A Job For The Dukedog At Last

I posted in the build up to the Glasgow show about our struggles to get our Bachmann Dukedog to do any useful work  on Minffordd because it struggled with the combination of gradients and very tight curves.

You can read that post here.

The solution presented itself to me in a moment of serendipity as I wandered towards the tea and coffee room past the display of one of the second hand traders I buy from most often - The Junction Box.

There on Ian's stall, calling to me, was a Bachmann inspection saloon in crimson and cream livery, which is much more appropriate to our era than the blue/grey example we already have in our stock box.

I had intended to resist all temptations over the weekend, but this seemed like it had my name on it.

Plus, a not half an hour previously, we'd just been presented with our prize for Best In Show, so I figured I deserved to treat myself as a small reward.

I can report that the Dukedog can manage to haul this one carriage around the layout, however I doesn't have the guts to propel it up the slope into the exchange yard, slipping to a stand before it is halfway up...

That is not to say that the tinkering which Himself carried out before the show has not made some difference.

It will manage - just - to haul three Bachmann Mk1s with the weights removed in the Pwllheli direction - but going the other way it will slip to a stand when it hits the tight curve into the fiddle yard.

There is limited scope for adding more weight to this model and Himself has tried three alterations.

1) Shortening the spring above the front bogie to equalise the contact of the four coupled wheels.

2) As another means to achieve this he has added a very gentle spring between the coupling bar and the base of the tender, again to direct a downward force on the driving wheels.

3) Some very small and thin pieces of lead have been fixed to the baseplate between the driving wheels.

As you can read above, the effect has been quite minimal, but at least we've found something it can do on the layout.

Eventually I suppose we might learn how to do double-headers - or 'consists' as they insist on calling them - using our NCE handsets, but from reading the instructions that looks like a very complicated process which requires many steps to be memorised....

The Hitman And Himself

It's not false modesty when I say that no one was more surprised than I was when Minffordd was named as the winner of 'Best In Show' at Model Rail Scotland at the weekend.

I've been coming to the show at the SEC in Glasgow for nearly 35 years now - my first visit was in 1993 - and I think the quality of the layouts this year was the highest I've yet seen at the venue.

I must confess I was absent for the moment of presentation on the Saturday afternoon.  

I'd been operating for most of the day and handed over to one of our team so I could sort myself out with a cup of tea in the rest room set aside for the hundreds of volunteers who make the show happen.

I hadn't even reached the doors to the hall when my phone rang to summon me back, for what I assumed must be either to sort out a catastrophic derailment or some other kind of dreadful emergency.

As I returned I saw Himself beaming, and clutching a very heavy glass trophy!

I am sure I wasn't alone in assuming that this award - the Jim Grieve Memorial Trophy to give it its proper title - was certain to be presented to Pete Waterman's massive, and massively impressive, Making Tracks 3.

This modern image monster of Milton Keynes was no doubt the big 'must see' attraction for many of the visitors who came to the show, on its first time being displayed in Scotland.

Everything about it is remarkable, not just in terms of size, but the intensity of the operation, the number of people it takes to operate it, the vast collection of full-length trains, the standard of presentation, and perhaps most importantly, the consistent standard of scenic modelling which I have always believed is the most essential element of a good layout.

You may have some individual pieces on a layout, be they trains or scenic features, which are absolutely exquisite, but if they are very obviously of a different standard to everything else around them then it is jarring and spoils the overall effect.

The great music mogul and famous railway enthusiast - and his team of Railnuts - did not leave empty handed because Making Tracks was named Best Visiting Layout (as distinct from the exhibits from clubs who are part of the Association of Model Railway Societies in Scotland, which includes our club in Greenock, under which banner Minffordd was appearing.)

There is also a category for AMRSS exhibits, which I had dared to hope we might be a contender for one of the top three placings.

The first place for that went to Hazelbank from the Scottish Diesel and Electric Group who have a well-deserved reputation for producing top-quality modern image layouts - although I suspect I may be showing my age by categorizing the 1990s as modern.....

This is a 'what if' for what might have happened if the Waverley Route had never closed.

There were many other layouts I very much enjoyed watching, including ‘Moor of Rannoch’, a very small slice of the vast, bleak tract of land the West Highland Line passes through, cleverly using the famous snow shelter as a scenic break.

It is the essential bleakness of this layout, and the accurately-represented bleached tones of the vegetation, which make it so effective to someone who has spent time in that lonely spot while hillwalking.

It has a quite a 'Bron Hebog' feel about it, I think.  Wouldn't it be marvellous to do something like this in N gauge and with the same depth and emptiness as our layout?

OK, maybe not....

There was also a good selection of narrow gauge to be seen at the show, including a chance to be reacquainted with the Clyre Valley Railway which was a deserved prize winner at the last Warley club show at the SEC when we took Bron Hebog there as part of the anniversary celebrations for the 009 Society.

And in 7mm scale, and showing the less 'cute' side of narrow gauge railways, was a terrific representation of the industrial system around the Bowater's paper mill.

Summer Holiday Traffic

Realism on a model railway is a funny thing.

Sometimes it is possible for things to be too accurate, as strange as that may seen.

When looked at in miniature form they just seem wrong.

I was thinking about that this evening as I was placing the loose vehicles as we set up Minffordd for the Model Rail Scotland show which opens tomorrow (Friday 27th March to Sunday 29th).

In the back left hand corner of our scene is a short section of the main road into Porthmadog.

After setting out two or three of them, plus our Crosville bus heading for Blaenau, I wondered whether I'd crowded the scene a little?

And then I thought again and added as many as I could until they were nose to tail.

