Hidden in Shadows

 I had the pleasure of running Greg Svensons Tonisborg dungeon using the ZED rules at two conventions this year, and the results were interesting.

Tonisborg is a place not a challenge, so it is up to the DM to decide what, if any, scenario might be in play involving the player characters.  I chose to create an object centered adventure.  In other words, I wanted the players to chase after a specific Mcguffin instead of simply being loot hungry dungeon robbers or some such. 

Tonisborg provides ample opportunity for crafting scenarios because there are so many factions and so many curious inhabitants that must have a story behind thejr presence.

Partly because Tonisborg can be so deadly, and partly because it seems that high level play in 3llb style D&D is so rarely experienced.  I decided to go with 8-12 level characters, and further spiced the fun by handing out character sheets of original players.  For example, someone was playing Lord Oberstar, king of the dwarves.

For this adventure I picked an unnamed Lord and his small retinue found on level seven, and christened him Lord Kervall.  "Kervall" is a name that shows up in one of the MMRPG adventures as a minor noble family of Blackmoor, and I like Easter eggs.

So Kervall and his fours sons (the unnamed fighters with the unnamed lord) are in the dungeon. I decide, because the Kervall family has fallen out of disfavor with the King and Lord Kervall thinks if he finds the legendary crowns his star will rise.  

They have been gone 6 months when Lord Kervall sends a messenger to lady Kervall with partial dungeon maps and instructions to send reinforcements.  Long story short, she hires the party to bring him home instead.   

The first game took place at the Schenectady Wargaming Associations annual "Council Con" at the excellent Proctors Theater venue in downtown Schenectady NY.  This convention dates back to the mid 1970's and is a well attended event advertised in Dragon Magazine.  Known for years as "The Council of Five Nations" it was suspended during covid and was only just starting again under the shortened name.

I had a full table of participants and it was an orderly and thoughtful group.  Following an audience with Lady Kervall, the group journeyed to Tonisborg, met with a Lord Sheriff of the Order of Draconae, spent some time negotiating and questioning him, bought their passes and followed their guide to the dungeon entrance.

Now here is where my cheat for the players kicked in. The messenger from Kerval had given them partials maps with the correct stairs marked to get them to the lord more or less directly.  This was to facilitate the fact that this was a 4 hour convention game and there was no way they could wander Tonisborg and randomly find him.  Further, the route, if followed precisely, would be almost monster free.

This first group made contact with the Order Draconae guards on the second level, questioned them some more, and then proceeded cautiously into the dungeon.  They managed to follow the maps down to level 7 without incident, went around an area of yellow mold (marked on the map), and used an x-ray vision spell to move through a secret door and avoid an oncoming orc patrol.

An ESP spell outside the marked door helped them identify that they had found Lord Kervall and negotiations followed when the Lord refused to leave the dungeon but insisted they had come to help him. The party agreed and followed Kervall on further exploration.  However they soon found themselves in a room with a Cockatrice, which turned Kervall to stone.  Someone shouted to douse the lights and a brief combat entirely in the dark saw several wounds inflicted from friendly fire but some lucky strikes also killed the monster.  The party then convinced Kervall's sons that they really should leave the dungeon carrying the statue with them.

The second game was run at this year's Arnecon convention and followed much the same pattern as the first, but did differ in several ways.

Firstly the players, spent a lot more time discussing terms first with the Kervall messanger and then with Lady Kervall than the first group did.  Then when they arrived at Tonisborg, spent less time talking to the Order Draconae.  However, despite having very high level characters, this group thought that Tonisborg was so scary they needed extra muscle and so hired, following some lucky rolls and intense negotiations, an entire crew of Skandaharian sailors.  This proved interesting as the party then formed a very long group as it moved through the dungeon and they Skandaharrians alternated between bravado and skittishness.

This group avoided the Order Draconae guards on the second level, managed to take the wrong stairs on the fourth level (or was it the third?) and just managed to skirt by a black pudding hiding in the darkness of one of the large rooms they moved through.  In retrospect, I should have had them pudding attack them, but I decided it was in a particular place in the room and they didn't go there.

Anyway they managed to find their way to the correct stair after more discussion, and got back on track.  They passed through the room with Yellow Mold and one character was damaged.  This was the only HP loss of the entire session!  They too found lord Kervall, but instead of agreeing to adventure with him they found a way to overpower him and convince the sons to leave with them.

All in all, nobody died and the objective was achieved in both games.

