follow - a qaf fic
When I walk into the studio, I feel the need for music. I make a beeline for the small stereo that is squashed into the corner of the room and flip it on. I turn towards the canvas that I’m working on and prepare my paints. But as I’m mixing the light blue, the music makes me stop.
If heaven and hell decide that they both are satisfied
Illuminate the ‘no’s on their vacancy signs
If there’s no one beside you when your soul embarks,
Then I’ll follow you into the dark.
[I Will Follow You Into the Dark by Death Cab for Cutie (p) Atlantic Recording Corp.]
I can feel the tears starting to form. Quickly, I brush them away and turn back to the painting. And, as I stare at it, inspiration comes.
I grab my brush and get to work. Furiously making strokes on the canvas, splattering paint all over my clothes and skin; blues, yellows, and blacks cling to my jeans and shirt. But I don’t care. The only thing that I care about is finishing the painting.
With each stroke that I make on the canvas, tears pour down my face. Getting faster and faster until I can barely see what I’m doing. I don’t need to see what I’m painting though, I already know the subject by heart.
I don’t look at the finished painting. I exit the building and run to my car. The chilly
When I get onto the highway, I start to hyperventilate. I attempt to take deep gulps of air but the world is closing in. I don’t catch my breath until I’ve passed the city limit.
The tires screech as I turn onto Tremont and hurriedly park my car. I rush up the stairs to the sliding door that I’ve come to know over the past 6 years. This is the first time that I’ve felt unable to open it. Instead I pound on the door, hoping that he is inside.
There’s a scuffling noise and I hear him swear. The roar of the door hinge seems louder than ever. Then I’m in his arms, sobbing and burying my face into the crook of his neck.
“Hey. Hey, it’s ok. Shhhh. Its all ok. You’re fucking here. Why are you fucking here?”
“I – I made a mistake.”
“Oh?”
“Do you forgive me?”
“No apologies, no regrets”
“This is no apology.”
“Just come in.”
“I love you Brian.”
“Yeah, yeah. Don’t get too much more lesbianic please – you might kill me.”
“Take me back.”
“You were never gone.”
There is a painting that hangs in the office of Brian Kinney. It’s of two people. Surrounded by darkness. Separated. And yet, they seem to be connected by a swirl of electric blue and a thread of sunshine yellow.
Under the painting, there is a plaque telling people that the title of the painting is “Follow.” Along with the title, the plaque has a personal note. “I will follow you. For life is only time and love is forever.” The signature at the bottom of the painting is in bright yellow: JTaylor ’06.