Hülya Kalyoncu
Dr.Öğr.Üyesi Hülya Kalyoncu:İstanbul Üniversitesi İktisat Bölümünde Lisans, Kadir Has Üniversitesi ‘Kültür Varlıklarını Koruma ve Restorasyon Bölümünde Yüksek Lisans, Mimar Sinan Üniversitesi Sosyal Bilimler Enstitüsü Anabilim Dalı Türk İslam Sanatları Programında Doktora eğitimi almıştır.
Yayınlanan makale, bildiri ve kitapları bulunan yazar, çeşitli konferans ve sempozyumlara katılmakta ve üniversitelerde dersler vermektedir. Halen Işık Üniversitesi’nde görev yapmakta ve ‘Avrupa Sanat Tarihi’ ve ‘Türk Sanatı Tarihi’ dersleri vermektedir.
Yayımlanan Kitapları
Topkapı Sarayı Müzesi ‘Yıldız Porselenleri’, Cinius Yayınları, İstanbul, 2015.
Türk Resim Sanatında İstanbul Manzaraları, Artikel Akademi, İstanbul, 2021.
Rüstem Paşa Camisi ve Çinileri, Artikel Akademi, İstanbul, 2021.
Resim Sanatında Osmanlı Gündelik Yaşamı, Artikel Akademi, 2021.
Geleneksel El Sanatları, Cinius Yayınları, 2021.
Address: Işık Üniversitesi
Yayınlanan makale, bildiri ve kitapları bulunan yazar, çeşitli konferans ve sempozyumlara katılmakta ve üniversitelerde dersler vermektedir. Halen Işık Üniversitesi’nde görev yapmakta ve ‘Avrupa Sanat Tarihi’ ve ‘Türk Sanatı Tarihi’ dersleri vermektedir.
Yayımlanan Kitapları
Topkapı Sarayı Müzesi ‘Yıldız Porselenleri’, Cinius Yayınları, İstanbul, 2015.
Türk Resim Sanatında İstanbul Manzaraları, Artikel Akademi, İstanbul, 2021.
Rüstem Paşa Camisi ve Çinileri, Artikel Akademi, İstanbul, 2021.
Resim Sanatında Osmanlı Gündelik Yaşamı, Artikel Akademi, 2021.
Geleneksel El Sanatları, Cinius Yayınları, 2021.
Address: Işık Üniversitesi
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Papers by Hülya Kalyoncu
The responsibility of the Ehl-iHiref Organisation, that created the Ottoman Seraglio Art and earned a prestigious position for himself with the genuine understanding for art, which they created among the world civilizations, was very high, and yet the production possibilities were limited. Nevertheless, with supporting’s from outside the Seraglio from time to time, all needs of the Seraglio were satisfied at a maximum level and the produced masterpieces, which were manufactured within the frame of Seraglio art principles in a common Seraglio style had become artefacts that were admired by other civilizations and spoken highly. Despite coming from various disciplines, the real success of this mutual production for the Seraglio belongs to the Ehl-i Hiref Organization and the united style created by its most important establishment the nakkaşhane (painter’s house).
In this work it was attempted to gather information on the organization. It is underlined that the organisation with detailed art work and high quality products and together with a mutual style formed the Seraglio art which again had its impacts on the folk arts. Also, the internal structure of the organization, their divisions, work places, salaries of the workers, their relations to political authorities, ateliers who were attached to the guild organization within the country boundaries and made supporting production for the Seraglio as well as travelling artists were examined.
The responsibility of the Ehl-iHiref Organisation, that created the Ottoman Seraglio Art and earned a prestigious position for himself with the genuine understanding for art, which they created among the world civilizations, was very high, and yet the production possibilities were limited. Nevertheless, with supporting’s from outside the Seraglio from time to time, all needs of the Seraglio were satisfied at a maximum level and the produced masterpieces, which were manufactured within the frame of Seraglio art principles in a common Seraglio style had become artefacts that were admired by other civilizations and spoken highly. Despite coming from various disciplines, the real success of this mutual production for the Seraglio belongs to the Ehl-i Hiref Organization and the united style created by its most important establishment the nakkaşhane (painter’s house).
In this work it was attempted to gather information on the organization. It is underlined that the organisation with detailed art work and high quality products and together with a mutual style formed the Seraglio art which again had its impacts on the folk arts. Also, the internal structure of the organization, their divisions, work places, salaries of the workers, their relations to political authorities, ateliers who were attached to the guild organization within the country boundaries and made supporting production for the Seraglio as well as travelling artists were examined.