Because I'd remembered the hours I'd spent in a baking hot car as a child sat in traffic jam to pay the toll for crossing the Cob which often stretched all the way back to Penrhyndeudraeth - in my memory, at least.

So if visitors at the SEC this weekend engage us in conversation and feel moved to comment that there are 'too many cars on that road,' I shall feel free to contradict them.

Calm Before The Storm

I popped in at Himself's place the other day and couldn't resist taking a few phone snaps of Minffordd with the late afternoon sunshine creating an almost sunset-like effect over the layout.

All the adjustments and improvements made through the winter are complete and have been thoroughly tested, and now it's ready to be taken down, bolted to its travelling frames and taken for the short ride to the SEC in Glasgow for the Model Rail Scotland show which opens on Friday morning.

Before too long I would hope one of the magazines will arrange for a proper photographer to come and do a proper shoot which do it more justice than I can manage with an ageing iPhone.

This view, which is rather like the one you'd get standing on the roof of the down platform shelter at Minffordd, reminds me of one of the things which makes it such a different kind of narrow gauge model - the double track main line effect.

This is a very the public doesn't really get to see, and is one of those bonuses of being a layout operator. 

Unfortunately, those who are not familiar with the FR don't get to see what an attractive building the Weigh House is, only getting to see it's rather plain back wall.

For now it all looks very sleepy and abandoned, but in a couple of days the Simplex will be busily phut-phut-phutting around the yard, up and down the ramp to the 'coal hole' while mineral wagons and empty gunpowder vans are shunted along the long siding high above.

If you're able to come along to the show please say hello to the team.

For those who can't we'll do our best to share pictures and videos on our social media so if you don't already do so follow us on Facebook, Bluesky and X (the the continuation of an account does not indicate endorsement or otherwise of the proprietor....)

A Mickey Mouse Layout

 We're going try something daring in Glasgow next weekend - running a guest loco!

This is always fraught with risk, especially on a layout with extremely tight curves and using Kadee couplings where it pays to make sure everything is set to the same standards.

However, with the extra train capacity in the fiddle yard extensions, and with a question mark about the usefulness of the Dukedog, I thought it would be prudent to ask the Medical Director if he fancied bringing along his sound fitted Ivatt 2MT - a class sometimes nicknamed a Mickey Mouse, I know not why - because they were also to be found on the Cambrian at this time.

This particular engine 46334 did not work the Cambrian under BR ownership but is well known for doing so in preservation having been called to substitute for a failed Standard 4MT when steam first returned to the coast in the mid-1980s.

I expect the greatest challenge with this loco will be the Medical Director’ idiosyncratic technical set up.

In common with much of his fleet this loco operates in the reverse of what you might expect.

Select forward on the controller and the loco goes backwards, and vice versa.

Who is going to be the first among the crew to forget this minor detail?

A Sense Of Purpose

The structures which probably most draw the eye on our layout, and anyone looking at the real Minffordd Yard are the two very large slate sheds.

You can't miss them whether you are passing on an FR or Cambrian train, or even driving past on the road.

It wasn't until after the period in which our layout is set that they ever became railway property.

However, they were always crucial to the purpose of the exchange yard, built as an outpost of the Maenofferen slate mining company for exporting their products by rail.

In our period they were being used by the Davies Brothers slate merchants who still stacked their slates on the wharf opposite the Cambrian station platform, although nearly everything came in and out by road.

To add operational interest we shunt narrow gauge waggons on the long sidings which run in front and in between the sheds even though at this time the FR respected its tenant's privacy at that end of the yard. 

A vital part of setting the scene is the large stack of slates behind the shed.

To represent this I was fortunate to be gifted some spare 3D printed blocks which I was able to cast dozens of copies from to complete the effect.

The sheds were built on a styrene skeleton with brick-effect pillars also cast in resin from a single master.

Much as with the real sheds most of the structure is the roof.

With such an expanse of slate I thought it was vital it the slates were in three dimensions so I made use of the thick Wills sheets.

Two of them needed to be bonded together on each elevation, doing my best to disguise the join.

Some people do wonder why we don't have tracks leading into the sheds, but this is actually a modern feature - well, 50+ years old now - after the FR took ownership and raised the roofs to make use of them to store rolling stock over the winter months.

Slippery Customer

The Dukedog is one of those mythical beasts for me.

There is only one, and I’ve never yet managed to see it, even through it spent the last couple of years on display in mid-Wales before its recent transfer to the Engine House on the SVR.

I was unable to resist the temptation to buy one of these Cambian icons to run on Minffordd, even though it is at the very edge of our 1960's period. 

I regret to say, however, that the performance of the Bachmann model is more than a little disappointing.

Oh yes. it runs very silkily, but don’t expect it to haul much.

On Minffordd where we have a sharp change in  gradient - a dip at the front of the scene to help with the illusion of the downhill plunge towards Portmadog - combined with curves which are on the radius 2 limit, leave it slipping to a stand with just two carriages!

Even the shortest of freight trains - and on the Cambrian there were some very short freight trains sometimes - it struggles because our brake vans have been fitted with retarding devices to help us shunt wagons on the gradient, thus causing a lot of drag.

So Himself is going to have a tinker to see what can be done.

A bit of search engine bothering has pulled up a couple of suggestions, one of which is to fit weaker spring between the front bogie and the frame, with a theory that if it is too strong it may lift the front driving wheels off the rail a little.

Another thing which has been tried before is to fit a spring above the drawbar to the tender to create a downward force on the back of the loco.

Himself will also be looking for places we’re some extra lead weight might be hidden, although the opportunities for that look to be limited on initial examination.

I shall, of course, report back in our findings.

If all else fails then expect a few light engine movements if you ever get to see Minffordd at an exhibition.