02 #RPGaDay2020 Change

The Change prompts a passionate response from me, about exploring how a tiny Change can cause large effects. After playing some games for a while, usually a campaign/chronicle, I love exploring how even a tiny change to a mechanic can majorly changes things. I appreciate that this can cause surprising results. Some players don’t like this. Plus, not every game suits this. To clarify, I am referring to things that change during play, the areas of the environment can change, possibly whole laws of reality. Whilst this is not a common event for games/settings like D&D, it can happen, whereas it’s built into Mage: the Ascension via Reality Zones, likewise the varying effects on Changelings that the different regions of the Dreaming have. Similarly, games that focus on parallel worlds like GURPS Infinite Worlds or Cypher System’s: The Strange, etc.

An old at KJC Games work meeting discussing different designs for Quest, our high fantasy play-by-mail RPG (later PBeM), and how to beat the memory limitations we had; the problem with working with old Pascal code. The aim was to reduce how much human moderation was needed with certain game aspects, so we could spend that time writing more and better stories, providing players more meaningful role-playing choices. The relevancy to tabletop is that I worked on designs to introduce tiny modifiers to achieve large effects on the game. I drew inspiration from RPGs like Mage, WFRP’s Realms of Chaos (Elric setting 😉) and Magic: the Gathering; from the global enchantments to Artifacts like Howling Mine; how different dynamic tweaks in play could change the feeling and maths of a game, without destroying what the game is. I surprised my old boss, who was happy to hear I was improving my ideas and how I explained them; in my first year working with him, I’d typically talked about big sweeping changes; I was still learning how agile the reality of business was and learning the delicacies of balancing the different preferences of each game’s community.

This leads me to my Street Fighter RPG (SFRPG) answer for today. From the 90s I have pages of game notes about adding/tweaking mechanics to achieve different outcomes. Like many role-players passionate about martial arts, real and fake, I was also a fan of Teenage Mutant Ninja Turtles (TMNT) and Mortal Kombat (MK), etc. When I first saw MK and learned its setting, I pondered how to handle the mysterious Outworld within Street Fighter, maybe borrowing from D&D’s Manual of the Planes, or the various Umbras for the World of Darkness? But… I knew one thing was common for players of SFRPG, the design approach taken resulting in a surprising speed of play, despite the sheer number of maneuvers. So any alteration to combat could quickly bog the flow down.

I ran an alternate SFRPG game that was similar to the TV show Mortal Kombat: Conquest, where characters could receive Blessings and Curses. For example: Shichifukujin (Seven Lucky Gods) Blessing grants +1 Attribute as an Auto Success once per day, which could be allocated before or after a roll! This is not quite the same as a Merit/Advantage or Flaw/Disadvantage, because it can come and go. Although once per day, this is a powerful ability, for example, a botch can be negated, or a character could see how much damage an opponent has done to them and then grant themselves +1 soak, or make their Dexterity one point higher, which could mean they gain that lucky bit of speed to avoid a nasty combo. Crucially once per day is a big restriction; is it best to save it? Luck is a fickle thing, each time they use their Blessing they could lose it, starting at 1 in 10 and raising by +1 each time it’s used. Characters could do things to please the Shichifukujin, doing so could reduce or even reset the counter. Initially, it resulted in players taking more time to decide, but after a short while, most of the time it was quick, thus not undermining the speed of play aspect of SFRPG.

As I’ve nearly caught up on Punho do Guerreiro (Warrior’s Fist) translations, I have been able to see what the team has previously explored. After RPGaDay I can go over my old ideas and work on a series of articles for the fanzine. 🙂 Also I’ll emphasis clarity of presentation, unlike the section above. 😉

Based upon this old temporary blessing idea, I added something similar to my Trophy Gold Incursion entry. I will be breaking down what I did, in a later blog post, the good and the bad.

Other Peoples’ Answers

Autocratik discussing change in gaming tastes

https://www.autocratik.com/2020/08/rpgaday2020-day-two-change.html

Runeslinger

https://castingshadowsblog.com/2020/08/02/rpgaday2020-day-2-change/

Melestrua with a fun framing for the discussion of an important practical topic, find out what CLOC is:

https://melestrua.wordpress.com/2020/08/02/rpgaday2020-day-2-change/

Complex Games Apologist discusses the interesting topic of environment stats.

IvanMike1968 gives a lovely summary about one of the beauties of this hobby.

