Genie out of the bottle: #SpeccyFicChal

Created using text-generated imaging © C A Lovegrove.

The Trouble with Lichen
by John Wyndham.
Penguin Books, 1987 (1960).

‘There’s more in that girl that she is allowing to meet the eye. She has a way of smiling at the wrong things. Should be surprising, sooner or later.’

Significantly, the cat that turned its nose up at the saucer of milk was called Felicia, from the Latin root meaning happy or lucky. But was it really lucky happenstance that both Diana Brackley and Francis Saxover individually decided to secretly investigate the properties of the lichen that had stopped the milk from going sour?

John Wyndham’s speculative fiction title from 1960 was rather different from what I’d expected after enjoying his action-packed dystopian thrillers, though the po-faced humour was familiar from his 1954 short story collection Jizzle. Superficially a sorcerer’s apprentice type of narrative, it definitely had the whiff of a narrative with the genie let out of the bottle: once a discovery is made you can’t undo it.

What I wasn’t expecting though was the hint of a proto-feminist message which, though presenting as a little laboured and muddled several decades later, ran counter to much of the SF penned by male authors of that period and even later. Though not quite perfect The Trouble with Lichen still has much to challenge and enlighten us in the 21st century as a novel of ideas.

Continue reading “Genie out of the bottle: #SpeccyFicChal”

The high life: #ReadIndies

Grand Hotel Kronenhof, Pontresina, Switzerland, in the 1920s.

The Post Office Girl by Stefan Zweig.
Rausch der Verwandlung
(‘The Intoxication of Transformation’, 1982)
translated by Joel Rotenberg (2008),
afterword by William Deresiewicz.
Sort Of Books, 2009.

To begin at the beginning: in the German edition the word ‘Verwandlung’, usually translated as ‘Transformation’ or ‘Metamorphosis’ (as in Kafka’s novella), is preceded by ‘Rausch’, which can mean intoxication, drunkenness or the giddiness that comes with euphoria. 

But the frequently met but clumsy rendition ‘The Intoxication of Transformation’ – which could even be the title of an Eric Satie composition – is sometimes better expressed as ‘The Ecstasy of Freedom’. Either way, this translation by Joel Rosenberg for the NYRB and Sort Of editions has opted for the apparently more humdrum title The Post Office Girl, giving it a more human focus.

In thus reconfiguring this posthumous novel as a rags-to-riches and back again story are we readers misled about Zweig’s focus on the emotions that drive the narrative? But then does the knowledge that the two parts of the novel are in fact a cobbling together, of a novella and Zweig’s notes – by his friend Knut Beck, who substituted a new title for the author’s own Postfräuleingeschichte (‘Post Office Girl Story’) – substantially affect our appreciation of what the finished product achieves?

Continue reading “The high life: #ReadIndies”

Must you read all the books you’ve acquired? #logophile

William Morris’s study, Kelmscott House, Hammersmith: illustration by Edmund Hort New for Mackail’s ‘Life of Morris’ (1898).

“It is foolish to think that you have to read all the books you buy, as it is foolish to criticize those who buy more books than they will ever be able to read. It would be like saying that you should use all the cutlery or glasses or screwdrivers or drill bits you bought before buying new ones.” — Umberto Eco.

Umberto Eco, who aged 84 died ten years ago tomorrow, on 19th February 2016 in Milan, famously owned around fifty thousand books spread over two residences. This even overtops Alberto Manguel’s 35,000 tomes which the latter regretfully had to send to storage when moving from his rambling medieval French home, and Lucy Mangan’s more modest ‘bookroom’ of 10K tomes. And naturally it renders my 1500-2000 book collection a mere droplet in the bibliographic ocean.

But Eco recognised that a large personal library is not the indulgence that rather more abstemious bibliophiles assume: they are a life-affirming necessity. “There are things in life that we need to always have plenty of supplies [of],” he declared, “even if we will only use a small portion.”

Yet are books actually like cutlery, or glasses, or screwdrivers, or drill bits? Is there a better metaphor or image to characterise our groaning tsundoku bookshelves and give value to our personal curation?

Continue reading “Must you read all the books you’ve acquired? #logophile”

Crossroads: #JapaneseLitChallenge19

WordPress Free Photo Library.