What I want to highlight from both these games was that the role-play was constant, cooperation was intense, and smart play minimized combat.  Indeed the second game really had no combat at all. Tonisborg can certainly be a deadly dungeon. Old school games can certainly involve a lot of combat, but there is as much opportunity for role play heavy adventuring in Tonisborg or any other traditional dungeon, or in any traditional games, as there is in any "Modern" systems and adventures.

Less than a week to go on the latest Kickstarter for the deluxe hard cover copy of Lost Dungeons of Tonisborg!

HERE IS THE LINK

These are seriously nice books folks.  They contain my most recent Zero Edition Dungeoneering rules, new maps for Tonisborg, and Greg Svenson's entire 1973-1974 stocking key retyped and cleaned up by yours truly.  There's also lots of Arneson and company quotes, an entire section on gaming advice, some great art including pieces by original Twin Cities gamer Ken Fletcher and by Walter Moore who did the art for Arneson's Garbage Pits of Despair.  On top of all that, the book itself is a limited production work of art, sure to grace any gaming shelf it sits on for many, many years.

In other news, well I rarely clutter the 'blog with updates but there are some things coming up you all will likely be interested in.

Perhaps the most exciting is the work that is being done with the Lenard Lakofka archive material through Canonfire.  Len's last completed adventure The Ravages of the Mind is in the final layout and looks absolutely great.  My own pastiche of some of Len's orphaned material The Lanthorn of Velzarkis is on the que for maps and art now that I've finished typing in and Len's material.  I've been doing a lot of work on that lately which is largely why I haven't put out any posts in a while, but fear not I currently have five half finished or less posts that will make it onto the blog soon.

Other projects are in the works and it looks like the next couple years are going to be exciting ones for traditional gamers and D&D enthusiasts in general.  Nice to have some good news for a change, right?

In our first discussion of Tonisborg Here, I mentioned that we had the key for Levels 1-9 written on the side margin of the maps, but for level 10 the key was missing.  We worked under the assumption that the key to level 10 was either lost or never completed in the first place. Well, Mr. Megarry, seemingly an endless font of information, has graced us once again with a treasure from his vaults.  A few months ago he revealed that he had found a faded sheet of yellow legal pad paper, and written in Greg Svenson's hand on the front and back, is the lost key for Tonisborg level 10!

I had just finished creating a set of random tables for stocking level 10, but no matter.  Having the real thing was infinity better. 

Greg's method of stocking Tonisborg shows that he is very conscious of spatial organization despite the random nature of the stocking tables he used.  As M. Griffith - director and creative force behind the Secrets of Blackmoor documentary - observed in one of our emails "Greg... established a theme here which is a very cool concept to see presented so early on. It isn't just a random dungeon, the main story elements have been intentionally placed...."

Throughout the dungeon we see the deliberate placement of monsters in cluster and organized groupings - lairs in other words.  Thus we often find trolls and orcs near to one another, or hydra's and basilisks near wizards, or priests occupying several nearby rooms.  Along these same lines, we see repeated use of certain room labels "bedroom" "study" and so forth - labels that are often also hallmarks of both the Dungeon boardgame and Blackmoor dungeon, but that really is a subject of it's own. 

So while it is evident that Greg was careful and thoughtful about the placement of the random monsters he generated by the tables, Level 10 shows us the remarkable fact that that there was also an overarching plan for the dungeon itself.  The level features unique and powerful treasures (3 crown artifacts), a unique monster (the Yth'yl), and a unique feature, (evil area statues).

I'm not going to give out all the secrets of the level here since the book will soon be available.  However, what is most notable is the simple fact that a dungeon created before D&D was published was designed with a top to bottom purpose from the start.  The dungeon has a goal, an endgame, and level 10 is it.  Greg placed his greatest treasures, carefully, on this level.  These 3 powerful magical crown artifacts were in turn guarded over by an incredibly powerful "boss" creature, the Yth'yl.

We can presume or suppose that the crowns were not part of Greg's very first, pre D&D, stocking list, but were added when he restocked the dungeon circa January of 1974 to conform to the newly published rules or a late draft thereof.  This is because these crowns are mentioned on page 39 of Monsters & Treasure, under Artifacts:

"Examples of Artifacts: Teleportation Machine; Fight'er's Crown, Orb and Scepter; Magic-User's Crown, Orb and Sceptre; Cleric's Crown, Orb and Scepter; Stone Crystalization Projector, etc." 

