Thrace through the Ages Pottery as Evidence for Commerce and Culture from Prehistoric Times to the Islamic Period ZEYNEP KOÇEL ERDEM (EDITOR), REYHAN ŞAHIN (EDITOR), 2023
This volume draws attention to the importance of pottery evidence in evaluating archaeological ma... more This volume draws attention to the importance of pottery evidence in evaluating archaeological material from Thrace. The volume considers the informative value of pottery in tracing cultural and political phases, by providing us with important data about production centres, commercial relations, daily life, religious rituals and burial customs.
XIX. yy. Schliemann kazılarından beri Troia. İlion kentinin geç antik dönemi hiç çalışılmamıştır.... more XIX. yy. Schliemann kazılarından beri Troia. İlion kentinin geç antik dönemi hiç çalışılmamıştır. Manfred Korfmann kazılarıyla birlikte 1989’dan itibaren kentin ve bölgenin geç antik çağı çalışılmaya başlanmış, bu döneme ilişkin veriler Agora, Aşağı Şehir ve Höyük yerleşiminde ele geçmiştir. Aşağı Şehir evleri bu döneme ilişkin bilgileri gün ışığına çıkmıştır. Aşağı Şehir 109x48.7x54.8 metrekarelik alanda orthogonal grid planlı insulalardan oluşan yerleşime sahiptir. Geç Antik Çağ’da Troad Bölgesi’nde yaşayan elit tabakanın yaşantısına dair arkeolojik veriler, Libanius’un Suriye için yaptığı tanımlamalardan çok daha sessizdir. Bölgede, IV. ve V. yüzyıllarda mimari, mimari dekorasyon ve seramik buluntularla saptanan bir ekonomik yükselme söz konusudur. Aşağı Şehirde kazılan iki alanda saptanan geç antik villalarda; H17 ve D20’de, bu döneme ilişkin önemli veriler ele geçmiştir. H17’de bir cam üretim atölyesi, D20’de mozaikli iki ev ele geçmiştir. Bu buluntular ve Troia ekibinin bölgede yaptığı diğer çalışmalar, şu an yayına hazırlanmakta olup, Bölge’nin Geç Antik Çağı’na yeni bir bakış açısı sunacaktır.
Idyma antik kenti, günümüzde Muğla ili, Ula ilçesi, Akyaka beldesi sınırları içinde kalmaktadır. ... more Idyma antik kenti, günümüzde Muğla ili, Ula ilçesi, Akyaka beldesi sınırları içinde kalmaktadır. Kentin Azmak kıyısında Bizans Dönemi'ne tarihlenen bir kale yapısı yer almaktadır. Idyma Akyaka Kale Kazısı çalışmalarında sarnıç sistemi, ana kapı girişleri, kuleler ve farklı fonksiyonlarda kullanıma sahip mekanları kapsayan kale mimarisini oluşturan öğelerden kalenin inşa ve kullanım evrelerini gösteren seramik buluntuları ele geçmiştir. Idyma Kalesi'nin modern seyyah ve araştırmacıların da belirttiği üzere Roma Dönemi yerleşim alanının üzerine kurulduğu ve kentin bu bölgesinde yerleşimin 8. yüzyıla kadar devam ettiği Roma Dönemi'ne tarihlenen İtalyan, Kıbrıs ve Doğu Sigillataları ile Afrika, Foça Kırmızı Astarlı seramikleri, Knidos kökenli ve yerel/bölgesel kökenli seramikler üzerinden kanıt bulmaktadır. Seramik buluntular yapının bulunduğu alanın Roma Dönemi'nde kullanımını göstermesi ve kronolojiye bağlı olarak kentin ticari ilişkiler kurduğu merkezlerin değişimini göstermesi açısından da önemlidir.
Pandemi sürecinde müzelerin üstlendiği roller ve ilk yapılan ICOM OECD toplantısının düşündürdükl... more Pandemi sürecinde müzelerin üstlendiği roller ve ilk yapılan ICOM OECD toplantısının düşündürdüklerini içerir.