Goodnight Tokyo by Atsuhiro Yoshida.
Oyasumi, Tōkyō (2018)
translated by Haydn Trowell.
Europa Editions, 2025.

“Tokyo was considerably smaller than one might think. In this city, there were all sorts of reasons why people might bump into one another, countless paths and opportunities by which they might connect.”
— ‘Peanuts and Chameleons’

Connections. Disconnections. Reconnections. In a megalopolis as large as Tokyo what are the chances of the right person turning up at the right time in the right place so that your busy lives intersect? Or that so many friends or casual acquaintances will move in the kinds of circles that such coincidences may happen?

Yet in Goodnight Tokyo those chances are improved by some common links, one of which will be the taxicab of night sky blue that Matsui drives, others will be films watched in darkened cinemas, drinks sipped in late-night bars, food consumed in diners before dawn and secondhand shops open all night.

And in the early hours some time after midnight the appearance of a single star in the east over Tokyo can be the light that signals unexpected encounters at the crossroads of several lives.

Continue reading “Crossroads: #JapaneseLitChallenge19”

Thoughts of love: #logophile

Stencil cover art by Bernie Reid for an edition of Jane Austen’s ‘Pride and Prejudice’.

In the Spring a fuller crimson comes upon the robin’s breast;
In the Spring the wanton lapwing gets himself another crest;

In the Spring a livelier iris changes on the burnish’d dove;
In the Spring a young man’s fancy lightly turns to thoughts of love.

— From ‘Locksley Hall’ (1842) by Alfred Lord Tennyson.

The month we know as February in ancient Rome used to be the last month of the year, with March marking the start of the new year when the spring equinox marked a new beginning, when all nature began to burgeon in earnest.

Nowadays we associate mid-February with hearts, flowers, cards and chocolates, and cheesy poems that might begin “Roses are red, violets are blue…” It’s all fairly chaste though, and rightly so: mutual respect determines how overtures of love should be made, eschewing violence and lewdness.

And let us remember too that the month’s name derives from the Latin februa, rituals of purification: times when we also think of spring-cleaning, when Candlemas on 2nd February marks the traditional Feast of the Purification of the Virgin Mary forty days after Christmas, close to the six weeks when women used to be ‘churched’ after giving birth.

Continue reading “Thoughts of love: #logophile”

The footprints of others: #ReadIndies

Detail from a photograph of Middle Path, Kenyon College campus, by Jeanne Griggs.

After Kenyon:
poems by Jeanne Griggs.
Broadstone Books, 2025.

“We walk with our heads down
in the footprints of others . . .” 
— ‘Middle Path in February’ after Kooser’s “The Mouse”

Jeanne Griggs’s collection of some thirty poems is focused on her impressions of life, experiences, work and friends associated with Kenyon College, Ohio, the educational centre from which she recently retired.

Each place, building, establishment thus forms the structure for the collection, so that the reader can imagine perambulating from one site to another in company with the poet as she shares what each locale conjures up for her.

The result is anything but disjointed, however: intensely personal, the set of pieces not only form a narrative of sorts but for me also proved to be a journey through emotions and a moving self-portrait.

Continue reading “The footprints of others: #ReadIndies”

Strictly ‘privet’: #ReadIndies

Detail from a photograph by Michael Frayn.

Spies by Michael Frayn.
Faber & Faber, 2003 (2002).

‘It’s just as I’d foreseen. We have a task of national importance to perform, and we’re endlessly frustrated by all the petty demands of life.’ — Chapter 4.

Imagine William Brown’s Outlaws from Richmal Crompton’s Just William books suspecting someone of being one of the ‘Nasties’, but then events descend steadily towards the dark places in William Golding’s The Lord of the Flies; how might matters eventually play out in such a narrative?

But then what if the story is told by a man reminiscing about his life as a schoolboy during the war, one who remembers the pain brought on by “a shifting and comfortless tangle of recollection and apprehension,” who admits to us that he is in effect an unreliable narrator?

For here is Stephen six decades on, returning to old haunts and trying to piece together events that took place during the blackout in a residential cul-de-sac located on the fringes of London, perhaps something similar to the Middlesex environment in which the author himself grew up. For, as we all know, growing up is often the hardest thing we have to do in our young lives.