Greg's crowns are these crowns with added details.  However, even without the crowns, Level 10 still represents the endgame of the dungeon.  We can say this because the Ythyl was surely an original part of the dungeon from the time it was first created.  This creature appears handwritten as an original feature on the map to level 10.  Further, this level also contains numerous wish granting evil area statues - surely themselves a coveted goal for many an adventurer.  The statues alone represent an end goal.  Adding the crowns was sauce for the goose.

This idea of a special dungeon goal level at the bottom of it all - a "boss" level if you prefer - is really quite outstanding, and might be considered a unique contribution Mr. Svenson made to the game.

Blackmoor dungeon certainly has a variety of goals, but no particular special bottom level.  Originally, the orc lair on level 6 was the bottom, and one could argue that this level is similar to Tonisborg level 10 in having a special magical feature, (the Throne of the Growth), but this was itself not an overarching reason for the dungeon's existence or an end goal to be sought out.  In any case, Arneson soon added 4 more levels and hinted at even more.  There was no real bottom, and no particular end challenge or special treasure to seek out.  The same can be said of Dave Megarry's Dungeons of Pasha Cada.  Megarry's dungeon bottoms out at level 6, and there is nothing particularly special there other than tougher monsters and bigger treasures.

Reading through the 1974 D&D booklets likewise gives no hints or instructions that Greg could have keyed off of.  Page 4 of Underworld and Wilderness adventure, paints a picture of the expected D&D dungeon as a potentially endless series of levels.  Gygax describes his own Greyhawk dungeon, both in this passage and elsewhere as " a dozen levels in succession downwards, more than that number branching from these, and not less than two new levels under construction at any given time. These levels contain such things as a museum from another age, an underground lake, a series of caverns filled with giant fungi, a bowling alley for 20' high Giants, an arena of evil, crypts, and so on." (p4).

Tonisborg is a very different animal.  In design and in themes, it mimicks Blackmoor.  There are no bowling alley levels or gateways to China.  Like Megarry's Dungeon, it has a built in progression of difficulty, and like Blackmoor it is sectional and mazelike in both the horizontal plane and, through all the connecting stairwells, the vertical plane.  But Greg advances beyond even Blackmoor in considering and creating an end to his vertical maze.  He sees the dungeon, not as just a series of theme levels, but as a vertical obstacle maze featuring a prize at the end.  Mind you this vision of dungeon design dates to 1973!

All the details will be revealed in the upcoming book of course, and speaking of the book,  let me give a special thank you to all the folks who have supported the Kickstarter for Secrets of Blackmoor.  As you likely know, a special first edition of The lost Dungeon of Tonisborg is part of the Kickstarter rewards.  Griff has really pulled out all the stops to make this first edition of Tonisborg a real piece of art, an heirloom edition to last for the ages.  If you like this sort of thing, and who doesn't, you can still secure a copy.  While the campaign is already fully funded (Yay!), as of now, there are a few hours left for you to grab one of these premium editions if you hurry! Secrets of Blackmoor on Kickstarter

For many, the nuts and bolts of how Tonisborg was stocked is sure to be the most anticipated part of our analysis.  It gets at the heart of what a dungeon was imagined to be by a member of the inner circle of Twin Cities players at the dawn of the game.

The forums are replete with post - some I have participated in myself - about how much treasure there should be, or how many empty to inhabited rooms there should be, and so on. 

EMPTY ROOMS

The empty to inhabited rooms ratio is particularly interesting.  In OD&D, the directions given in Volume III are "Roll the die for every room or space not already allocated. A roll of a 1 or 2 indicates that there is some monster there". (Underworld &Wilderness Adventure, 1974:7)

That leaves only 1/3 of the rooms inhabited with a monster, though traps or treasures may be in other rooms.  Looking at Tonisborg, we see that on the first level, only room 12 isn't keyed, but that appears to be more of an oversight than a deliberate choice. However, on levels 2 through 9 there are no numbered but uninhabited rooms.  Mr. Svenson only numbered rooms that had monsters in them.  There are no trap rooms and no empty but numbered rooms.  More than that, there really are very few un-numbered room spaces on any of the levels.  Usually, any space big enough to be considered a room was numbered and given a monster.  It is apparent that Greg Svenson  was not following the D&D rule that only 1/3 of the rooms on every level of the dungeon will have a monster.

TREASURE

It is also evident that Mr. Svenson did not follow the Monster to treasure ratio rule found on the same page of the Underworld &Wilderness Adventure D&D booklet.  This rule holds that of 50% (half) the monster inhabited rooms have treasure, the other half does not.  