Bryon1187 gives an interesting quick answer:

Craig Oxbrow’s The Watch House highlighting the usage animated GIF and RPGs

https://thewatchhouserpg.blogspot.com/2020/08/rpgaday2020-2-change.html

The Anxious Gamer uses prompt Change to give a review of Magical Fury

https://theanxiousgamer.wordpress.com/2020/08/03/review-magical-fury/

This is a non-exhaustive list; I still have many posts to read today, so I might be adding more links. I’d recommend searching the hashtag and judge those great answers for yourself: #RPGaDay2020, some people use #RPGaDay.

PDF and the Mobile Gamer

A great article about the slow adapation of the RPG industry to making better virtual books. As someone with hand problems, I have a particular dislike of reading on small devices due to the common resizing requirements. It can also be a pain (literally) on my desktop, although thankfully speech recognition software can help a bit.

Runeslinger's avatarCasting Shadows

For a year or so I lived a lie. I didn’t know it was a lie while I was living it. It was that strange sense of change that comes with a lot of energy and conviction, stays long enough to leave scars, but vanishes in a moment and without warning. People shrug, and remark about how they ‘should have known’, but in truth such things are only visible in hindsight, and then only if you are the sort to look back.

For a year or so, I put print behind me and only bought games in PDF.

That year was around ten years ago now and while physics and ridiculous shopping fees have significantly impacted the number of titles I add to my library these days, I haven’t given that digital-only lifestyle another attempt.

One thing stayed with me, though. If available (poor Star Wars), I get all the…

View original post 723 more words

#RPGaDay2018 Day22 Non-Dice System

Which non-dice system appeals to you?

I could have talked about LARP. Even before I developed physical problems, I was quite aware that relying upon a player’s physical skills can strongly affect a player’s choices and PC capabilities. Thankfully this also depends on the LARP system; due to how the rules are designed some systems are much more inclusive 🙂

Some PBM ‘cheat’, since they remove any type of tests from the players, whether the GM resolving things, or the game engine handles whatever test system has been decided upon.

Besides that I’ve nothing extra to add to my video about non-dice system, well I do but that would be spoilers 😉

GollanczFest 2017 part 6

This continues on from my first post about the Gollancz Festival 2017.

After the morning panels were finished I got another chance to talk with Mark Stay (Orion Publishing, Author & The Bestseller Experiment). It was an informal chat with Mr Stay, as he was on hand for any customer or author enquiries. We had a chance to discuss The Bestseller Experiment, and briefly touch on some of the other projects he had mentioned in some of the bonus video chats the two Marks had done, and of course at the time the big query regarding the future of The Bestseller Experiment. I managed to avoid pitching my current projects, and when Mark asked about my work I give a concise overview; I think I did well considering how much I’d have liked to have said 😉

Mark Stay
Mark Stay guardian of the Author-Portal for #GollanczFest 2017

Mr Stay’s welcoming professionalism was even more impressive in person. I had planned on writing about a few things that Mark had highlighted in our chat, like things to keep in mind when discussing a subject that readers and writers alike are so emotionally invested in. Helpfully Mark recently wrote about this subject on his blog: 25 things I’ve learned from 25 years in books… He has also touched on many of these points on The Bestseller Experiment.

Once I knew Richie had finished the morning Writers’ Workshop sessions at Phoenix we meet up for lunch and spent the majority of it frothing about writing. As a bonus I got to have some of my favourite food: sweet buns.

Buns

I was quite curious about the Writers’ Workshops, since I had tried to get tickets but it hold sold out. Richie (Richie Digital) has written a lot over the years, he has had a variety of interesting jobs, including a background in community filmmaking. He explained that many of the people at the workshop talked about being in the early stages of writing, and they got good advice from the various authors of note. He also received some great answers, plus since he has actually finished a book, he received the bonus advice of: “What are you doing here? Just get it published.” Like so many productive people it comes down to managing competing priorities, and of course the typical writer’s overly-critical of their own work. Richie said he left the workshops with new inspiration, hopefully 2018 will see his work get picked up.

Gingerbread and NaNoWriMo

As my health has improved this year, I have made substantial progress with several of my projects. Like so many creative types, sticking to a single project is a struggle, so it was a mixed blessing when I heard The Bestseller Experiment interview in September announcing the Gingerbread competition: One in Four. The deadline is the 4th of December, and I’ve spent the majority of this November’s NaNoWriMo focused on that project. It’s been quite an emotionally demanding endeavour, reflecting upon distant memories, as well as talking to several people about their single-parent experience. Based upon these conversations, and my own reflections, I made a list of keywords to highlight commonalities.