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From Fantasyland to Discworld: #MarchMagics2026

#MarchMagics2026. CalmgroveBooks.WordPress.com

“They say a little knowledge is a dangerous thing, but it’s not one half so bad as a lot of ignorance.” — Sir Terry Pratchett.

This is an announcement for fans of Diana Wynne Jones and Terry Pratchett: I will again be hosting #MarchMagics2026 (formerly very ably hosted by Kristen Meston of Webereading.com) under this year’s tagline From Fantasyland to Discworld.

I say “hosting” but I mean it in a very loose way: all that’s required for you to participate is that you read at least one title by one or the other author and – should you so choose – let me know in the comments section of a wrap-up post at the end of March what you read.

In addition, if you care to post a review, a discussion, a thought or a photo of yourself accompanied by a relevant title on social media using the hashtag #MarchMagics2026 that’d be extremely gratifying! Each March is of course when some of us remember the passing, both in the same month, of Diana in 2011 and Terry in 2015.

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It’s in the genes: #ReadIndies

19th-century engraving of a Eurasian lynx.

Hox by Annemarie Allan.
Kelpies / Floris Books, 2008 (2007).

Hox genes really do exist and they do control growth within the body. As for the rest, when I came across an article on the web about how ancient mammals had more Hox genes than they do now, it set me wondering … What if those Hox genes were reintroduced? — ‘Author’s Note’.

Young Robbie Burns – yes, that’s his name – is an only child, with few real friends. His scientist mother died after he was born, but his father Michael still works at the Institute for Animal Research at Duncraig, a town to the northwest of Edinburgh somewhere near Stirling.

But all is not well: Robbie feels out of sorts with his father, sensing there are secrets he’s not been told. And when after visiting his father’s workplace he overhears an argument between the Institute’s director and Michael it adds to his suspicions. 

Then in one of the barn-like labs where Michael’s colleague Joe works he comes across a pair of lynxes called Baldur and Freya confined to cages; after he receives a shock out-of-body experience in connection to Baldur he realises he’s arrived at a crossroads in his young life, one where his future, and that of the lynxes, will rest on a crucial decision he’ll have to make.

Continue reading “It’s in the genes: #ReadIndies”

Bookwise 2026/1

Goodreads 2025.

January 2026
A new year means a new series of Bookwise, my monthly look at books read, books to be read, and bookish matters discussed. According to Goodreads my top three genres for 2025 were classics, fantasy and mystery/thriller; it will be interesting to see if that will be the case by the end of 2026.

This month I’ve focused mainly on Nordic titles for #NordicFINDS by fitting in Danish and Finnish authors – the latter translated from both Finnish and Swedish – but I also started on Japanese Literature Challenge 19 (a meme straddling January and February), and considered a 17th-century feminist utopian classic for the Speccy Fiction Challenge and #VintageSciFiMonth.

Then there was Emily St John Mandel’s Last Night in Montreal, a mystery thriller with hints of magic realism; I also discussed aspects of Philip Pullman’s fantasy thriller The Rose Field and Agatha Christie’s alter ego Ariadne Oliver, along with a review of Christie’s cosy mystery The Pale Horse. So you can see that already I’ve included books that match 2025’s top three genres!

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Trickster: #NordicFINDS

‘Young Hare’ (‘Feldhase’ 1502) watercolour by Albrecht Dürer.

The Year of the Hare
by Arto Paasilinna.
Jäniksen vuosi (1975)
translated by Herbert Lomas.
Peter Owen, 2006 (2005).

It’s the mid 1970s and a Finnish journalist, bored with a job down south which he thinks is petty and pointless, sells his boat and starts to head north towards the Arctic Circle. This describes not just Kaarlo Vatanen, the protagonist of Arto Paasilinna’s road novel, but the author himself: finding journalism becoming, in his own words, “more superficial and meaningless” he too sold his boat.

But the sale was not primarily for a trek northwards but to support Paasilina financially while he wrote The Year of the Hare, which was eventually published as Jäniksen vuosi in 1975. Yet may we not be forgiven for thinking of this narrative as an obvious example of a piece of autofiction?