Each level of Tonisborg dungeon has a little different percentages of treasureless rooms, ranging from 50% to only 6%.  The average percent of monsters having a treasure is close to 78%.  There is no reason to think these percentages were intentional.  In fact they are merely the natural result of rolling on the Treasure Types tables found in the Volume II Monsters and Treasure booklet, pages 3-4. (1974).  Those tables - a snippet of which is shown below - give a percentage chance for various treasure items.  It is entirely possible to roll across those tables and come up empty, having missed the needed percentage chance with each roll.



It is often said that OD&D dungeons were "intended" to be stocked with treasure that was either hand picked by the DM or determined using the "Level Beneath the Surface" table found on page 7 of Vol. III Underworld &Wilderness Adventure booklet of the 1974 D&D rules.  The "Treasure Types" A through I listed with each monster, were intended, it is said, only for so called "wilderness lairs".  I've argued (Within my Article Here) that this idea is nonsense, and that in fact, the Treasure Types were originally intended to be used in dungeons too. 

So it is of some interest to see what method Mr Svenson used in 1974.  We can rule out the Level Beneath the Surface table shown below rather quickly, because those LBS treasures always contain silver and never contain copper and that is clearly not the case with Tonisborg.   



However, when we turn to the Treasure Type tables and look at the treasures each type of monster could have, we find a very strong correlation to the actual treasures in Tonisborg.  For Tonisborg, Greg Svenson very definitely used the Treasure Type Tables, and never used the Level Below the Surface treasure table.  Most of the treasures conform to the Treasure Type exactly as expected, although there are a few anomalies like the ghoul on level 1 who somehow got 6800 silver instead of 6000 or 7000 silver, and 500 gold instead of 5000, but the treasures of the various creatures clearly fall in the ranges of the their particular Treasure Type and not any other scheme.  In this respect Svenson is once again falling in lockstep with Dave Arneson, who as shown in the article linked above, also relied on the Treasure Type tables when stalking Blackmoor dungeon in 1976 for convention play. 

One interesting thing to note regarding Svenson's use of the Treasure Types is his interpretation of the phrase "any #" appearing in the Maps or Magic items column.  To explain, the Magic or Maps column of Treasure Type E reads "30% any 3 + 1 scroll".  It's not exactly clear whether that means you role percentiles three times, and if any of those is less than 30% you get an item, or if you roll once, and you get 3 items if you get less than 30%,  Today, the latter method seems to be the most common understanding, but Svenson must have used the first method to obtain the results we see in the Tonisborg stocking list.  

For example, in one instance he had a room with wraiths, which according to the book have Treasure Type E.  Type E has 10% chance of 1000-10000 copper pieces, 30% 1000-12000 silver pieces, 25% 1000-8000 gold pieces, 10% 1-10 gems, 10% 1-10 Jewels, and "30% any 3 + 1 scroll".  The actual treasure of the wraiths in this case was:

12000sp, 3000gp, 10 Magic arrows, Scroll of M. Protection.

So only one of "any 3" possible magic items was awarded, along with 1 scroll.

MONSTER TYPES BY LEVEL

One feature of Tonisborg dungeon that is somewhat clearer is how the monsters were chosen.  On page 10 of Vol. III is a " MONSTER DETERMINATION AND LEVEL OF MONSTER MATRIX" table followed by a grouping of monsters into 6 "Monster Levels".



The Tonisborg stocking lists conform to this method and it appears that Mr. Svenson was using these "MONSTER DETERMINATION AND LEVEL OF MONSTER MATRIX" tables - or something like them.  The issue is that there are several 1974 D&D monsters present in Svenson's key that do not appear in the Monster Level tables, including elves and grey ooze.  Presumably, someone, perhaps Greg himself or Dave Arneson, had revised these tables to include a few missing monsters.

NUMBERS APPEARING

The monster numbers appearing also look as though they were drawn directly from the 1974 D&D booklets.  These almost always fall within the ranges given in the MONSTER REFERENCE TABLE on page 3 of Vol 2.  This is the same table indicating the Treasure Types.  




There are however a few notable exceptions - such as a room with "only" 12 goblins.  Possibly Mr Svenson was merely rolling what he felt was an appropriate die - like a d6 for giants and a d20 for goblins.  Most of the monsters on the MONSTER REFERENCE TABLE have a Number Appearing range that would easily fall in the common D&D dice ranges, making it difficult to tell if this table was consulted or if the numbers happen to coincide from random rolls.

