{"id":20614,"date":"2021-02-26T10:00:06","date_gmt":"2021-02-26T09:00:06","guid":{"rendered":"https:\/\/char.hypotheses.org\/?p=20614"},"modified":"2021-03-22T19:57:34","modified_gmt":"2021-03-22T18:57:34","slug":"colloque-international-de-la-restauration-comme-fabrique-des-origines-universite-de-geneve-en-ligne-17-19-mars-2021","status":"publish","type":"post","link":"https:\/\/char.hypotheses.org\/20614","title":{"rendered":"Colloque international : \u00ab De la restauration comme fabrique des origines. Une histoire mat\u00e9rielle et politique de l\u2019art \u00e0 la Renaissance italienne \u00bb, Universit\u00e9 de Gen\u00e8ve, en ligne, 17-19 mars 2021"},"content":{"rendered":"<p><a href=\"https:\/\/char.hypotheses.org\/files\/2021\/02\/bandeau_colloque_en.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-20615\" src=\"https:\/\/char.hypotheses.org\/files\/2021\/02\/bandeau_colloque_en-300x113.jpg\" alt=\"\" width=\"300\" height=\"113\" srcset=\"https:\/\/char.hypotheses.org\/files\/2021\/02\/bandeau_colloque_en-300x113.jpg 300w, https:\/\/char.hypotheses.org\/files\/2021\/02\/bandeau_colloque_en-500x188.jpg 500w, https:\/\/char.hypotheses.org\/files\/2021\/02\/bandeau_colloque_en-768x290.jpg 768w, https:\/\/char.hypotheses.org\/files\/2021\/02\/bandeau_colloque_en.jpg 947w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: center\"><span style=\"text-decoration: underline\">Programme<\/span><\/p>\n<h4 style=\"text-align: center\">MERCREDI 17 MARS<\/h4>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>14.00 Mot de bienvenue \u2013 Introduction<br \/>\nHENRI DE RIEDMATTEN (Universit\u00e9 de Gen\u00e8ve), MARC-OLIVIER WAHLER (Mus\u00e9e d\u2019art et d\u2019histoire de Gen\u00e8ve)<\/p>\n<\/div>\n<div class=\"column\">\n<p>14.20\u00a0<em>Nova Atlantis<\/em> : le \u00ab saut du tigre dans le pass\u00e9 \u00bb<br \/>\nBEAT WYSS (Heidelberger Akademie der Wissenschaften)<\/p>\n<p>14.55\u00a0All or Nothing : Greek Traditions in Naples in the 15th Century<br \/>\nANDREAS BEYER (Universit\u00e4t Basel)<\/p>\n<p>15.30 PAUSE<\/p>\n<\/div>\n<div class=\"column\">\n<p>16.00 Aby Warburg, the Migration of Images and the Idea of the <em>Pathos Formula<\/em><br \/>\nMATTHEW RAMPLEY (Institute of Art History, Academy of Sciences, Prague)<\/p>\n<p>16.35 \u00ab Princes de San Donato \u00bb : les Pazzi, les Demidoff et un cassone<br \/>\nFABIO GAFFO (Universit\u00e9 de Gen\u00e8ve)<\/p>\n<p>17.10 Beyond Restoration : Inventing the Italian Renaissance Exponentially in the 19th Century<br \/>\nLYNN CATTERSON (Columbia University in the City of New York)<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center\">JEUDI 18 MARS<\/h4>\n<p>MOD\u00c9RATION : TRISTAN WEDDIGEN (Bibliotheca Hertziana \u2013 Max-Planck- Institut f\u00fcr Kunstgeschichte, Rome)<\/p>\n<p>9.00\u00a0<em>Translatio <\/em>and<em> Restauratio<\/em> : Metaphors in the Reception of Antiquity<br \/>\nKATHLEEN CHRISTIAN (Humboldt-Universit\u00e4t zu Berlin)<\/p>\n<p>9.35\u00a0<em>Ex uno lapide<\/em><br \/>\nARNOLD NESSELRATH (Antiquitatum Thesaurus an der Berlin-Brandenburgischen Akademie der Wissenschaften)<\/p>\n<p>10.10 PAUSE<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>10.40\u00a0Temps m\u00eal\u00e9s : la <em>Galleria dei Mesi<\/em> \u00e0 Mantoue comme restauration artistique et politique<br \/>\nJ\u00c9R\u00c9MIE KOERING (Universit\u00e9 de Fribourg)<\/p>\n<p>11.15\u00a0Instaurations : The Constantinian Origins between Iconoclasm and Antiquarianism in the 16th and 17th Centuries<br \/>\nMATEUSZ KAPUSTKA (Universit\u00e4t Z\u00fcrich)<\/p>\n<p>11.50 PAUSE<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>MOD\u00c9RATION : FABIO GAFFO (Universit\u00e9 de Gen\u00e8ve)<\/p>\n<p>14.00 La po\u00e9tique archa\u00efque de la Loggia de Rapha\u00ebl<br \/>\nFLORIAN M\u00c9TRAL (Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>14.35 Raphael\u2019s Gift : Ancient and Modern Art in Rome<br \/>\nULRICH PFISTERER (Zentralinstitut f\u00fcr Kunstgeschichte\/LMU M\u00fcnchen)<\/p>\n<p>15.10 PAUSE<\/p>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>15. 