After all, Paasilinna was a Laplander, possibly even descended from the indigenous Sámi people of Finnish Karelia, and the obvious love of and ease with the north comes across strongly in the novel, in contradistinction to the dissatisfaction and trouble Vatanen gets into when spending time in towns. But I believe there’s more to The Year of the Hare than a personal fable of alienation with urban life.

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I prefer pi: #JapaneseLitChallenge19

© C A Lovegrove.

The Housekeeper and the Professor
by Yōko Ogawa. 
Hakase no ai shita suushiki (2003),
‘The Professor’s Beloved Equation’
translated by Stephen Snyder (2008).
Vintage Books, 2010 (2009).

Are all things quantifiable, and all numbers fraught with poetic possibility?

For mathematicians the patterns and relationships of numbers, algebraic formulae and much else constitute a numerical equivalent of poetic truth: there will be number rhymes, palindromes, narratives and maxims that reach out towards a glimpse of the meaning of life, the universe and everything.

In Yōko Ogawa’s novella – a modern classic, if ever there was one – equivalence also applies to the four main characters who by dint of much personal effort have to arrive at some understanding how they might relate to each other.

For though they present as human equivalents of ciphers – their real names are never indicated, just their functions – they are certainly not nonentities, and the descriptions of how they learn to gel with each other is the heart and soul of the narrative.

Continue reading “I prefer pi: #JapaneseLitChallenge19”

Weird Sisters

‘Death on a Battlefield’ (detail from ‘Les cinq Morts’ series, 1646-7) by Stefano della Bella.

The Pale Horse by Agatha Christie.
HarperCollinsPublishers, 2017 (1961).

“And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him.” Revelations: chapter 6, verse 8

If a housekeeper was more efficient about repairing Father Gorman’s cassock, and if an observant witness hadn’t reported seeing him followed by his apparent assailant, a series of seemingly unrelated deaths might never have been linked. If a scholar hadn’t been slumming it in a Chelsea coffee bar and a writer of crime fiction hadn’t later phoned him about a curious feature concerning an unexpected death the true cause of these several demises would never have been suspected.

And if a flower shop assistant hadn’t casually slipped a reference to a pale horse into a dinner conversation we readers would never know whether the name of a former Devon pub was a red herring or a blue chip clue to serial murders.

Discerning that relationships between such superficially random incidents must exist a motley alliance of individuals from the police and the public therefore attempt to arrive at a solution before another innocent dies.

Continue reading “Weird Sisters”

The faculty of imagination: #TheBookOfDust

Map of Lyra’s Oxford, with a globe showing the Eurasian landmass. © C A Lovegrove.

“No; we have other ways of travelling.”
  “The way you have,” Lyra said, “is it possible for us to learn?”
  “Yes. You could learn to do it, as Will’s father did. It uses the faculty of what you call imagination. But that does not mean making things up. It is a form of seeing.”
  “Not real travelling, then,” said Lyra. “Just pretend. . .”
  “No,” said Xaphania, “nothing like pretend. Pretending is easy. This way is hard, but much truer.”

— ‘The Amber Spyglass’ (chapter 37)

The angel Xaphania in Philip Pullman’s The Amber Spyglass (in the trilogy His Dark Materials) alludes to imagination in a way which anticipates much of the matter making up The Book of Dust trilogy. In The Secret Commonwealth Lyra and her dæmon Pantalaimon had become so estranged that Pan decided to undertake a journey to Central Asia to find what he called Lyra’s imagination, the culmination of which were the events in The Rose Field.

I owe it to several online sources to have discovered the significance of Xaphania’s name. As with an early modern literary demon called Xaphan, the angel Xaphania appears to derive their name from the Hebrew tsaphan; the verb’s several meanings include ‘to hide by covering over’, implying hoarding or reserving. On a figurative level it can allude to denial, protection, shadowing or stalking – it’s thus a fairt multivalent word.

Many of these meanings can be applied to the faculty of imagination: this form of seeing is something to treasure but not to lock away, deny, or lose. Lyra’s dæmon is trying to somehow reverse his human’s aphantasia, her inability to form mental images. Or rather, her loss of ability to form such images, because as an adult student she has learnt to only accept what seems reasonable.

Continue reading “The faculty of imagination: #TheBookOfDust”

Interpret as you please: #VintageSciFiMonth

From Athanasius Kircher’s Mundus Subterraneanus (1665).