TRICKS AND TRAPS

Original Dungeons & Dragons Volume III (page 6) recommends a number of tricks and trap that apparently have a lot to do with Gary Gygax's vision of a dungeon.  These include transporter rooms, shifting walls, sinking floors, trap steps, illusion rooms and maze like coiling corridors with door after door.  Tonisborg dungeon appears to have none of these exotica.  The key says nothing of traps or tricks at all.  However, Tonisborg is not totally devoid of such things.  There are plenty of secret doors, trap doors with ladders, and open shafts.  There is that mysterious note about the plate armor holding a sword, a few areas of natural cavern, and at least one pit trap marked on Level 10.




CONCLUSION

Going through this as we have, reveals a dungeon that partially conforms to the conventions of what a D&D dungeon is supposed to be "by the book", and partially does not in crucial ways.  Tonisborg reveals what at least one dungeon of the time actually was like.  We see virtually no attention paid to the guidelines presented in the D&D booklets, but a fairly strict adherence to random rolling on the tables found therein, with some creative adaptations - just as with the levels 1-6 in Arneson's convention version of Blackmoor dungeon.  We see a complex arrangement of passages, corridors, secret doors and stairwells, making the dungeon itself a exploratory puzzle.  Tonisborg is a Twin Cities dungeon, created by one of the central figures at the center of the development of D&D.  It is a historical treasure, and we are working to make it available for all to enjoy and ponder over.  Stay tuned and game on.

Now that we've established some of the history, our next couple posts are going to look more at the nuts and bolts of the dungeon.

I mentioned earlier that the stocking list might not be the original list. There is some reason to think the list may have been re-made after the "new" D&D rules booklets came out in an effort to conform.  In fact this seems the best explanation of the facts at hand.

The clues to this earlier stocking list are small notes here and there on the maps.  These notes are part of the photocopy, and so were written on the original graph paper.  As such, they are often very difficult to read, but what can be deciphered resembles exactly the kind of pre-D&D gaming terminology we see in the Twin Cities, while evidencing no hint of elements from published D&D.  

For example, on both Levels 1 and 2, there is a room with a note "12 per door".  If you look closely at the southern door where there is another stair and room 8 you can just make out "2 men".  But if you look a little closer, you can just make out a "1" to the left of the 2 that is partially obscured by the black marker lines.  It is really 12 men.

Next, over by the main stair where that rubble filled room is, if you look closely it says "Lt Foot" with a number in front of it.  The number is hard to read but it is also 12 with the top curl of the 2 missing - didn't photocopy well.  So that says 12 LT Foot.

What it means is that the main doors are each guarded by 12 men.  



This same area on Level 2 has 3 heroes and a very unD&D like light cannon.  

Another note on level 2 has an apparently animate guard consisting of "Plate(mail?) holding sword".



There are only a few notes like this, but nevertheless these little hints are fascinating windows into a pre D&D, Twin Cities dungeon set in Blackmoor.  

Level 10 has two especially interesting examples of these "nonD&D" map notes, and in this case they seem to have been re-written on the copies.  One reads "Sp. evil area Statue 2 perm wishes and 20 temps".  



The first thing we should observe is that there is no rule in D&D about "temporary" wishes,  nor are there things called "evil areas".  "Sp" probably is meant to mean "special power", a term regular readers of this blog will recognize as occurring sometimes in FFC notes.  

In fact this whole "evil area" phrase in Tonisborg is not at all unique to Greg Svenson.  A very interesting, if equally vague echo, is found in the FFC for Arneson's  Blackmoor dungeon.  In the key for Blackmoor dungeon level 5, room 18, it reads:   "Evil area, 2 permanent, 20 wishes".

As can be seen, the wording is nearly identical, with the added clarification in Tonisborg that the 20 other wishes were not permanent.

This tells us two really interesting things: first, that these ideas of temporary wishes and evil areas were established features of gameplay in the Twin Cites.  These are part and parcel of the pre D&D game.  Second, despite the fact that levels 1-6 of Blackmoor Dungeon as published in the FFC were stocked randomly using the D&D tables in Monsters & Treasures (see this post for an explanation), in the few places in Blackmoor dungeon levels 1-6 we see notations from Arneson, at least some of those notes stem from an older stocking list.

The other example from level 10 I want to mention here is a note regarding what must have been the boss creature of the level.  It is called the Ylth'yl, a name unknown to D&D.  Ylth'yl, whatever exactly it may have been, was taken from the pages of a book by Gardner Fox published in 1964 and titled Escape Across The Cosmos.  In that book, the Ylth'yl is an evil energy creature, that bears some resemblance to both the mysterious gaurdian creature of the Temple of ID, described in the FFC, and the Invisible Stalker of D&D.  

