{"id":6932,"date":"2017-05-17T08:19:48","date_gmt":"2017-05-17T06:19:48","guid":{"rendered":"http:\/\/char.hypotheses.org\/?p=6932"},"modified":"2017-05-16T10:27:47","modified_gmt":"2017-05-16T08:27:47","slug":"journee-doctorale-ed-124-la-couleur-dans-lart-medieval-work-in-progress-paris-inha-salle-ingres-jeudi-18-mai","status":"publish","type":"post","link":"https:\/\/char.hypotheses.org\/6932","title":{"rendered":"Journ\u00e9e doctorale (ED 124) : &#8220;La couleur dans l\u2019art m\u00e9di\u00e9val. Work in progress&#8230;&#8221;, Paris, INHA, salle Ingres, jeudi 18 mai"},"content":{"rendered":"<p style=\"text-align: center\"><strong>La couleur dans l\u2019art m\u00e9di\u00e9val. &#8220;Work in progress&#8230;&#8221;<\/strong><br \/>\nJourn\u00e9e doctorale de l\u2019ED 124 \u00ab\u00a0Histoire de l\u2019art et arch\u00e9ologie\u00a0\u00bb, Jeudi 18 mai<br \/>\norganis\u00e9e par Philippe Lorentz et Dany Sandron (Universit\u00e9 de Paris-Sorbonne).<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/www.centrechastel.paris-sorbonne.fr\/sites\/default\/files\/content\/file\/news\/couleur_affiche_a_low.jpg\">affiche de la journ\u00e9e doctorale<\/a><\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/www.centrechastel.paris-sorbonne.fr\/sites\/default\/files\/content\/file\/news\/programme_la_couleur_dans_lart_medieval.pdf\">programme de la journ\u00e9e doctorale<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline\">Programme<\/span>\u00a0:<\/p>\n<p>La couleur dans l\u2019art m\u00e9di\u00e9val.<em> Work in progress \u2026<\/em><\/p>\n<p>09h30. Accueil et introduction<br \/>\n<strong>Philippe Lorentz<\/strong> et <strong>Dany Sandron<\/strong> (Universit\u00e9 de Paris-Sorbonne)<\/p>\n<ol>\n<li><strong><span style=\"text-decoration: underline\">La couleur en contexte monumental<\/span><br \/>\n<\/strong>Mod\u00e9ration : <strong>Philippe Lorentz<\/strong> (Universit\u00e9 de Paris-Sorbonne\/EPHE)<\/li>\n<\/ol>\n<p>09h40.<strong> Dany Sandron<\/strong> (Universit\u00e9 de Paris-Sorbonne)\u00a0: <em>La couleur au service de l\u2019architecture<\/em><\/p>\n<p>10h10.<strong> Iliana Kasarska<\/strong> (Centre Andr\u00e9 Chastel)\u00a0: <em>La polychromie de la sculpture monumentale : technique, symbolique et approches r\u00e9centes<\/em><\/p>\n<p>10h40. <strong>Delphine Grenet<\/strong> (Universit\u00e9 de Paris-Sorbonne)\u00a0: <em>\u00ab <\/em>De bonis coloribus <em>\u00bb. Etude de la polychromie des demeures m\u00e9di\u00e9vales \u00e0 partir des exemples proven\u00e7aux<\/em><\/p>\n<p>11h10<strong>. <\/strong>Pause<\/p>\n<ol start=\"2\">\n<li><strong><span style=\"text-decoration: underline\">L\u2019or et les couleurs dans la pratique<\/span><br \/>\n<\/strong>Mod\u00e9ration : <strong>Dany Sandron<\/strong> (Universit\u00e9 de Paris-Sorbonne)<\/li>\n<\/ol>\n<p>11h30. <strong>Philippe Lorentz<\/strong> (Universit\u00e9 de Paris-Sorbonne\/EPHE)\u00a0: <em>Observations sur les fonds d\u2019or dans les retables en Europe septentrionale au XVe si\u00e8cle<\/em><\/p>\n<p>12h00.<strong> Elliot Adam<\/strong> (Universit\u00e9 de Paris-Sorbonne)\u00a0: <em>Histoires d\u2019or. Les usages du cama\u00efeu d\u2019or dans l\u2019enluminure en France au XVe si\u00e8cle<\/em><\/p>\n<p>12h30. <strong>Audrey Nassieu-Maupas<\/strong> (EPHE)\u00a0: <em>La couleur dans la tapisserie au XVIe si\u00e8cle : entre contraintes financi\u00e8res et possibilit\u00e9s techniques<\/em><\/p>\n<p>13h00. Pause<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<ol start=\"3\">\n<li><strong><span style=\"text-decoration: underline\">Le peintre et sa palette<\/span><br \/>\n<\/strong>Mod\u00e9ration : <strong>Philippe Lorentz<\/strong> (Universit\u00e9 de Paris-Sorbonne\/EPHE)<\/li>\n<\/ol>\n<p>14h30.