The Blazing World
by Margaret Cavendish.
Penguin Archive, 2025 (1666).

What, said the Empress, can any mortal be a creator? Yes, answered the spirits, for every human creature can create an immaterial world fully inhabited by immaterial creatures, and populous of immaterial subjects, such as we are, and all this within the compass of the head or scull.

‘The Blazing World’ (or, to give it its full title, The Description of a New World, called the Blazing-World. Written by the thrice-noble, illustrious, and excellent Princesse, the Duchess of Newcastle) has been called many things: ‘bonkers’, for example, and the first English science fiction novel, as well as the first to be written by a woman – while ‘feminist utopia’ is also a common description.

Given that it’s the best part of four centuries since it was first published there are a few questions about The Blazing World that we might want to ask, among them, ‘Why was it written in the first place?’ and ‘Why should we moderns consider reading it?’ Is it merely a bit of fun, something to entertain us, and does it inform, is it something we can learn from? Or are we justified in giving it a miss?

I can’t guarantee I’ll end by supplying cut-and-dried answers to these valid queries but I’ll certainly make the attempt – even if the end result is to merely suggest that I’ve read it so that you don’t have to.

Continue reading “Interpret as you please: #VintageSciFiMonth”

The Ariadne Oliver enigma

‘Woman in a Blue Cloche Hat’ (1930) by Edouard Vuillard.

On this day fifty years ago the celebrated crime writer Ariadne Oliver departed this life. Her books have long been out of print but in her day she was well known as the author of at least nine novels about Swedish detective Sven Hjerson.

She was a member of the Detection Club, a society of mostly British crime fiction writers, along with such luminaries as G K Chesterton, Dorothy L Sayers, Ronald Knox, Freeman Wills Crofts, A A Milne, Hugh Walpole, Baroness Orczy, Margery Allingham, John Dickson Carr, Cecil Day-Lewis, E C R Lorac, Christianna Brand, Edmund Crispin, Michael Innes and, of course, Agatha Christie.

But sadly the glitter that is her literary legacy has somewhat faded and—— hang on! my bad, I’ve got that wrong: I’ve confused Mrs Oliver with her onlie begetter, the Queen of Crime. It’s of course Ms Christie, the half-century of whose demise I should instead be celebrating marking!

Continue reading “The Ariadne Oliver enigma”

“Rather happy tales”: #NordicFINDS

A young Tove Jansson in her studio.

Fair Play by Tove Jansson.
Rent spel (1989)
translated by Thomas Teal,
introduction by Ali Smith.
Sort Of Books, 2007.

“[A] novel of friendship, of rather happy tales about two women who share a life of work, delight and consternation.”

If Fair Play was a science fiction title one might be tempted to call it a ‘fix-up’ novel; alternatively it might be viewed as a short story cycle or story sequence, maybe even a novel-in-stories or composite novel consisting of vignettes; whatever it is it’s not what would be regarded as a traditional novel or novella with a narrative held together by strong plotlines hurtling towards a conclusion.

But, given that this is a glimpse into the fictional lives of two Finnish artists called Jonna and Mari, perhaps it would be more apt to see it as the equivalent of pictures at an exhibition, a selection of portraits, landscapes and scenes of daily life hung in the literary equivalent of a gallery or artist’s studio.

And, given that Jonna and Mari bear more than some resemblance to Finnish artists Tuulikki Pietilä and Tove Jansson it’s fair to say that what at times feels like third-person memoir amounts to autobiographical fiction or even what’s known by the clumsy term autobiografiction. Yet slotting this slim volume into a neat literary category gives no more an impression of the real nature of Fair Play than, say, describing a beloved pet cat as a ‘four-legged mammal’.

Continue reading ““Rather happy tales”: #NordicFINDS”

“Yet a stranger in the world”

© C A Lovegrove.

Last Night in Montreal
by Emily St John Mandel.
Picador, 2015 (2009).

‘Stop looking for me. I’m not missing; I do not want to be found. I wish to remain vanishing. I don’t want to go home.—Lilia’

The title of any novel is, initially anyway, often the only clue we have regarding what the novel is about, apart maybe from a striking cover design or a publishers’ blurb. So when you’re faced with Last Night in Montreal you’re already trying to make what you hope are educated guesses concerning the context.

