Comic book reviews: Godzilla vs. Fantastic Four

This week’s Godzilla vs. Fantastic Four special sees the return of the King of the Monsters to the Marvel Universe for the first time in 46 years. From 1977 to 1979, Marvel Comics published a 24 issue monthly Godzilla series written by Doug Moench and penciled by Herb Trimpe. Godzilla vs. Fantastic Four is the first of six specials that will feature Godzilla encountering Marvel’s biggest stars.

Godzilla vs. Fantastic Four is written by Ryan North, penciled by John Romita Jr., inked by Scott Hanna, colored by Marco Menyz and lettered by VC’s Travis Lanham. North’s story appears to be set at some point in the late Silver Age, soon after the Fantastic Four first fought Galactus.

Following his apparent demise in Japan by the Oxygen Destroyer, Godzilla resurfaces in the waters off of New York City, and the Fantastic Four rushes to confront the giant radioactive menace. The threat to the planet is soon magnified by the arrival of King Ghidorah, who has been imbued by the Power Cosmic by Galactus, making the three-headed monstrosity his new herald.

This is actually not the first time the FF have fought Godzilla. Marvel’s first family encountered the Big G way back in Godzilla #20, cover-dated March 1979. In that story, though, Godzilla had been shrunken down to the size of a regular dinosaur. So, for those who wanted to see a proper battle between Godzilla and the FF, well, four and a half decades later here we are, with the King of the Monsters at full size, fighting against Mister Fantastic, the Thing, the Human Torch and the Invisible Girl.

Truthfully, there’s not a whole lot of story to Godzilla vs. Fantastic Four. The focus is on fights with giant monsters. But that’s okay, because I think that’s what most of us were expecting.

Romita Jr. and Hanna do a good job with the artwork. I know that there has been a certain criticism of Romita’s work in recent years as his work has become more & more stylized. But, I feel he and Hanna really knocked it out of the park with the action sequences in this story.

One of my quibbles with last year’s Justice League vs. Godzilla vs. Kong miniseries from DC Comics was that the version of Godzilla we got was the massively bulky American “Monsterverse” incarnation. Therefore, I really appreciated the fact that in Godzilla vs. Fantastic Four, Romita Jr. and Hanna draw a Godzilla who looks much more like the original Toho version of the creature. They also draw the cosmic-powered King Ghidorah as a very menacing figure.

The main cover for Godzilla vs. Fantastic Four is by Adam Kubert & Morry Hollowell. As with practically everything else nowadays, Godzilla vs. Fantastic Four has several variant covers. I decided to purchase the very impressive wrap-around variant by Leinil Francis Yu & Romulo Fajardo Jr.

Marvels’ next Godzilla crossover is going to be Godzilla vs. Hulk. I’m sure a lot of long-time Marvel Zombies are looking forward to that one. Way back in the late 1970s it was considered a bit of a missed opportunity that the Incredible Hulk never guest-starred in the Godzilla series, especially considering Trimpe’s longtime association with the gamma-powered Jade Giant. So, after all these decades, we will finally get to see the Hulk and Godzilla mix it up. Hopefully it’ll be worth the wait.

Comic book reviews: The Eternals by Jack Kirby

Jack Kirby, the legendary king of comics, was one of the most imaginative, prolific creators who ever lived. Even towards the end of his career in comic books in the mid-1970s, when he was in his late 50s, he was doing really great work. One of the stand-out projects of this era was The Eternals, published by Marvel Comics.

The Eternals is a series I’ve wanted to read for quite some time now. Back in 2020 Marvel released the trade paperback Eternals by Jack Kirby: The Complete Collection, and at last I’ve obtained a copy.

The Eternals was written, penciled & edited by Jack Kirby. John Verpoorten inked the first four issues and Mike Royer inked the remainder of the series. It was lettered by Gasper Saladino, John Costanza, Irving Watanabe & Mike Royer and colored by Glynis Wein.

It’s important to put The Eternals within the context of Kirby’s career. He had departed Marvel in 1970 under a cloud, unhappy with the lack of creative control, accurate credit, and fair financial compensation. Kirby had hoped to find all of these things at DC Comics, Marvel’s chief competitor. And while he did indeed create some of the absolute best work of his career at DC during the first half of the 1970s, ultimately his tenure there proved to be a very frustrating & disappointing experience, so much so that he eventually felt forced to return to Marvel.