40 L&#8217;objet \u00e9trusque \u00e0 l&#8217;\u00e9preuve de la Renaissance : le cas d&#8217;une fausse\u00a0V\u00e9nus<br \/>\nMATHILDE JACCARD (Universit\u00e9 de Gen\u00e8ve)<\/p>\n<p>16.15 Etruscan Studies in Early 16th-Century Florence : New Evidence from Castellina in Chianti<br \/>\nCAROLINE HILLARD (Wright State University, Dayton, Ohio)<\/p>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h4 style=\"text-align: center\">VENDREDI 19 MARS<\/h4>\n<p>MOD\u00c9RATION : MATHILDE JACCARD (Universit\u00e9 de Gen\u00e8ve)<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>9. 00 De la <em>Vierge aux fuseaux<\/em> \u00e0 la <em>Vierge au d\u00e9vidoir<\/em>. M\u00e9thode d\u2019analyse d\u2019une composition de L\u00e9onard de Vinci<br \/>\nVINCENT DELIEUVIN (Mus\u00e9e du Louvre, Paris)<\/p>\n<p>9. 35 Transparence ou opacit\u00e9 : restaurer la Renaissance italienne (XXe-XXIe si\u00e8cles)<br \/>\nNEVILLE ROWLEY (Gem\u00e4ldegalerie\/Bode-Museum, Staatliche Museen zu Berlin)<\/p>\n<p>10.10 PAUSE<\/p>\n<p>10. 40 La <em>Mise au tombeau<\/em> de V\u00e9ron\u00e8se : histoire mat\u00e9rielle et restauration<br \/>\nVICTOR LOPES (Mus\u00e9e d\u2019art et d\u2019histoire de Gen\u00e8ve)<\/p>\n<p>11. 15 Using the <em>Census<\/em> Database as a Tool for Research on Renaissance Restorations of Antique Sculpture<br \/>\nTIMO STRAUCH (Berlin)<\/p>\n<\/div>\n<div class=\"column\">\n<p>11.50 Discussion finale<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/char.hypotheses.org\/files\/2021\/02\/Programme_De-la-restauration-comme-fabrique-des-origines_17-19.03.21-1.pdf\">Programme \u00e0 t\u00e9l\u00e9charger (PDF)<\/a><\/p>\n<p>Organisation : Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Contact :\u00a0<a href=\"mailto:secretariat-armus@unige.ch\">secretariat-armus@unige.ch<\/a><\/p>\n<p>Lien Zoom : <a href=\"http:\/\/www.unige.ch\/restauration\/fr\/colloque\">www.unige.ch\/restauration\/fr\/colloque<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.unige.ch\/restauration\/en\/conference\/\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programme MERCREDI 17 MARS 14.00 Mot de bienvenue \u2013 Introduction HENRI DE RIEDMATTEN (Universit\u00e9 de Gen\u00e8ve), MARC-OLIVIER WAHLER (Mus\u00e9e d\u2019art et d\u2019histoire de Gen\u00e8ve) 14.20\u00a0Nova Atlantis : le \u00ab saut du tigre dans le pass\u00e9 \u00bb BEAT WYSS (Heidelberger Akademie der Wissenschaften) 14.55\u00a0All or Nothing : Greek Traditions in Naples in the 15th Century ANDREAS BEYER (Universit\u00e4t Basel) 15.30 PAUSE 16.00 Aby Warburg, the Migration of Images and the Idea of the Pathos Formula MATTHEW&#46;&#46;&#46;<\/p>\n","protected":false},"author":19198,"featured_media":20620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_license":"","publish_to_discourse":"0","publish_post_category":"0","wpdc_auto_publish_overridden":"","wpdc_topic_tags":"","wpdc_pin_topic":"","wpdc_pin_until":"","discourse_post_id":"","discourse_permalink":"","wpdc_publishing_response":"","wpdc_publishing_error":"","footnotes":""},"categories":[22,5362],"tags":[10750,889117,1230],"ppma_author":[3615652],"class_list":["post-20614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite-de-la-recherche-en-histoire-de-lart-de-la-renaissance","category-colloques-et-journees-detude","tag-materialite","tag-renaissance-italienne","tag-restauration"],"authors":[{"term_id":3615652,"user_id":19198,"is_guest":0,"slug":"juliettebrack","display_name":"Juliette Brack","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/a22bc9e5b127bf2369f3a6e82973ccf3d24ae775b07aba1a68d331729c76c850?s=96&d=mm&r=g","1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/20614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/users\/19198"}],"replies":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/comments?post=20614"}],"version-history":[{"count":6,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/20614\/revisions"}],"predecessor-version":[{"id":20630,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/20614\/revisions\/20630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/media\/20620"}],"wp:attachment":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/media?parent=20614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/categories?post=20614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/tags?post=20614"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/ppma_author?post=20614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}