Time and space is what the title suggests. But does it refer to the night just gone or the one about to be experienced? And is it solely about a city in Québec or, as we soon discover, also set in places the length and breadth of the United States? 

Mandel’s debut novel is rich and allusive, offering up texts and images drawn from myth, art, the Bible, Shakespeare, circus skills and disappearing languages; it also probes into familial abuse, deception and death. If it appears at times rambling, incoherent, confused and obscure, it’s nevertheless a novel I believe that repays a bit of work, with allowances made for the occasional longueurs.

Continue reading ““Yet a stranger in the world””

2025 described in books I’ve read . . .

Goodreads 2025.

. . . Just kidding!

Using only books you have read this year (2025), answer these prompts. Try not to repeat a book title.

Every year Annabel, Cathy and a few other cool bloggers answer a set of prompts with titles of books they’ll have read over the previous twelve months. The idea is to give a (not entirely accurate) personal impression of the year just gone entirely in book titles.

Though its origins have been lost in the metaphorical mists of time, this fun questionnaire often elicits some fascinatingly wicked – and wickedly fascinating – juxtapositions which, hopefully, form a suitable diversion from the pressing need to … formulate New Year’s resolutions.

And, being me, I can’t resist adding justifications for my choices of book titles. If my cheeky responses won’t exactly make you splutter over your mouthful of morning coffee then they may nevertheless prompt a grin or two. It’s just a bit of fun!

Continue reading “2025 described in books I’ve read . . .”

Turning points: #NordicFINDS

From a 1950 poster of Copenhagen.

The Umbrella by Tove Ditlevsen,
translated by Michael Favala Goldman.
Penguin Archive, 2025.

Included in the collection The Trouble With Happiness: And Other Stories, all translated by Michael Favala Goldman and first published in English in 2022, these ten short stories give an insight into Ditlevsen’s bleak worldview in which women and men and even children struggle to understand each other as well as themselves.

Reflecting aspects of Ditlevsen’s own disturbed life, at different stages afflicted by alcohol and drug addiction, several divorces and eventual suicide in 1976, this is not a sequence to consider tackling if you’re looking for positive, uplifting reflections on life.

But that’s not a reason for giving it a wide berth: her skill in evoking the kinds of ordinary domestic scenes and situations that are universal, regardless of period and geography, is one to be savoured; and, in depicting the kinds of turning points in life that many of us may possibly recognise in retrospect, we can start to appreciate just how well Ditlevsen can suggest so much in so few words.

Continue reading “Turning points: #NordicFINDS”

2025 in Books

Goodreads 2025.

As an adjunct to Bookwise 2025/12 here are some images offered by Goodreads.com to illustrate my bookish progress near year’s end, starting with this confusing statistic and thus raising a query: Did I, or did the pages I read, walk around the ‘pyramid of Giza’? And which structure did they mean – the Great Pyramid of Khufu/Cheops, or Khafre’s pyramid, or Menkaure’s?

If the Great Pyramid is meant (as I suspect it is) and we know its base perimeter is roughly 920 metres, then 18,900 pages works out at around 20.5 pages a metre; however, given that a mass market paperback measures on average 10 by 17 centimetres I can’t quite make the numbers add up.

I guess what I’m supposed to gather from this ‘statistic’ is that either I’ve read a lot of pages and that’s A Very Big Number, or that it would take me a year to walk around Khufu’s monument, book in hand, reading, and presumably towing a book trolley behind me piled high with 80+ volumes. Thank goodness I’ve a few pages to spare after that trek, or I would be at a complete loss what to do next…

Continue reading “2025 in Books”

Bookwise 2025/12

© C A Lovegrove.

Here we are, nearly a quarter of the way through the 21st century, approaching the dying of another year and the end of another December. And naturally it’s time for the final Bookwise of 2025.

It’s also traditional to register the statistics of how many books were read, what genres were covered, what book events were successfully completed, and to tick off the nationalities and genders of all the authors who featured. But I’m not going to do that.