As I’ve mentioned in a previous post, I had been working on a character in my fantasy setting who is a single-parent. I debated whether to make this character in to the protagonist, and since any genre is allowed for the competition, it would make sense to keep writing within the same fictional universe. Whilst some fantasy has mass appeal, it is rare, so in the end I decided to write a story set in modern day.

Given all the work I’d done, it was still a surprise to discover that I had problems working out a single story. After abandoning several outlines, as well as several pages that I just started writing without an outline, I decided to start writing about my own experience; I could always change details once the work was done.

By the time November started, and thus the start of NaNoWriMo, I had a collection of impressive waffle. At least this approach had provided me with several scenes and some dialogue that I did like; one cannot rewrite nothing. Despite my health declining again this month I was still able to persevere through the pain and stress. I successfully outlined a fictional story inspired by the experiences of myself and friends that I actually liked, being more than just a mix of our lives. I have since written a lot, but only tweaked the outline in small ways, a good sign that this story will stay on track and be completed. I still have a few more days with which to tweak what I plan on submitting, as well as receiving feedback from friends. Surprisingly, given how self-critical I am of my writing (like many people), I am quite optimistic about my chances with this competition.

GollanczFest 2017 part 5

This continues on from my first post about the Gollancz Festival 2017.

The panel was called: Where Do You Get Your Ideas? Art, Music, Mythology & Magic: The Inspirations Behind It All. An intriguing but also simplistic query, after all writers can draw inspiration from anywhere, and I’ve often heard the expression: ideas are cheap. Personally I don’t quite agree with that expression, granted simple ideas/hooks are easy to think of, but great ideas are rare. On the surface it’s a simple question and whilst many people would likely give predictably simple answers, professional authors can have intriguing insights.

The panel was moderated by Gillian Redfearn (Publishing Director) and featured: Bradley Beaulieu, Tom Lloyd, Suzanne McLeod, Mark Barrowcliffe and Tom Toner. What occurred was an amusing back and forth, and whilst all of the authors were interesting and witty, Tom Toner had me struggling to restrain my laughing. I present a summary of comments, several of which I had forgotten who’d said them, but at least checking Twitter partly helped.

Gillian asked where the authors find inspiration, what it means to get ideas and write genre fiction. Later she asked: what’s the worst thing your character has ever done to you?

Bradley Beaulieu highlighted that plotting can only go so far before needing to get into the story. He gets endless inspiration from the entire story, especially smaller characters and the world/setting itself. Bradley provided the all-important writing reminder and an important reality regarding the muse: it all comes down to writing, and sometimes the muse hasn’t turned up, yet a writer still needs to write.

Mark Barrowcliffe discussed how inspiration doesn’t always come from the writer. Sometimes it comes from the writer’s take on other people’s ideas. An example is made regarding how common knowledge about things can change, consider that werewolves weren’t actually affected by the full moon in lore, it was invented by Hollywood in the 20th century.

Tom Lloyd said he gets his inspiration from thinking on the tube, mainly because he doesn’t want to make eye contact with strangers. He also explained how a good story sparks off other ideas, the bad ones will start to fizzle out.

Suzanne McLeod described how things come into your story out of your subconscious. New characters that aren’t planned can be the best, and a lot of fun can be had with them.

Tom Toner took a different tact with his answers, such as inspiration: “2 cups of coffee, stand in the shower… f**ktons of ideas!” Later Tom touched on his mascara fetish. As for characters: “God I hate writing characters, they’re so needy” and “I just wanna describe cool planets and cool stuff and monsters on the planet…characters get in the way.” Tom did expand on his replies.

Other comments of note were about how characters take over books, and how writing into the gaps of a story can reveal new things, to go exploring. Overall I thought the panel did a good job of discussing a difficult subject to provide depth on, especially without resorting to listing of things like: I read history and <insert Country> mythology, or I adore <book series>.

So ended the morning session. Next for me was a chat with Mark Stay and lunch.

A bit more progress on NaNoWriMo for me in the last few days, sadly not as much I’d like but when health dictates work rate, it’s best to not fight it #HealthyWriting. I’m still on target for the Gingerbread competition deadline, but I appreciate it’s important not to assume it’s guaranteed.