The appearance of this creature here helps us solve another mystery.  If you will recall from our discussions of David Megarry's early character sheets, one of his favorite characters, The Scholaress, met her fate in Tonisborg dungeon, fighting a 7 headed hydra.  The picture below shows the bottom of the Scholaress character sheet showing her kill record.


Take note of the area of scratched out green felt.  The words scratched out really puzzled me, but now it is quite clear the bottom word is Ylth'yl.  It may read Killed by Ylth'yl, but perhaps, like the temple of the ID monster, the Ylth'yl doesn't kill, instead it knock out and transports a character  somewhere.  In any case it seems the Scholaress encountered the Ylth'yl at least once in Tonisborg.

Since the origin of the Ylth'yl predates even Blackmoor, this monster is of no help for dating, but does hint at an earlier non-D&D stocking key.  Unfortunately, Level 10 of Tonisborg is the one level for which no handwritten key was put on the map.
   
We must consider the possibility that the whole purpose behind making the map photocopies on oversized paper in the first place was to provide a blank slate for an entirely new key in order to update the dungeon to the newly released D&D rules.  Perhaps this update had only reached level 9 by the time Megarry got the maps, and perhaps Level 10 was never in fact restocked.

Some other Map features:

It's not just the line mentioned above about evil area and permanent wishes that resembles Blackmoor dungeon.  Its abundantly clear that Mr. Svenson was well familiar with Dave Arneson's dungeon maps and did his best to emulate that style.  The resemblance is unmistakable, and suggests that Mr. Svenson may have had copies of the Blackmoor dungeon maps at hand.  Here are two snippets to compare:


Blackmoor Dungeon Level 7:




Coloring
In the sample shown above, it is obvious certain sections were gone over with color markers.  Mr Megarry explained that he had done this in order to make seperate sections distinct: "I added the coloration. The brown are areas reached from the main staircase without going through a secret door; the green are areas can only be reached by going through a secret door; the orange are areas that are reached by up or down staircases."

Levels
There are 10 levels - just like Blackmoor dungeon.  Each sheet of 11" * 17" paper has one dungeon level.  The levels themselves were originally drawn on standard 8.5" 11" three-hole graph paper.  All of the sheets have a key written in pen on the side of the map except for Level 10, which was perhaps, never completed in a form that was compatible with the standards of the 1974 D&D booklets.

Layout
In mimicking the stylistic look of Blackmoor dungeon, Tonisborg also replicates one of it's most impressive features, it's linear and vertical complexity.  It is particularly amazing to realize these dungeons were created before 1974, whereas the dungeons that followed in their wake were generally simple block and corridor affairs with a single stair or two down to the next level.  Tonisborg has multiple sections on a single level, with a veritable maze of stairs and trap doors connecting multiple levels.  This dungeon, like Blackmoor, isn't just about finding monsters and looting treasure, it is simultaneously an exploration puzzle, whose secrets could take many expeditions, and careful mapping, to unravel.

In our next post, we will discuss the details of the stocking method and contents of Tonisborg dungeon.

For D&D archaeologists, Tonisborg is like the lost city of Atlantis. Hints and whispers of this very early Blackmoor spin off have excited the imagination of researchers for decades.  

Of course, it was inevitable that the game that became Dungeons & Dragons would spread beyond the confines of Blackmoor and Greyhawk.  It didn't take long for some of those among the pool of original players, to begin developing their own dungeon lairs, following the examples of their mentor, either Arneson or Gygax.  Rob Kuntz's Castle El Raja Key is perhaps the best known example, but there is also Tonisborg, from one of the central Twin Cities players; a megadungeon which held the promise of shedding light on early Blackmoor gaming.  Tonisborg was the brainchild of Greg Svenson, who started playing with Arneson and co. when he was still in High School in 1969, and is best known to D&D fans as the creator of the iconic "Great Svenny" character.

"I built a city, called Tonisborg, complete with a dungeon and a network of catacombs, during 1973 and ran many adventures there and all around the Blackmoor area in 1973 and 1974 using the play test rules for the original three little books and then the published books. Tonisborg was located approximately where Vestfold is on the current Blackmoor area maps, for anyone who is interested.

I loaned my materials to one of the other guys in 1980 so he could run an adventure for a new gaming group and never saw them again. He just said he lost them. Oh well..."

