
I’ve discussed the ‘Denham List’ of faeries in a couple of previous posts. Here, I want to focus on an aspect I’ve previously paid little attention to, which is the inclusion amongst the faery names of multiple terms denoting the devil or demons. Denham specifically mentioned “demons” and “fiends” alongside his catalogue of faery types but also “Tom-tumblers” and other compounds including ‘Tom,’ ‘Hodge’ and Dick (as in ‘Dick a Tuesday’ and, for that matter, in the exclamation ‘What the Dickens’) which are often ‘nick-names’ for the devil and lesser imps. The inclusion of demons in a list of faeries implies an equivalence between the two and, in fact, there is considerable cross-over between what we might more clearly separate now into ‘demonic’ and ‘faery.’ It’s this I want to pursue a little more here.
The confusion, or combination, of the fae and the satanic is a long-standing feature of western culture. Another example helpfully illustrated by the Denham text arises from the mention of “pans [and] fauns.” Pan (in the singular and as a special name) is the Greek goat god of upland pastures; with his entourage of satyrs and fauns, with their horns, hooves and furry caprine legs, they were imported into Britain from ancient mythology by several routes. Unhelpfully, parallels were drawn between Pan and Puck and his relatives- giving a more ‘respectable’ and, perhaps, ‘learned’ gloss to native supernaturals. As a result, images of horned Pan could be used to represent Puck and other faeries. In parallel with this process, the image of Pan was convenient to the church as a way of representing the devil, and as a result (as may be imagined) iconographic overlap generated further confusion as to identity. If Puck looked like Pan- and Pan looked like Satan- did this mean that Puck was really the devil? This muddling of identities was (as I’ve said before) compounded by the fact that the Catholic church couldn’t readily accommodate faeries and goblins into scripture. Faced with a dichotomy of ‘angels‘ or ‘demons,’ the predictable inclination was to class faeries as evil, although- in day to day terms- Catholic doctrine tended to be rather more flexible and to tolerate a popular belief in faeries as rather vaguely defined but not wholly malign nature spirits. With the Reformation and the Protestant emphasis upon the primacy of the holy text, the matter of classification became a lot more strict. If faeries weren’t mentioned in the Bible- which they weren’t- they had to be devils. This had the effect of further blurring or complicating the definitions.

The subsequent witch trials of the sixteenth and seventeenth centuries certainly made no distinction between faery and demon, setting up Satan as ruler of Faery in a manner that had simply never been seen before and which caused profound confusion between two quite separate bodies of belief. The result of these combined processes was to create a grey area in which popular folklore often mixed up demonic and faery traits. It is surprising to find how much was shared between mighty Satan and ordinary faeries. I will list a few examples here of these commoon features.
Firstly, there is the power of names, for “naming the Devil summons him,” just as knowing a faery’s name gives a mortal power over that being. Because of the name’s power, alternatives were sought, such as references to ‘Old Nick’ and ‘Old Harry’- comparable to ‘the Good Folk’ and the Tylwyth Teg. Another way of raising the Devil was to run in circles around a particular spot. At Great Kimble, in Buckinghamshire, stands the ancient earthwork called Cymbeline’s Castle or Mount; circle this seven times and you will generate unwelcome company- just as may circling certain barrows or fairy rings may call forth the Little Folk (as with the rings at Alnwick, Northumberland and Brington in Northamptonshire, for instance).
The Devil could travel in a whirlwind– and carry off people the same way- just as could faeries. He could take the shape of a huge black dog– a form of faery beast widely known across Britain. The Devil was prone to preventing the construction of buildings that annoyed him, whether by their mere location- such as Barn Hall, at Tolleshunt Knights in Essex- or because a church was being built- as at March in Cambridgeshire. In either case, he objected so much that he destroyed the completed work nightly, until the hint was taken or the counter-measures were employed. The faeries have often interfered with the building of churches in the exactly same manner.
A very common feature of British folk tales is the notion that the Evil One, rather like many faeries, could be quite easy to trick or to fool. At Kentchurch in Herefordshire, the story is told of Jack, who outwitted the Devil in a bargain whereby they each agreed to take the above and below ground parts of the crops sown in a field in alternate years. Jack then sowed corn the first year and turnips the next; when the Devil duly got his agreed share, he had wheat roots in the first year and then turnip leaves in the second. A Northamptonshire boggart or bogie was tricked in just the same manner. At the Devil’s Dyke in Sussex, Satan’s plan was to dig a channel through the Downs and so let in the sea to flood the land with all its churches. He was only half-done when a cock crowed- alerting him to the approach of daylight. Being unable to abide this (just like faeries) he broke off his work- not knowing that a woman had tricked him by simply waking up her cockerel and getting it to crow before dawn. At the Wrekin Hill in Shropshire, the Devil- who was on his way to dam the river Severn and flood Bewdley town- met a cobbler carrying a bag of old shoes. He asked the man how far Bewdley was, and the canny cobbler claimed that he had worn out his sack full of shoes walking from there. Very easily discouraged, the Devil immediately gave up his plan. An extremely similar story is told in Wiltshire, when the Devil planned to bury the town of Devizes with a giant shovelful of earth. To amplify his lack of omniscience, he got lost on the way and asked a man he met on the road for directions. Recognising his interlocutor and- like the Shropshire cobbler- thinking fast, the traveller said, “I set off from Marlborough to Devizes, but it’s so far that my hair was black when I started and now it’s grey!” This made the Devil give up and he dumped the earth right where he stood, forming Cley Hill near Warminster- which is about 17 miles from Devizes. A related account involves setting the Devil impossible tasks which he can never complete, a stratagem which has been employed to defeat a range of supernaturals, including hobs and faeries; tasks such as making ropes of sand or emptying a pool with a holed walnut shell are common.
As I’ve said before, the notion that we can outwit the faeries is a reassuring one- even though they are not, like the Devil, perpetually plotting our temptation and downfall. Nevertheless, if it’s possible to escape the active enmity of Satan, just as you can avoid the almost casual and disinterested harm many faeries inflict, we can understand why such stories spread. More generally, we may speculate as to why the overlap of characteristics exists and whether- in fact- established traits of the native faeries may perhaps have been extended to the devil and his imps.
I wonder if, to a considerable extent, it was a matter of (almost literally) “better the devil you know.” The ascription to the Devil many of the familiar powers and characteristics associated with faeries may have made him seem less threatening and less of a profound eschatological peril. Church teachings imbued him with enormous power, but (in parallel with conventional religious remedies such as faith and prayer) there was surely comfort to be derived from the idea that his powers were flawed and limited and that he could be tricked and defeated- especially, arguably, when that was something available to the ordinary person, without the need for the ‘professional’ intervention of a priest. Likening the devil to faeries brought him down to a more manageable scale, perhaps. If you coped everyday with the Good Folk taking your milk and playing tricks on you, it may have encouraged the hope and confidence that you could similarly deal with the devil.
As I suggested a little earlier, this mixing of powers and predilections can flow both ways. Under religious influence, the notion of antagonism towards church buildings (and aversion to Christian symbolism) appears to have been transferred from demons to faeries. That this process of assimilation may not have been fully completed might be suggested by the fact that, when in stories faeries object to the ringing of church bells, it’s said to be because of the racket they cause, not because of their association with religious services. None of this, I’d argue, was inherent in the nature of the native British faery, but arose from the process of accommodation of the supernaturals to church doctrine.
Overall, though, comparisons between devils and faeries tended to diminish and, to a degree, humanise the former. By making them more like us, we became more of a match for them.