With the museum functions updated in 2019 by the International Council of Museums (ICOM), it is s... more With the museum functions updated in 2019 by the International Council of Museums (ICOM), it is seen that the museum of our age has more inclusive responsibilities. In addition to being a polyphonic environment for critical dialogues about the past and the future, the museum has to provide equal opportunities for participation in the heritage for all people, which changes the way of working within the framework of these responsibilities, intensifies the work in the museum and in this context, it is necessary to make more comprehensive plans for the future of the museum. Many museums, built in remarkable and largely futuristic architectural styles and increasing in number with this content, have taken the stage as a dizzying combination of art, culture, engineering and construction. With these features, museums are regarded as the designer, developer, maintainer and guarantor of the tradition. In addition to promoting the memories they secure for future generations with interesting methods and striking buildings, digitalization is considered among the contemporary expression methods of the new museology concept. Transforming the diversity of cultural, natural and technological heritage into formats that can keep up with time with advanced technologies in order to preserve, protect and sustain; in short, heritage should also be digitalized. In addition to the interesting museum architecture, digital archives, digital collections, digital exhibitions, video presentations and virtual exhibitions are the prominent museology practices of the 21st century. The digitalization tendency of museums can be considered as a reflection of technological developments. With an emphasis on culture, art, nature and technology with a focus on heritage, the role of museums in transferring this heritage to future generations continues to increase. New museology practices are on the agenda to ensure the global welfare and sustainability in all fields. However, it can be said that the museum has a place in the futuristic approach that connects the future of humanity to space research with the effect of technology. This study focuses on the online digital exhibition "The Future of Museums", hosted by Ankara University Cultural House between 09-20 November 2020, on the official website of Ankara University and emphasizes the role of the museums discussed in the exhibition in the construction of the cultural future in the digital world.
Ankara Anadolu Medeniyetleri Müzesi 100 Yaşında , 2021
Ankara Anadolu
Medeniyetleri Müzesi’nin
Sergileme Tarihi ve Önerileri sunan bu makale müzenin olu... more Ankara Anadolu Medeniyetleri Müzesi’nin Sergileme Tarihi ve Önerileri sunan bu makale müzenin oluşumu sürecinden 2021'e dek sergilemesi hakkında araştırmadır
In this study, the perspective on cultural heritage and the change from the 18th century to the p... more In this study, the perspective on cultural heritage and the change from the 18th century to the present, the precautions taken by different countries and organizations for the protection of cultural heritage during and after the world wars are discussed. The precautions taken by UNESCO and the United Nations, which were established after the World War II, in this regard and the irregularities experienced despite this, the importance of public education in this sense are presented with examples. This study, which brings suggestions for the protection of cultural heritage, has approached the subject through certain examples. In particular, the precautions to be taken in case of war or occupation are discussed.
Armağan Erkanal'a Bir Armağan Anadolu Kültürlerine Bir Bakış , 2014
Yansıma teması ve metaforlarının farklı yaşam ve inanç sistemleri tarafından kullanımı üzerine bi... more Yansıma teması ve metaforlarının farklı yaşam ve inanç sistemleri tarafından kullanımı üzerine bir makaledir.
