Papers by nupur srivastava
Journal of Natural Fibers, 2018
A diverse range of natural fibers is produced in many countries providing an important source of ... more A diverse range of natural fibers is produced in many countries providing an important source of income for farmers and local communities. With the UN declaring 2009 as the Year of Natural Fibres, for the state of Uttarakhand the development comes as a fillip to its efforts toward promoting the use of natural fibers. Some of the commercially important natural fibers found in Uttarakhand are obtained from Sisal, Agave, Bhimal, Hemp, Jute, and Nettle. This review article describes some of the fiber-yielding plants of North West Himalayas with special reference to Uttarakhand. Many of the natural fibers described have been traditionally used by the rural communities; some of the traditional processing techniques employed have been described along with other natural fiber plant species that have the potential to provide alternative employment opportunities. This review article aims to compile the record of fiber-yielding plants of Uttarakhand, which will lead to increase the contribution of fiber-yielding plants in the rural economy and ecosystem of the state for achieving sustainable socioeconomic development.
India is a land of diverse religions; variant art flourish here, one of them is Mandala art. Mand... more India is a land of diverse religions; variant art flourish here, one of them is Mandala art. Mandala is patronized by the Buddhist people. Buddhist art refers to representation of religious images, sculpture, dance, visual mythology and symbols. They use this art mainly for meditation. The meaning of Mandala comes from Sanskrit meaning “circle”. Even though it may be dominated by squares or triangles, a Mandala has a concentric structure. A set of eight auspicious symbols which are known as Astamangala is most popular in Tibetian Buddhism. Information was collected regarding Mandala designs and their adaptation for screen printing. Purposive sampling was done and information was gathered from the Buddhists and lamas of Uttarakhand. Data was collected from both primary and secondary sources. The motifs were adapted for development of center, all over, border and corner designs suitable for screen printing. Forty five motifs were adapted from the nine mandala motifs and were modified ...
The costumes and textiles of Bhotia tribe have changed and are still changing due to the social c... more The costumes and textiles of Bhotia tribe have changed and are still changing due to the social change process. Variation that occurred in the traditional costumes and textiles over time is due to the interaction of various social change factors which affect the perspective, requirements, interest and preferences of the people for the selection of their costumes and textiles. At the same time it bequeathed the way for contemporary and modern costumes and textiles which eagerly accepted in the society. Traditional costumes and textiles adversely affected by this trend and did not pass to next generation but to the antiquity. This study aims to document the traditional costumes and textiles of Bhotia tribe. Bhotia tribe has many recognisable subgroups ; this paper mainly compiles information about Uttarakhand Bhotia. 1. Introduction Costume, whatever might be its origin, provides the visible index of the homogeneity and the unity of people or their absence. Very often it expresses some of the structure and aspirations of a society. In modern occidental civilization it has grown into something more than a mere accessory designed to set off physical beauty. Costume has been functioning as a fashioner of personality and has tended to be cultivated as an art. The need for costumes originated with mankind's need for coverage and protection from the elements of nature. Later, it became a means of adornment to help enhance beauty and reflect social factors such as religious symbols, personal identity and status. According to Roach and Eicher (1974), the step towards dress was the impulse that arouse in man to attach something to his body. According to Bishwas (1989), the idea of the upper garment emerged perhaps after the skirt. It could be that one day the chief of the tribe came home wearing the skin of some animal about his shoulders and that started a craze. Every hunter would try to save the best animal skins to display over his body. It made him to look impressive. The chief and the principal men of the tribe claimed special clothing and ornaments. This gave birth to the idea of dress as a symbol of dignity, distinction and status. The experimenting process plodded its way through time till it reached the gates of ancient river valley civilization. The Egyptians were the first to leave their records of costume. Indian culture and its rich heritage of tradition are reflected in many ways such as art, costumes, textiles and embroideries of various region of the country. Clothing in India varies depending on the different ethnicity, geography, climate and cultural traditions of the people of each region of India. Historically, male and female clothing has evolved from simple kaupinam, langota, dhoti, lungi, saree, gamucha, and loincloths to cover the body to elaborate costumes not only used in daily wear but also on festive occasions as well as rituals and dance performances. India also has a great diversity in terms of weaves, fibers and colours. The clothing in India also encompasses the wide variety of Indian embroidery, prints, handwork, embellishment, styles of wearing cloths. A wide mix of Indian traditional clothing and western styles can be seen in India. India has 29 states which are different in their culture and tradition. The state Uttarakhand is one of them is famous for its unique culture and tradition. Uttarakhand is also famous for its different tribes and their culture which represent the ethnic groups residing in the state. The treasure of tribal arts and crafts of Uttarakhand, a land of myriad culture and people, is
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Papers by nupur srivastava