Greg Svenson, Odd74 web forum, Feb 11, 2008 at 12:34pm http://odd74.proboards.com/post/11189/thread

Greg rather politely left out the details, but David Megarry confessed to what actually happened:

"Yes, Megarry is responsible for losing the 2nd dungeon made in Minnesota. Greg moved to Boston while I was living there; in fact, we drove his moving truck from Minnesota to Massachusetts together. I was working at a copy center in the Harvard Law School in Cambridge MA. I took his copy to make a copy after visiting him and put it into a magazine at the house I was staying at to make sure I didn't bend or fold the pages. I worked 3rd shift so I went to bed. When I got up and went to get the magazines, I find that the cleaning lady for the house had thrown out the magazines and it just so happened that it was garbage pick up day: gone, gone, gone with no chance of redemption. It was painful to tell Greg that his creation was lost to eternity."

 Lost and gone forever.... That's how the story went.  Personally, I held out some hope that something of Tonisborg might one day turn up in a a dusty box from someone's basement.  David Megarry did in fact pull some dusty old maps out of a box to show to Griffith Morgan, director of the forthcoming Secrets of Blackmoor documentary.  Mr. Morgan wondered if at least some of those maps might be Tonisborg, but it wasn't until November that Mr. Megarry shared complete scans of his mystery maps with me.  Among them was a set that looked an awful lot like the types of maps Dave Arneson drew, however hese maps - photocopies of photocopies - had handwritten keys that everyone agreed was not in Arneson's hand.  

Even so, this particular set of maps looked so close in style to Arneson's dungeon, I felt they had to either be something he drew and someone else keyed in or they were drawn by somebody intimately familiar with the halls and corridors of Blackmoor Dungeon, who then used that familiarity as a model.  Like Girffith Morgan, I thought Tonisborg seemed the obvious candidate to explain these maps, but David Megarry was certain Tonisborg was forever lost in a Boston landfill. Nevertheless, while I had no doubt the originals of Tonisberg were indeed lost I wondered if these were photocopies of Tonisberg that had been somehow forgotten.

I sent a couple scans to Greg Svenson.  I told him only that we had these unknown maps and asked if he recognized the handwriting.  His response was a bombshell "That is my hand writing.  Those are my long lost maps.  I had created dungeons for the city of Tonisborg,.." (pers. comm 2017).

And so Tonisborg lives again.  At some point, we will be making the complete dungeon available, but here I just want to talk about some of its features, and how that relates to both Blackmoor and D&D.

According to Greg's recollection, he created the maps for Tonisborg in 1973, "the... summer when I was living with John and Richard Snider and Bob Meyer". (Svenson, Pers. Comm 2017)

It is clear that the maps that Mr. Megarry turned up are photocopies, not originals.  In fact they look to be photocopies of a photocopy, though that is a lot harder to tell.  Megarry worked at a copy center in Boston, but says, "They... don't meet the copy center quality standards, so I did not do the copying. I got these maps from someone else earlier..." (Pers comm 2017)

These maps are copies of originals that come from 1973, yet being copies, they also introduce elements from later dates.... What then is the date of these particular copies?  For that we need to note several important facts.

First, these copies were made on legal sized paper, presumably to leave room at the margins for the hand written stocking notes which appear on every page.

Second, the hand written stocking notes are in pen, written on the photocopies, in Greg Svenson's hand.  This is most clearly seen here, where an unfortunate water stain has washed out the ink.




This means that these maps were copies prepared by Svenson at some point.  It also means that the stocking list can't be taken automatically to be the original one from 1973.  It might be the same, almost the same or it might be completely redone.  

One aspect apparent about these notes, is a number of changes and corrections.  For example, on level 1, rooms 4 and 6 are switched in the key, and room 20 & 21 are squeezed in under the listing for room 3 to include them as part of a "priests" lair.  Whereas room 22 on the bottom of the list with its Giant Ants monster is crossed out.  


We see corrections of this sort throughout the levels.  These could be copying errors.  It's easy, as any student of the text criticism of handwritten documents can attest, to skip or mix lines when copying, especially if the original is a messy working document.  That may explain why numbers and so forth are sometimes switched.  

It could also simply be a case of changes and corrections being made at the point of initial creation or alternatively, Mr. Svenson may have been using and marking these photocopies as a working copy of his dungeon for at least a short while.

Further clues to the age of the stocking list can be found within the list in the specific types of Monsters and Treasures.