An Overview of Middle Eastern Museology through Cultural Heritage and Museum Studies with a Focus... more An Overview of Middle Eastern Museology through Cultural Heritage and Museum Studies with a Focus on Jordan Öz Arap Körfezi son on yılda ardı sıra açılan müzelerle uluslararası müze çevrelerinin gündemine yerleşmiştir. Bahreyn, Birleşik Arap Emirlikleri, Kuveyt ve Katar gibi Körfez ülkelerinde ve Ürdün gibi Orta Doğu coğrafyasının merkezinde müzelerin kültürel bir politika ile tanınmasını önerecek gelişmeler yaşanmıştır. Ulusal kimliği öne çıkaracak müzelerin açılmasıyla birlikte ulusal kültürel mirasın inşası hız kazanmıştır. Bu çalışma Ürdün'de Batı müzelerine benzer içeriklerle ulusal kültürü inşa etmeye çalışan Ürdün müzelerini derlemekte ve ülkedeki kültürel miras çalışmalarını çağdaş müzecilik yaklaşımları doğrultusunda tarihsel bir sıralamayla incelemektedir. Çalışmada Ürdün'de kültürel miras çalışmaları tarihsel gelişim ve uygulamalar dizgesinde ele alınmış, geleneksel Ürdün müzeleri ile çağdaş müze örnekleri tarihçeleri, misyon, vizyon ve müzecilik yaklaşımları doğrultusunda değerlendirilmiştir. Arkeoloji müzeleri, üniversitelere bağlı müzeler, çocuk müzesi ve Ürdün Ulusal Müzesi gibi örnekler değerlendirilmiş ve Orta Doğu'daki müzecilik hareketinin genel çerçevesi çizilmiştir. Ürdün müzelerinin sayısının ve çeşitliliğinin 1990'lardan itibaren artması olumlu bir gelişmedir ancak müzelerin mali zorluklarla ve nitelikli personel eksikliğiyle mücadele ettikleri saptanmıştır. Ülkede birkaç müze dışında eğitim birimleri bulunmaması, teknoloji kullanımına ihtiyaç duyulması, kurumlarla iş birliği sağlanamaması, konferans vb. tamamlayıcı etkinliklerin sayı ve sıklığının az olması, müzelerin kültür sektörünün diğer kuruluşlarıyla rekabet etmede zorlanması, referans kaynakların eksik olması, kültürel mirasa ilişkin kamuoyu oluşturulamaması sıkça karşılaşılan sorunlar olarak belirlenmiştir.
V. ODTÜ Arkeometri Çalıştayı Türkiye Arkeolojisinde Takı ve Boncuk: Arkeolojik ve Arkeometrik Çalışmalar Prof. Dr. Ay Melek Özer Onu, 2021
Akdeniz' de cam üretiminin tarihçesi Uluburun Batığı'nda ele geçen cam külçelerle Tunç Çağı'na uz... more Akdeniz' de cam üretiminin tarihçesi Uluburun Batığı'nda ele geçen cam külçelerle Tunç Çağı'na uzanan geçmişe sahiptir. Cam boncuk yapımı belki de bu üretimin erken teknolojisini göstermesi açısından incelenmesi gereken bir konudur. Cam boncuk üretimi, üreticisi, üretim yeri, ticareti, farklı alan ve işlevde kullanımı boncuk çalışmalarının odak noktasıdır. Cam boncuğun üretildiği veya bulunduğu kültürde birlikte kullanıldığı boncuklarla gücü sembolize etmesi, mezar hediyesi tipleri, farklı işlevlerle kullanılışı çalışılmıştır. Bu çalışmada Gordion A4 Açması boncuk örneklerinin geldiği katmana göre tarihi, tipolojisi,yapım tekniği incelenmiştir. Arkeolojik kazılarda tarihlenebilir katmandan gelen boncuk sayısı oldukça azdır, bu anlamda Gordion örnekleri kronolojik açıdan önemlidir.
Post-Bronze Age Ceramic Data at Ilion, from In-Field Use to Digital Publication, 2010
This article discusses the database structures that support in-field processing and subsequent pu... more This article discusses the database structures that support in-field processing and subsequent publication of Post-Bronze Age (PBA) ceramics at Ilion. 1 Although grounded in a specific project, the following is not a complete description of the data management system employed by the PBA team at the site. During the more than twenty years of the project's work, technologies and methods have changed and the authors, along with others, have continued to adapt our specific systems to the increasing capabilities of the available tools. Accordingly, the database we use in the field accommodates that history while also enabling record-keeping processes that are idio-syncratic to our work. Many details of implementation are therefore not of interest beyond the project participants , a situation that is likely matched at many other excavations around the Mediterranean and beyond.
