters are there simply as plot devices can still disagree on whether or not that damages the actual story or not.

In my opinion, I view an overabundance of plot device characters as a big problem in Worm. Without spoiling anything, there’s one character notorious for having the most blatant and ridiculous plot-device power imaginable, but most of the others still have it to some degree or another.

Then again, because I never got into the immediate prose of Worm, I notice small issues like that in outsized terms. So it’s back to personal taste, I suppose.

Submarine Fiction

On By coilerxiiIn Analysis, Fiction, Military2 Comments

With the release of The Silent Service DLC for Command, I figured I’d talk about submarine fiction. Now, the genre includes traditional classics like Run Silent Run Deep, and of course, a submarine novel kickstarted the technothriller genre as we know it.

Submarine fiction is a sort of genre that’s interesting in the context of how it adapted to the post-USSR period. It was a very hard, very uphill struggle. Probably more so than any other subgenre of technothriller, because not that many countries even have subs, much less modern ones.

Small fry? You’d be lucky to get anything more than a Kilo or Type 209.

Nuclear submarines? Only six countries operate them, four are democracies, and three of the four are NATO members.

So the methods I’ve found authors use are:

  • Give the enemy a “thingy”. That is, the weaker opponent has a submarine (or submarines) as well. Is it a Kilo/209? Is it an upgraded Kilo/209-style submarine? Is it a newer, quiet submarine?
  • Make the story part of a big great-power conflict, in some form or another.
  • Go full sci-fi or weird and make it unconventional in some form. Larry Bond’s Cauldron is a mild example of this, whereas Joe Buff‘s submarine novels are an extreme example.
  • Finally-have a submarine that’s hijacked/hacked/rogue/stolen/otherwise in the hands of the antagonist. This is one of many examples, as is this.

Obviously, they can mix, these are not hard and fast categories by any means. The only thing that really feels “natural” is the great-power conflict, and that has its own issues and hangups. The others can still be done well. As with any genre, a skilled author can turn a questionable setup into a delight, while a bad author can get a story handed to them on a silver platter and mess it up. But the obvious handwaves and possible pitfalls are still there, and still clear.

An additional one that I think exists for submarines regardless of the time period is that they’re “all or nothing”. You can destroy individual protagonist tanks or aircraft easily enough, but, for the most part, either all the submarine’s crew makes it, or none of them do.

Submarine fiction is an interesting technothriller niche, that, thanks to the real exclusivity, seems to amplify the issues the genre has had. And that’s legitimately interesting to me.

Time to filter

On By coilerxiiIn FictionLeave a comment

When I write, there comes a time when I have to filter out the excess world-building, the kind that I think is neat but not really relevant to a story. At best, it’s just excess stuff. At worst, I think it gets in the way of characters and plot.

Though I don’t subscribe to the fallacy of “every day spent on worldbuilding research is one less day on writing”-sometimes inspiration strikes and sometimes it doesn’t.

Worm’s Appeal and My Growing Distaste

On By coilerxiiIn Analysis, Fiction, ReadingLeave a comment

So how did a minor but incredibly long story about a superheroine end up dominating Spacebattles to the point where it needed its own forum? (NOTE: I’m being a little vague and general due to the desire to avoid spoilers-I may go more in-depth later if I feel like it)

Well, even I can think the concept is interesting enough, and I think it could be due to some other factors:

  • This is not anything having to do with Worm itself, but rather its rivals. Big two superhero comics have the bar set so low that you need a microscope to see the gap between it and the ground. For all the many problems with its own structure and worldbuilding, Worm has a massive advantage in that it’s a contained narrative written by one person.
  • Unconventional superpowers. This is where I think Worm shares an unlikely fandom with the infamous Jojo’s Bizarre Adventure. The characters have unconventional superpowers and use them, and the appeal is there.
  • A sort of “crunchiness” where people like the mechanics. Of course, as someone who dislikes excessive “crunchiness” where it doesn’t matter, this is not the case for me. But people do like it, especially on a place like Spacebattles.

So that’s what gets the appeal of Worm going.

However, I’ve found (and must say that this is my personal opinion), as I’ve read more of it, that Worm is worse than I thought at first. At least, later Worm is. Early Worm (which I define as roughly up to Arc 8) is still in the “not for me” category. Later Worm, well…

  • The powers get more and more contrived.
  • The stakes get raised far too much.
  • The story gets less believable and focused.

And then there’s the final plot twists, which when I saw them, I thought “you’d slog through a million and a half clunky words for this?”

 

Fire Emblem Heroes-My Thoughts

On By coilerxiiIn Analysis, FictionLeave a comment

So, I beat the story mode of Fire Emblem Heroes on normal.

Now to give my thoughts on the game. See, for what it is, a free to play mobile hype-building game, it works well. To complain about the simplified gameplay, much less the business model, seems unfair. And to a degree I’m not the game’s target audience. (Not that I’m not a Fire Emblem fan, quite the contrary. I’m just somewhat wary of free to play games)

Now for what my biggest legitimate complaint against the game is. What little there is of the plot. I can understand an excuse plot “summon the heroes to fight the heroes summoned by someone else”. But the game moves just beyond the sweet spot of essentially no plot at all into a repetitive “Sorry I’m contracted to fight you-OW!-Ok I’m not!” mode, and just enough dangling threads to be annoying without being mysterious.

Plus the ludonarrative dissonance is incredible. The story needs to be bare bones in order to accommodate whatever heroes the player gets in the random summoning system. Fair enough. This leads to stuff like one hero slashing apart his own son. Without the slightest comment. It’s a little off-putting.

That being said, the game is still enjoyable, and it’s spurred along my persistent Fire Emblem Battalion concept. Not only is the hero summoning a good reinforcement to whatever excuse plot I come up with for how they all end up in the same place, but the voice acting and detailed drawings humanizes many of the previously dull characters. This means it’s going to be harder to just say “throw the dull ones onto the casualty lists”.

It’s bad form to have that sort of effect anyway. I’ve seen stuff where you have developed characters you know will live and undeveloped ones you know will be killed off. So I guess, thanks to the game for for pushing me in the right direction 😀