The Bestseller Experiment Season 2

I interrupt my planned post about GollanczFest 2017 to excitedly promote the bringer of greater interviews, advice and witty banter. The Bestseller Experiment is back for another season. Just the thing to help keep motivation going with the latter half of NaNoWriMo 2017.

If the Illuminati was real, they wouldn’t allow this wonderful dissemination of knowledge, then again maybe this just another ruse to maintain their conspiracy, if we all become writers and bestsellers then we will be too busy to …

“Illuminati Confirmed!”

Anyway, the second season kicks off with a great interview with three publicists: Elaine Egan, Lauren Woosey and Virginia Woolstencroft. The episode includes some great tips, in particular good advice about when to chase-up on things. Check out the Publicity Secrets Revealed episode.

As a Patreon I got early access, and the two Marks have many benefits to supporters. If you are serious about writing please check out their tiered rewards, and help keep the podcast going.

I’ll now get back to my RPG group preparation, not GURPS Illuminati, although maybe it should be. GollanczFest 2017 reporting will continue on my next post.

GURPS Illuminati

GollanczFest 2017 part 3

This continues on from my first post about the Gollancz Festival 2017.

The first panel was called: Who you gonna call? Ghostwriters! I eagerly awaited the panel as the line-up consisted of several authors that I love, plus a few I don’t know much about, a great mix. The panel was moderated by Rachel Winterbottom (Commissioning Editor), and featured: Catriona Ward, A K Benedict, Ben Aaronovitch, Joanne M. Harris, and Joe Hill.

There was no shocking revelation that the authors had ghostwriters, nor were they ghostwriters for somebody else. The discussion focused on the why people like ghost stories, what is special/interesting about the genre. I’ve summarised a few things that each author mentioned; I appreciate I am missing a few interesting statements.

Catriona started things out and highlighted how ghost stories provide a form of comfort. She later explained the importance of creating a tension by scepticism and belief in ghost stories.

A K Benedict explained that the worst kind of haunting is the one that goes on in your own head. She also discussed the common link of depression, grief, pain or loss in relation to ghost stories, and how these stories can help as a form of exorcism of these feelings. A K mentioned a creepy experience of being chased around Cambridge by something…

Ben expanded on the statements by the other authors that had gone before him, underlining a few of the points previously mentioned. Ben went on to emphasis how ghost stories are a way of connecting and exploring the past, as well as our memories, making them live, possibly solving them.

Joanne made an enlightening point about how ghost stories are often satisfying, because they provide a reader with a sense of closure. Ghosts are also a way to explore areas of life that we don’t have the vocabulary to deal with. That we tell ghost stories to stop being afraid. Joanne delved in to evolutionary psychology in regards to our species was once prey, and our fear of the irrational, the unknowable, with of course death being the ultimate unknown. Joanne says she wrote a short story that creeped her out so much she has tried to forget it.

Joe took a different approach to the others, illuminating how ghosts are real, in many different ways. He told of his own experience after 9/11 of going to the cinema and appreciating the gravitas of things even there. How the silver screen manages to capture ‘things of light’, that repeat events, plus we are unable to interact with them. How ghosts are a metaphor for history throwing itself on the present. Joe brought up a Rick & Morty reference in regards to squirrel conspiracies and the fact squirrels don’t have fiction (or do they?!), which related to seeing a squirrel being schmucked. He also told a great tale about the time he spent at a hotel in a room with a boo!

The panel briefly struggled explaining why ghosts are different to mundane threats. After all seeing a person outside your window wearing a pig mask and wielding an axe is scary, but why are ghosts scary. After a bit of debating about whether mundane or supernatural horror was worse the panel arrived at the crucial point about ghosts traditionally being non-corporal, and difficulty of getting rid of them, or even harming them. This led to a building threat:

The idea of a pig masked thing getting in bed with you, and when you pull back the mask there is no face. (This nicely encapsulates the dread of the irrational.)

The interaction between the authors was splendid, and I wish it could have gone on a lot longer. The fact that stories are a tool of exploration, history, empathy and shield really applies to horror, but also applies to all fiction. This really set a high bar for the rest of the day.

Now back to my NaNoWriMo writing now, whilst resisting the urge to write another short ghost story for my fantasy setting. Thankfully the approaching deadline helps to keep me focused 😉

Next time is the panel: The Future’s so Bright I Gotta Wear Shades.

GollanczFest 2017 part 2

This continues on from my Bestseller and GollanczFest post.