The content of this article include firstly the history of Japanese hand formed tea cups made wit... more The content of this article include firstly the history of Japanese hand formed tea cups made with the traditional raku ceramic technique, the contemporary raku pots by Serap Ünal, and the achievements of Avanos potters that produce raku technique pots. The 15th Generation of the Raku family Raku Kichizaemon's raku productions, and contemporary applications of raku technique by Serap Ünal and Avanos potters;Tayfun Küçükcan, Aydın Afacan were also investigated.
Orhan Bingöl’e 67. Yaş Armağanı A Festschrift for Orhan Bingöl on the occasion of his 67th Birthday Editor/Edited Görkem Kökdemir, 2013
Abstract: This paper surveys the use of color pigments by the ancients. The comments of ancient
a... more Abstract: This paper surveys the use of color pigments by the ancients. The comments of ancient authors and their later commentaries proven by the recent color analysis are considered. The survey of color use in the Troad region on the Archaic and Classical Troad on the sarcophagi, on the Hellenistic and Roman wall paintings at Troy and use of color on textiles is mentioned. The pigments used in ancient wall paintings and frescoes have been analyzed visually and by chemical methods prior to 21st century. The recent methods and analysis has shown the contents in mortar and choice for coloring pigment could vary by region. This paper attempts to survey the comments made by the ancient authors on the use of ancient pigments and color, then compares this evidence with the analysis done on the Classical sarcophagi and Roman frescoes in the 19th century and recently to illustrate differences of pigment use by region and the efficiency gained by using archaeometric results.
Özet Çanakkale seramikleri ile ilgili çalışmalar, yayınlar ve ilk üretimiyle ilgili görüşlerin de... more Özet Çanakkale seramikleri ile ilgili çalışmalar, yayınlar ve ilk üretimiyle ilgili görüşlerin derlemesi olan bu yayın; seramiklerin Çanakkale'de 17. Yüzyıl'da üretildiğine ilişkin belgeler, yabancı gezginler ve bölgeye gelen görevlilerin belgelerinin incelenmesi ve Çanakkale 18 Mart Üniversitesi tarafından sürdürülen disiplinlerarası araştırmaları, arkeolojik kazılarla gün ışığına çıkan seramiklerin belgelenmesiyle üretimin ilk Akköy, Ezine'de başladığının bilgisini de içerir. Günümüzde süren üretim ve usta geleneği aktarımından da bahsedilmiştir. Abstract This paper covers the publication and a summary of earlier production of Çanakkale ceramics, it also serves as a survey of notifications by visitors to Çanakkale. It also contains views through the recent research through archaeological finds and interdis-ciplinary research conducted by Çanakkale 18 Mart University that provided information on the beginnings of the production in Akköy, Ezine. The paper also contains views on the contemporary production of ceramics in Çanakkale and the continuation of the potters tradition.
Thrace through the Ages Pottery as Evidence for Commerce and Culture from Prehistoric Times to the Islamic Period ZEYNEP KOÇEL ERDEM (EDITOR), REYHAN ŞAHIN (EDITOR), 2023
This volume draws attention to the importance of pottery evidence in evaluating archaeological ma... more This volume draws attention to the importance of pottery evidence in evaluating archaeological material from Thrace. The volume considers the informative value of pottery in tracing cultural and political phases, by providing us with important data about production centres, commercial relations, daily life, religious rituals and burial customs.
XIX. yy. Schliemann kazılarından beri Troia. İlion kentinin geç antik dönemi hiç çalışılmamıştır.... more XIX. yy. Schliemann kazılarından beri Troia. İlion kentinin geç antik dönemi hiç çalışılmamıştır. Manfred Korfmann kazılarıyla birlikte 1989’dan itibaren kentin ve bölgenin geç antik çağı çalışılmaya başlanmış, bu döneme ilişkin veriler Agora, Aşağı Şehir ve Höyük yerleşiminde ele geçmiştir. Aşağı Şehir evleri bu döneme ilişkin bilgileri gün ışığına çıkmıştır. Aşağı Şehir 109x48.7x54.8 metrekarelik alanda orthogonal grid planlı insulalardan oluşan yerleşime sahiptir. Geç Antik Çağ’da Troad Bölgesi’nde yaşayan elit tabakanın yaşantısına dair arkeolojik veriler, Libanius’un Suriye için yaptığı tanımlamalardan çok daha sessizdir. Bölgede, IV. ve V. yüzyıllarda mimari, mimari dekorasyon ve seramik buluntularla saptanan bir ekonomik yükselme söz konusudur. Aşağı Şehirde kazılan iki alanda saptanan geç antik villalarda; H17 ve D20’de, bu döneme ilişkin önemli veriler ele geçmiştir. H17’de bir cam üretim atölyesi, D20’de mozaikli iki ev ele geçmiştir. Bu buluntular ve Troia ekibinin bölgede yaptığı diğer çalışmalar, şu an yayına hazırlanmakta olup, Bölge’nin Geç Antik Çağı’na yeni bir bakış açısı sunacaktır.
