{"id":11425,"date":"2019-06-28T09:00:33","date_gmt":"2019-06-28T07:00:33","guid":{"rendered":"https:\/\/char.hypotheses.org\/?p=11425"},"modified":"2020-10-13T13:21:31","modified_gmt":"2020-10-13T11:21:31","slug":"compte-rendu-dangele-tence-sur-lexposition-utrecht-caravaggio-and-europe-munich-alte-pinacothek-du-17-avril-au-21-juillet-2019","status":"publish","type":"post","link":"https:\/\/char.hypotheses.org\/11425","title":{"rendered":"Compte-rendu d&#8217;Ang\u00e8le Tence sur l&#8217;exposition Utrecht, Caravaggio and Europe, Munich, Alte Pinacothek, du 17 avril au 21 juillet 2019"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p style=\"text-align: justify\"><em>Apr\u00e8s une premi\u00e8re pr\u00e9sentation au Centraal Museum \u00e0 Utrecht, l\u2019exposition <\/em><strong>Utrecht, Caravaggio and Europe<\/strong><em> organis\u00e9e par Liesbeth M. Helmus (conservatrice au d\u00e9partement des peintures, dessins et sculptures des ma\u00eetres anciens au Centraal Museum) et Bernd Ebert (conservateur des peintures flamandes et germaniques de l\u2019Alte Pinacothek), est d\u00e9sormais visible 17 avril au 21 juillet 2019 \u00e0 l\u2019Alte Pinacothek de Munich. Le design et le graphisme ont \u00e9t\u00e9 con\u00e7us par la soci\u00e9t\u00e9 B\u00fcro f\u00fcr Gestaltung bas\u00e9e \u00e0 Munich. Les nombreux \u00e9v\u00e9nements autour de l\u2019exposition (jusqu\u2019au 18 juillet) sont pr\u00e9sent\u00e9s sur <a href=\"https:\/\/www.pinakothek.de\/en\/caravaggisti\">le site officiel<\/a><\/em><em>. L\u2019audioguide en allemand ou en anglais est tr\u00e8s bien fait, agr\u00e9ment\u00e9 pour chaque \u0153uvre de musiques compos\u00e9es par les \u00e9tudiants de la Hochschule f\u00fcr Musik und Theater M\u00fcnchen.<\/em><\/p>\n<p><a href=\"https:\/\/char.hypotheses.org\/files\/2019\/06\/Capture-d\u2019\u00e9cran-2019-06-27-\u00e0-17.58.57.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11429 aligncenter\" src=\"https:\/\/char.hypotheses.org\/files\/2019\/06\/Capture-d\u2019\u00e9cran-2019-06-27-\u00e0-17.58.57-300x86.png\" alt=\"\" width=\"436\" height=\"125\" srcset=\"https:\/\/char.hypotheses.org\/files\/2019\/06\/Capture-d\u2019\u00e9cran-2019-06-27-\u00e0-17.58.57-300x86.png 300w, https:\/\/char.hypotheses.org\/files\/2019\/06\/Capture-d\u2019\u00e9cran-2019-06-27-\u00e0-17.58.57-768x220.png 768w, https:\/\/char.hypotheses.org\/files\/2019\/06\/Capture-d\u2019\u00e9cran-2019-06-27-\u00e0-17.58.57-500x143.png 500w, https:\/\/char.hypotheses.org\/files\/2019\/06\/Capture-d\u2019\u00e9cran-2019-06-27-\u00e0-17.58.57.png 1800w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><\/a><\/p>\n<p style=\"text-align: justify\"><em>L\u2019exposition est centr\u00e9e sur trois peintres n\u00e9s \u00e0 Utrecht entre 1588 et 1592, Hendrick Ter Brugghen, Gerard van Honthorst et Dirck van Baburen. Tous ont voyag\u00e9 en Italie autour de l\u2019\u00e2ge de vingt ans et \u00e9t\u00e9 profond\u00e9ment marqu\u00e9s par l\u2019\u0153uvre romaine de Caravage. Comptant 78 peintures organis\u00e9es en 5 parties th\u00e9matiques (l\u2019introduction, les H\u00e9ros, les Saints, le Christ et les P\u00e9cheurs) elles-m\u00eames divis\u00e9es en 22 sections, l\u2019exposition propose un dialogue entre ces trois artistes, Caravage et une quinzaine de ses \u00e9mules actifs \u00e0 Rome au d\u00e9but du XVII<sup>e<\/sup> si\u00e8cle dont Bartolomeo Manfredi, Jos\u00e9 de Ribera ou encore Valentin de Boulogne.<\/em><\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/char.hypotheses.org\/files\/2019\/06\/Compte-rendu-Utrecht-Caravaggio-and-Europe-OK-1.pdf\">T\u00e9l\u00e9charger : Compte-rendu Utrecht, Caravaggio and Europe <\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s une premi\u00e8re pr\u00e9sentation au Centraal Museum \u00e0 Utrecht, l\u2019exposition Utrecht, Caravaggio and Europe organis\u00e9e par Liesbeth M. Helmus (conservatrice au d\u00e9partement des peintures, dessins et sculptures des ma\u00eetres anciens au Centraal Museum) et Bernd Ebert (conservateur des peintures flamandes et germaniques de l\u2019Alte Pinacothek), est d\u00e9sormais visible 17 avril au 21 juillet 2019 \u00e0 l\u2019Alte Pinacothek de Munich. Le design et le graphisme ont \u00e9t\u00e9 con\u00e7us par la soci\u00e9t\u00e9 B\u00fcro f\u00fcr Gestaltung bas\u00e9e \u00e0&#46;&#46;&#46;<\/p>\n","protected":false},"author":29934,"featured_media":11429,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_license":"","publish_to_discourse":"0","publish_post_category":"","wpdc_auto_publish_overridden":"","wpdc_topic_tags":"","wpdc_pin_topic":"","wpdc_pin_until":"","discourse_post_id":"","discourse_permalink":"","wpdc_publishing_response":"","wpdc_publishing_error":"","footnotes":""},"categories":[22,6435,1023],"tags":[1756884,629230,629286,36678],"ppma_author":[3615618],"class_list":["post-11425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite-de-la-recherche-en-histoire-de-lart-de-la-renaissance","category-compte-rendus","category-ressources","tag-angele-tence","tag-caravage","tag-caravagisme","tag-utrecht"],"authors":[{"term_id":3615618,"user_id":29934,"is_guest":0,"slug":"fiammettacampagnoli","display_name":"Fiammetta Campagnoli","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/9dc955126555194048bcc9742b792a0ea919b3351247ffa34984bebaf912f379?s=96&d=mm&r=g","1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/11425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/users\/29934"}],"replies":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/comments?post=11425"}],"version-history":[{"count":6,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/11425\/revisions"}],"predecessor-version":[{"id":11436,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/posts\/11425\/revisions\/11436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/media\/11429"}],"wp:attachment":[{"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/media?parent=11425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/categories?post=11425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/tags?post=11425"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/char.hypotheses.org\/wp-json\/wp\/v2\/ppma_author?post=11425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}