Day 1 of GollanczFest 2017 was on Saturday November 4th. Richie and I had of time to chat about writing on the train as we travelled into London. Since Richie was going to the Writer’s Worksop at the Phoenix, whilst I was going to Foyles for the Panels, we knew we’d have plenty to discuss on the return train home.

I had heard Foyles was quite an impressive bookshop, I can confirm it certainly is, and thus it made for a great location for the event. Since I had over an hour till the panels started I perused the many floors of extensive bookshelves. Eventually I purchased John Yorke’s Into the Woods and settled down to reading for a while; a book both Richie and Mark Stay highly recommend. By the time I went back to the top floor for the event’s start there was quite an impressive queue.

Foyles

Upon entering the room for the panels, we were given a tote pack. The tote bag’s print design is quite impressive. The bag contained an overview of the event, some striking samples of forthcoming fiction, plus some water and even a chocolate bar. It certainly set the event up well, especially the water, since I’d forgotten to bring any; sadly I had also forgotten to bring Moo & Bat with me for photos.

GollanczFest tote bag

I got to briefly talk with Mark Stay who was working on the event, both on and off stage. The Bestseller Experiment podcast had officially started at the GollanczFest 2016, and it was great to see Mr Stay at this year’s event, but with the bonus that he is now a bestselling author; shame Mr Desvaux couldn’t be there, but it’s a very long way for him to come for a weekend.

Mark Stay
Mark Stay guardian of the Author-Portal for #GollanczFest 2017

One thing I regret is not talking to any of the people I was sat near. Undoubtedly anyone that had turned up was passionate about reading, and likely writing. Whilst it is likely the room had many shy book readers, it was unlikely any of us was going to freak out, quietly of course, and run out of the run if one of us said hello. Whilst I don’t consider myself shy anymore, I still fell back in to very old habits of feeling awkward about striking up a conversation with the few people I’d made eye contact with; which is extra odd since I had been talking to Mark Stay only minutes earlier. Looking around the room, there were people chatting. Thankfully it was only ten minutes until the first panel started, and armed with my mobile I did a little bit of writing and then checked Twitter.

Since so much happened at the numerous panels, I’ve decided to do separate posts about each of them. I still have lots of fiction writing to do today so I’ll write about the first panel another time: Who you gonna call? Ghostwriters!

I’ve currently focused on the Gingerbread competition, since the deadline of December 4th is fast approaching. I’ve made it my NaNoWriMo writing challenge, and although attending the GollanczFest really made me want to return to my main writing project, I have managed to stay on target; well, not my word count target, but something is better than nothing.

PS – Richie is the person that runs http://www.richiedigital.co.uk/

Bestseller and GollanczFest

Last week, November 4th & 5th, was quite the experience as I went to the Gollancz Festival. The event was held at Foyles, a rather grand bookshop in London. I had wanted to go to the writer’s workshop, but that had sold out. Fortunately for me I won tickets to the main Gollancz Festival via the Bestseller Experiment podcast.

Since my friend Richie was going to the writer’s workshop the event also had an extra appeal; we already chat a lot about our writing, and it’s rare we meet up these days. Plus I had not visited his home yet, so after a brief discussion an extended visit was planned.

One thing about long train journeys is at least there is plenty of chance for reading and writing. Even for someone like myself who suffers from travel sickness, trains are generally tolerable for me, plus when I did feel a bit off I stopped writing and changed to listening to an audio book.

Joining me on my journey were Moo & Bat, my mini-fluffy-sidekicks. I planned on taking some silly pictures of them on the train and at the festival, in part because I’ve been thinking through some children story ideas. Plus the Adventures of Moo & Bat amuses my wife.

The Adventures of Moo &amp; Bat

I’ll write about the Saturday morning Gollancz Festival panels next time. I’ll end this short post by highlighting that the Bestseller Experiment has a Patreon fund. Considering the value Mark Stay & Mark Desvaux have provided with this great podcast, it is something I am happy to support even though I currently have no income due to health problems. Just to clarify, I had backed them before I knew I had won Gollancz Festival tickets 😉 It would be quite sad if the podcast does not continue, and it’s worth considering what quality & quantity season 2 could provide, so please consider getting involved.

https://www.patreon.com/bestsellerexperiment

I quite enjoyed Mark Stay’s recent interview with Cover to Cover.

Part 2 of my GollanczFest visit.

Design a site like this with WordPress.com
Get started