The Eternals was one of the projects Kirby worked on during his mid-1970s tenure at Marvel. The first issue was released with a July 1976 cover date. The Eternals would ultimately run for 19 monthly issues, with an Annual also being produced by Kirby during this time.

With The Eternals, Kirby was very much tapping into the pseudoscientific theories of Erich von Däniken, who popularized the idea of “ancient astronauts” in his book Chariots of the Gods? Running with the idea that primitive human civilizations had been influenced by alien visitors, Kirby devised the Celestials, towering, mysterious “space gods” who periodically visited Earth throughout the millennia.

During the Celestials first visit, the space gods experimented on apes and created three separate branches of human evolution: ordinary human beings, the genetically unstable, warlike Deviants, and the super-powered, immortal Eternals. The Deviants are responsible for humanity’s superstitions about the Devil, demons & other monsters, while the Eternals are the sources of inspiration for mythological gods & heroes around the globe.

Kirby was setting up some ambitious, wild concepts & ideas. What happens when humanity discovers that they are not alone, that in fact they share the planet Earth with two other intelligent species? What happens to all three groups – humans, Eternals and Deviants – when they are faced with the fact that the “gods” who shaped their development countless thousands of years ago have returned to judge if their “experiment” is a success or failure?

At this point in time Kirby very much just wanted to do his own thing. He wanted the freedom to write, illustrate & edit his own titles, without any outside interference. And it seems pretty clear that Kirby intended for The Eternals to take place outside the regular Marvel universe. After all, the entire concept really doesn’t work if you already have godlike beings such as Thor, Loki, Hercules and Galactus showing up on Earth like clockwork.

Unfortunately, Marvel editorial reportedly pressured Kirby to begin using characters & concepts from other titles in The Eternals. Early on a few agents of SHIELD show up and Nick Fury’s name gets dropped, but it’s not really intrusive, because these guys might as well be working for the FBI or CIA or some other agency.

No, it’s what happens next that really causes problems.

For the first 13 issues The Eternals really hums along nicely, with Kirby coming up with all sorts of great new characters, exploring the Eternal and Deviant civilizations, hinting at the mysteries of the Celestials, showing humanity’s reactions to all of this craziness. I found it absolutely riveting.

And then the Hulk shows up. Except that it’s not the really Hulk; it’s a robot duplicate of the Hulk created by a couple of college students which accidentally gets imbued with cosmic energy from the Eternals’ mental gestalt “uni-mind” and goes on a rampage. We then get two and a half issues of the Eternals fighting this “cosmic powered Hulk” and while it’s well-drawn (it IS Kirby artwork, after all) it just completely grinds the story to a halt. The momentum that Kirby was barreling along on just goes totally off the rails, and in the remaining few issues after the “Hulk” there’s just something lacking. It was as if the whole thing threw Kirby off his balance, and in the short time he had left he didn’t have the opportunity to regain it.

In spite of its flaws, though, I really enjoyed The Eternals. I think it speaks to Kirby’s immense creativity & imagination that even in this period of time when he was deeply dissatisfied, he could not help but create an amazing cast of characters. Ikaris, Sersi, Makarri, Thena, Kro, Karsas and the Reject were all interesting & full of potential.

I also want to offer up The Eternals as evidence that Kirby really could draw beautiful women. I’ve heard it argued that his women were unattractive, but just taking a quick look at Sersi and Thena will put the lie to that scurrilous accusation.

I’m not certain if The Eternals was cancelled due to low sales, or if Marvel simply decided to end it after Kirby made the decision to leave for the greener pastures of the animation industry, where at long last he was able to obtain health benefits & a pension. Whatever the case, within a few years the characters & concepts from The Eternals were fully integrated into the Marvel universe. Like a lot of people, I feel that the execution of this was a case of trying to put a square peg into a round hole. But after the fact the Eternals, Deviants and Celestials have regularly appeared throughout the Marvel titles.

In 2021 an Eternals movie was released by Disney as part of the Marvel Cinematic Universe. I watched it after finishing the comic book series. While I liked parts of it, I felt in a lot of areas it strayed too far from the original Kirby concepts & designs, so ultimately it was something of a disappointment. But I hope that at the very least it led to Kirby’s family getting a nice fat check from the House of the Mouse.

If you haven’t read The Eternals, then I definitely recommend picking it up. It really shows the boundless imagination of Jack Kirby, and features some incredible artwork by him.

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