The Monsters:

Reading through the handwritten room keys for levels 1-9, all monsters are exclusively found in the 1974 D&D booklets with one interesting exception: the wererat.  Perhaps unfortunately for us, the wererat is not a particularly good dating  indicator.  This monster first appears in printed D&D in Greyhawk Supplement I (1975), but we can't then jump to the conclusion that the presence of this, and only this particular Greyhawk monster indicates a stocking date post Greyhawk.  Wererat is, after all, kind of an obvious addition to the existing collection of werecreatures in 1974 D&D, and furthermore, were rats of some sort show up in Fritz Leiber's books in 1968.  Leiber's writings, of course, were well known among the Twin Cities gamers, and so we must recognize the very real possibility that Leiber, rather than Greyhawk is the source in this case.  

Another feature regarding the relevance of the Greyhawk Supplement is a point of conspicuous absence.  Among the "monsters" in the list are fighters, magic-users and "priests".  There are no thieves, no footpads, no Paladins.  In fact none of the other monsters or characters introduced in Greyhawk can be found in Tonisborg.  

It is not like Greg Svenson to be particularly game conservative.  He has, and he continues to happily play whatever the latest version is.  This absence of the 1975 Greyhawk Supplemment I monster material is therefore very suggestive.  On balance, the monsters of the stocking list seems to pre-date Greyhawk, or at least, to owe it no debt. 

The Magic Items:

Our next clues for dating the stocking list are perhaps even more telling.  There is not a single magic item from Greyhawk, or indeed from any source except the Magic and Treasure booklet of 1974 D&D.  

Furthermore, it also appears we can rule out early D&D drafts as the source, working on the assumption that the Beyond This Point be Dragons re-edit of the 1973 "Guidon" D&D draft accurately reflects its magic item contents, as I believe it does. 

On level 3 of the Tonisborg stocking list, there is a "+1 dagger (+2 vs. Gob, Kob)".  That matches a dagger in the 1974 D&D print - it says "Dagger +1 vs. Man-Sized Opponents, +2 vs. Goblins and Kobolds" whereas the BTPbD version has "Dagger +1 vs. Man-Sized Opponents, +2 vs. Goblins".  Notice this earlier version lacks Kobolds.  Another example is a Cloak of Displacement found on Level 7.  That item does not appear in the BTPbD magic item list at all, but it is in first print D&D.  

So it appears we are talking about terminus post quem of January 1974 for the stocking list.   Termnus ante quem is indeterminate, of course, but it seems unlikely Greg Svenson would have failed to include items from Supplemment I Greyhawk (1975) if he had that booklet at the time he created this list.  Therefore it is safe enough to say the internal evidence of the stocking list, dates it to the 1970's, with a likelihood of 1974.

That's the internal evidence, but we've also got some external evidence to consider.  

Contextual Evidence:

David Megarry actually moved to Boston twice.  First in January of 1974, leaving in 1976 to go work at TSR in Lake Geneva, and a second time in 1977, living there until 1980.  It was of course during the second stay that Greg Svenson's maps were tossed out by the cleaning lady.

Anecdotally, Mr Megarry relates a vague memory of having received the photocopies we now have while standing at the bottom of the stairs in Dave Arneson's basement.  If this is an accurate memory, it would seem to indicate that he received the photocopied maps very shortly before leaving.  

The copies we have were found in a box of papers David Megarry had boxed up during his first stay in Boston ('74-'76).  David Megarry told me "I did not have the current copy with me when I was in Boston the second time. It was in a file box at my family's home in St. Paul. I eventually got all my stuff co-located with me when I came back to Minneapolis in 1980." (pers. comm 2017)

Then, just recently, Mr Megarry informed me he found a letter he wrote to Gary Gygax, dated 2 January 1975 from Boston...

"...I am now a member of the MIT Strategic Games Society. They already have most of the wargames in existence though they are weak on campaigns as such. Mostly they just play games that have an ending. Dungeons and Dragons is there and I am going to introduce the Tonisberg Dungeon made by Greg Svenson to the fantasy referee this Saturday."

Dating Summary:

We can be fairly sure between internal and external evidence, that the copies we are looking at here are those referenced in the letter to Gygax, and that Megarry got them from Svenson (somehow) between January 1974 and the end of December 1974 - probably directly from Svenson just before leaving the Twin Cities in January.  Later these copies were placed into the aforementioned box when Mr. Megarry moved from Boston in 1976, and subsequently forgot he had them.  

So, when in 1980, he lost Greg's originals, both he and Greg thought they were gone for good.  Meanwhile these copies sat quietly in a box for 37 years...