Why? Mainly because I can’t be bothered – yes, I’m a lazy so-and-so! – but also because I’m not sure it’s of much interest to anyone other than myself and any secret stalkers lurking online. (If it is of interest, and you’re not a stalker, I heartily apologise.) Instead, I’ll just stick up some random thoughts about the past year and leave it at that.¹ Does that suit you?

Continue reading “Bookwise 2025/12”

The caustic critic

‘Mary Ann Evans’ by François D’Albert Durade (1850), National Portrait Gallery.

Silly Novels by Lady Novelists and Other Essays
by George Eliot / Mary Ann Evans. Renard Press Ltd, 2023.

Though she is known as a great English novelist of the nineteenth century, we may be less familiar with the fact that George Eliot began her literary life translating, writing for journals, and later as an editor of and critic on the Westminster Review. Just before her death she was still writing satirical pieces under the guise of pseudonymous criticism.

This selection of five pieces of varying length spans a quarter of a century, ranging from literary critique through review and on to satire. In them she is variously trenchant, parodic, insightful and splendidly opinionated, all expressed with a sure lexical skill and magisterial style.

If the writing at times appears dense and prolix, embedded in massy paragraphs, I found that reading the text out loud helped not only to clarify the points she was making but to illuminate how her prose at one moment appears conversational yet insistent and at another designed, like a public lecture, to enlighten the audience on an unfamiliar or obscure topic; and it made me wonder what it would have been like to listen to her speak and be captivated by her thought processes.

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‘Xmas’ marks the spot

© C A Lovegrove.

The Christmas Clue by Nicola Upson.
Faber & Faber, 2025.

Christmas traditionally is a time for tidings of comfort and joy, goodwill to all and peace on earth; festivities round a fire with family and friends; and leisure pursuits like charades and trivial games of skill.

Yet it’s no contradiction that it’s also a time for overindulgence, for ghost stories, and for murder mysteries. What better, then, than to read a story combining that other expected seasonal staple – snow – with rich food, a board game … and death?

So that’s what Nicola Upson serves up for us: a snowbound Tudorbethan hotel in wartime, a proposed origin for the popular game of Cluedo, and means, motives and opportunities for murder!

Continue reading “‘Xmas’ marks the spot”

“Ne had her compasse lost”: #DoorstoppersInDecember

Hermaphrodite figure with egg from 16th-century alchemical text ‘Splendor Solis’ by Salomon Trismosin.

The Rose Field:
The Book of Dust, Volume Three
by Philip Pullman,
illustrated by Christopher Wormell.
Penguin / David Fickling Books, 2025.

‘But who?’ said Lyra. ‘Who is waiting?’

For loyal readers the answer to Lyra’s question which opens The Rose Field is ‘Us! We have been waiting!’ Because it’s been six years since Volume Two, The Secret Commonwealth, was published in 2019, which followed two years after Volume One, La Belle Sauvage.

Six long years but, I think, worth the wait. Yes, it hasn’t pleased all fans, but in due course I’ll give my reasons as to why I find it a satisfying conclusion to the trilogy, even if it’s not wrapped up with bells and whistles.

We last were left wondering if Lyra would ever reconnect with her dæmon Pantalaimon after he’d left to find what he called her imagination, and the pair – along with several other key players – took their several routes across Europe and Asia Minor, heading towards a mysterious building in Central Asia. But it also turns out that at its heart The Book of Dust is not solely about Lyra and Pan but about us and our imagination.

Continue reading ““Ne had her compasse lost”: #DoorstoppersInDecember”

Ghostly goings-on

© C A Lovegrove.
© C A Lovegrove.

The Beasts of Clawstone Castle
by Eva Ibbotson.
Macmillan Children’s Books, 2014 (2005).

This is a story about two youngsters who go to stay for a few months with two elderly relatives in a run-down English castle up near the Scottish borders, and about how they use inner resources and personal initiative to right wrongs.

It’s also about beings out of history, legend and folk traditions, and how in a world with new technology the power of the old is more than equal to the lure of power and money. It’s a perennial theme of course, and no less effective for being retold.

And, in the way that Ibbotson seemed to enjoy doing with her writing for younger readers, there’s so much detail that at first seems unconnected; but her skill was to finally bring all the loose strands together, tie them up in a satisfying fashion and even add a pretty bow in the promise of a sequel!

Continue reading “Ghostly goings-on”