Femforce reaches its spectacular 200th issue!

Since the creation of the direct market distribution system in the early 1970s there have been literally thousands of independent and creator-owned series published in the United States. Regrettably, even after almost half a century it is often a risky undertaking to produce a comic book outside of the major publishers, and the overwhelming majority of these series have only lasted a short time. As such, it is especially noteworthy when an independent title remains in continuous publication over a several decade period.

With that in mind, I am thrilled that Femforce, the long-running female-centric superhero series created by writer & artist Bill Black, reached its historic 200th issue this month. It is one heck of an impressive achievement.

Black has been creating comic books since 1969 when he founded Paragon Publications. Paragon became Americomics in 1982, and then the shortened AC Comics in 1984, the name it has operated under ever since.

Right from the start of his publishing endeavors Black was writing & drawing stories featuring female costumed crimefighters. These were both heroines from the Golden Age of comic books in the 1940s which had subsequently fallen into the public domain, and brand-new characters created by Black who were inspired by obscure Golden Age heroes.

In 1984 Black, working with penciler Mark Heike, published the Femforce Special, which saw several of the Paragon / Americomics female characters join forces to fight against the Nazi menace during World War II. A year later Black & Heike released Femforce #1. That ongoing series has been in continuous publication ever since, with a group of passionate creators and a small but very dedicated fanbase helping it to survive the various tumultuous periods that have besieged the market during the past four decades.

Numerous writers & artists have worked on the Femforce series over its 38-year existence. This has, admittedly, led to some varying levels of quality. However, beginning in late 2019 with Femforce #188, Black has been back on board as the regular writer, inker, letterer & colorist, paired up with the very talented penciler Eric Coile. Mark Heike and his wife Stephanie are the editors on the series. It’s the first time in a while Femforce has had a consistent creative voice, and I feel that’s resulted in a series of fun, entertaining stories.

The latest storyline sees evil sorceress Alizarin Crimson, the team’s most implacable foe, returning yet again. In Femforce #199, allying herself with the new cosmic menace the Shimerer, Alizarin recruits dozens of Femforce’s old enemies to attack the team en masse. Luring Ms. Victory, Nightveil, She-Cat, Synn the Girl from LSD, Tara the Jungle Girl and Stardust (the six main members of Femforce) and their ally Paragon (Ms. Victory’s superpowered husband) into a trap at a Florida amusement park, Alizarin and the rest of the rogues gallery hope to finally destroy the team.

Black sets aside most of his long-running subplots and soap opera for wall-to-wall action in issue #200, with the Femforce members imperiled by their army of enemies. Well, if there was ever an issue in which to do that, it would be an anniversary special like this one. And there were actually a couple of interesting character moments in this story that I’m sure Black will be developing in future issues.

As a long-time fan, it was nice to see so many characters from throughout AC Comics’ history showing up in this story. Black even manages to squeeze in brief cameos by Femforce reserve members Colt, Rad, Dragonfly, Firebeam, and Garganta, along with allies Roberta Strock, Nikki Latimer, the Shade and Scarlet Scorpion.

I was especially surprised to see Dragonfly pop up. The character was created, and owned, by Rik Levins, one of the main creative voices at AC Comics during the 1980s and early 1990s. Levins sadly passed away in 2010 at only 59 years old, and his death presumably limits Black’s ability to use Dragonfly. I’ve always felt Dragonfly has a fantastic design, so it was good to see the character again, however briefly, after such a long absence.

It’s too bad that Femforce and its sister title Superbabes, which is written & drawn by the Heikes, do not sell better, meaning the print runs for both series are really low. Every time a new issue is released I have to rush to the comic shop to pick it up before it sells out, and unfortunately I’ve missed a few of them. So I’m really happy that I was able to get Femforce #200.

I enjoy this series, and I definitely feel it’s worth the effort to search it out. Back issues are available on the AC Comics website, some more expensive than others. There’s quite a few older issues of Femforce, as well as other AC series such as Americomics and Sentinels of Justice, that are affordable and offer good introductions to the characters. If you enjoy fun superhero stories and sexy “good girl” artwork then I definitely recommend giving the AC books a try.

AC has also collected a wide selection of public domain Golden Age material in several reprint series such as Best of the West, Jungle Girls and Men of Mystery. Those books are a great way to discover some of the lesser-known characters and creators from the 1940s and 50s.

Congratulations to Bill Black, Eric Coile, Mark & Stephanie Heike and all of the other folks at AC Comics on reaching this milestone. Hopefully there are many more issues of Femforce to come in the future.

For additional information on AC Comics’ history and Femforce #200, check out Rik Offenberger’s interview with Bill Black on the First Comics News website.