<strong> Patricia Andresz-Spiess<\/strong> (Universit\u00e9 de Paris-Sorbonne)\u00a0:<em> Deux livres et cinq couleurs autour de la Vierge : les deux testaments de l\u2019<\/em>Annonciation<em> du <\/em>Livre d\u2019heures d\u2019Etienne Chevalier<\/p>\n<p>15h00. <strong>Mecthilde Airiau<\/strong> (Universit\u00e9 de Paris-Sorbonne)\u00a0:<em> La couleur chez Fra Angelico : un outil de pr\u00e9dication. L\u2019exemple des <\/em>Couronnements de la Vierge<em> du Louvre et des Offices<\/em><\/p>\n<p>15h30.<strong> Nicolas Oget<\/strong> (Universit\u00e9 de Paris-Sorbonne)\u00a0: <em>\u00ab D\u2019une gamme claire et d\u2019un grand charme \u2026 \u00bb La couleur chez le Ma\u00eetre de Co\u00ebtivy, peintre \u00e0 Paris dans la seconde moiti\u00e9 du XVe si\u00e8cle : jusqu\u2019o\u00f9 repenser la question ?<\/em><\/p>\n<p>16h00. Conclusion de la journ\u00e9e<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.centrechastel.paris-sorbonne.fr\/actualites\/la-couleur-dans-lart-medieval-work-progress\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La couleur dans l\u2019art m\u00e9di\u00e9val. &#8220;Work in progress&#8230;&#8221; Journ\u00e9e doctorale de l\u2019ED 124 \u00ab\u00a0Histoire de l\u2019art et arch\u00e9ologie\u00a0\u00bb, Jeudi 18 mai organis\u00e9e par Philippe Lorentz et Dany Sandron (Universit\u00e9 de Paris-Sorbonne). &nbsp; affiche de la journ\u00e9e doctorale programme de la journ\u00e9e doctorale &nbsp; Programme\u00a0: La couleur dans l\u2019art m\u00e9di\u00e9val. Work in progress \u2026 09h30. Accueil et introduction Philippe Lorentz et Dany Sandron (Universit\u00e9 de Paris-Sorbonne) La couleur en contexte monumental Mod\u00e9ration : Philippe Lorentz (Universit\u00e9&#46;&#46;&#46;<\/p>\n","protected":false},"author":7919,"featured_media":6934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_license":"","publish_to_discourse":"","publish_post_category":"","wpdc_auto_publish_overridden":"","wpdc_topic_tags":"","wpdc_pin_topic":"","wpdc_pin_until":"","discourse_post_id":"","discourse_permalink":"","wpdc_publishing_response":"","wpdc_publishing_error":"","footnotes":""},"categories":[22,5362],"tags":[30920,268,570124,1227,1474,129048,51255],"ppma_author":[3615617],"class_list":["post-6932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite-de-la-recherche-en-histoire-de-lart-de-la-renaissance","category-colloques-et-journees-detude","tag-manuscrits-enlumines","tag-moyen-age","tag-ornement","tag-peinture","tag-renaissance","tag-15e-siecle","tag-16e-siecle"],"authors":[{"term_id":3615617,"user_id":7919,"is_guest":0,"slug":"mpiccoliwentzo","display_name":"Marie Piccoli-Wentzo","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/b9ac8df7e4a548abf17e8bba5dbd7fa955f77cc28550d62d306e39959825cf96?s=96&d=mm&r=g","1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/6932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/users\/7919"}],"replies":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/comments?post=6932"}],"version-history":[{"count":1,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/6932\/revisions"}],"predecessor-version":[{"id":6933,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/6932\/revisions\/6933"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/media\/6934"}],"wp:attachment":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/media?parent=6932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/categories?post=6932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/tags?post=6932"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/ppma_author?post=6932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}