Return of the Jedi is 40 years old

Return of the Jedi, the third movie in the original Star Wars trilogy, celebrates its 40th anniversary this year. Written by George Lucas & Lawrence Kasdan and directed by Richard Marquand, Return of the Jedi was released on May 25, 1983. I can truthfully say it was one of the biggest events of my childhood.

I’ve previously recounted how in June 1980, shortly before my fourth birthday, my father and grandfather took me to see The Empire Strikes Back in the theater. That movie absolutely made a huge impression on my young mind, and I immediately became a Star Wars fan. Over the next three years I went to see the re-release of the first Star Wars in the theater, and re-watched TESB when it too came back to the big screen. I collected as many Star Wars action figures & playsets as my parents would buy for me and made up all sorts of new adventures with the characters.

And all the while, I kept wondering: what happens next? TESB had ended on a gigantic cliffhanger. The Emperor commanded Darth Vader to bring Luke Skywalker to him so they could turn him to the dark side of the Force. Luke hastily left the ancient Jedi master Yoda, his training incomplete. Han Solo was frozen in carbonite and carted off by bounty hunter Boba Fett to the vile gangster Jabba the Hutt.  Vader revealed he was actually Luke’s father. The Rebel Alliance just barely made their escape from the overwhelming forces of the Empire.

It’s a demonstrable phenomenon that as we get older time appears to go by faster. Three years will seem to pass by much more slowly for a young child than they do for a middle-aged adult. And so those three years between TESB and ROTJ genuinely felt like an absolute eternity to my young self!

But finally ROTJ came out, and I could not wait to see it. Neither, apparently, could everyone else, because it was an immediate hit. My recollection is that my father took me to see it about a week after it was released.

Just a few weeks shy of my seventh birthday, I finally sat down in the theater to watch ROTJ. It was an absolutely amazing experience. I still remember how when Vader at long last turned against the Emperor to save his son’s life, picking up the evil tyrant and hurtling him down into the Death Star’s reactor, the audience literally got up and applauded. For a long time ROTJ was my favorite SW movie.

Four decades later, yes, with more mature sensibilities and an understanding of what was going on behind the scenes, I can see the flaws in ROTJ.

Maybe after such a huge build-up several years earlier Lucas should have done more with Boba Fett before having him get swallowed by the sarlacc. Leia being revealed as Luke’s twin sister feels like it comes out of nowhere, especially as we now know that Lucas originally intended for the sister to be a completely different character who would be introduced in the next trilogy, until Lucas changed his mind and decided to wrap everything up with this movie. Perhaps Lucas should have listened to Harrison Ford’s suggestion that Han Solo be dramatically killed off. Then there’s the question of whether Vader truly earned redemption for his crimes by the single act of saving Luke from the Emperor.

Most of all, perhaps the critics are correct, and the Ewoks really are just a bit too cutesy… nah, I still like the Ewoks! Nowadays they sort of remind me of my cats: furry and adorable, but with the potential to be incredibly cunning and vicious.

Yeah, I would not recommend messing with either cats or Ewoks!

Okay, seriously, whatever its failings, none of them takes away from the cherished memories I have of seeing ROTJ in the theater. It was an incredible experience, and nearly-seven-years-old me enjoyed it tremendously. Whenever I watch it again, I still find it a very satisfying movie.

ROTJ also introduced some really interesting alien characters to the Star Wars universe, among them Jabba the Hutt, Salacious Crumb, the Rancor, Admiral Ackbar and Nien Numb, all of whom have come to be fan favorites who have reappeared across the series in its various incarnations.

One of the stand-outs is definitely Ian McDiarmid as the tyrannical, manipulative Emperor. It’s such a perfectly vile performance, and it’s no surprise McDiarmid has subsequently reprised the character in both prequels, sequels and spin-offs.

It’s also great to look at ROTJ in comparison to the first two movies and see how both Mark Hamill the actor and Luke Skywalker the character have grown.

“Never. I’ll never turn to the dark side. You’ve failed, Your Highness. I am a Jedi, like my father before me.” 

I still get goosebumps when Luke stands up to the Emperor and defies the darkness, at long last inspiring his father to finally do the same.

The music composed by John Williams for this sequence is so powerfully effective. Williams does a great job on the entire score, really heightening the emotions of each scene.

Thinking about it, in the year 2023 I feel the plot of ROTJ, of a multicultural coalition of oppressed peoples setting aside their differences and rallying together to fight back against the forces of fascism, is more relevant than ever.

I think I’ll watch Return of the Jedi on Disney Plus later this week. It’ll be nice to revisit some old friends from a galaxy far, far away.

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