Idyma antik kenti, günümüzde Muğla ili, Ula ilçesi, Akyaka beldesi sınırları içinde kalmaktadır. ... more Idyma antik kenti, günümüzde Muğla ili, Ula ilçesi, Akyaka beldesi sınırları içinde kalmaktadır. Kentin Azmak kıyısında Bizans Dönemi'ne tarihlenen bir kale yapısı yer almaktadır. Idyma Akyaka Kale Kazısı çalışmalarında sarnıç sistemi, ana kapı girişleri, kuleler ve farklı fonksiyonlarda kullanıma sahip mekanları kapsayan kale mimarisini oluşturan öğelerden kalenin inşa ve kullanım evrelerini gösteren seramik buluntuları ele geçmiştir. Idyma Kalesi'nin modern seyyah ve araştırmacıların da belirttiği üzere Roma Dönemi yerleşim alanının üzerine kurulduğu ve kentin bu bölgesinde yerleşimin 8. yüzyıla kadar devam ettiği Roma Dönemi'ne tarihlenen İtalyan, Kıbrıs ve Doğu Sigillataları ile Afrika, Foça Kırmızı Astarlı seramikleri, Knidos kökenli ve yerel/bölgesel kökenli seramikler üzerinden kanıt bulmaktadır. Seramik buluntular yapının bulunduğu alanın Roma Dönemi'nde kullanımını göstermesi ve kronolojiye bağlı olarak kentin ticari ilişkiler kurduğu merkezlerin değişimini göstermesi açısından da önemlidir.
Pandemi sürecinde müzelerin üstlendiği roller ve ilk yapılan ICOM OECD toplantısının düşündürdükl... more Pandemi sürecinde müzelerin üstlendiği roller ve ilk yapılan ICOM OECD toplantısının düşündürdüklerini içerir.
With the museum functions updated in 2019 by the International Council of Museums (ICOM), it is s... more With the museum functions updated in 2019 by the International Council of Museums (ICOM), it is seen that the museum of our age has more inclusive responsibilities. In addition to being a polyphonic environment for critical dialogues about the past and the future, the museum has to provide equal opportunities for participation in the heritage for all people, which changes the way of working within the framework of these responsibilities, intensifies the work in the museum and in this context, it is necessary to make more comprehensive plans for the future of the museum. Many museums, built in remarkable and largely futuristic architectural styles and increasing in number with this content, have taken the stage as a dizzying combination of art, culture, engineering and construction. With these features, museums are regarded as the designer, developer, maintainer and guarantor of the tradition. In addition to promoting the memories they secure for future generations with interesting methods and striking buildings, digitalization is considered among the contemporary expression methods of the new museology concept. Transforming the diversity of cultural, natural and technological heritage into formats that can keep up with time with advanced technologies in order to preserve, protect and sustain; in short, heritage should also be digitalized. In addition to the interesting museum architecture, digital archives, digital collections, digital exhibitions, video presentations and virtual exhibitions are the prominent museology practices of the 21st century. The digitalization tendency of museums can be considered as a reflection of technological developments. With an emphasis on culture, art, nature and technology with a focus on heritage, the role of museums in transferring this heritage to future generations continues to increase. New museology practices are on the agenda to ensure the global welfare and sustainability in all fields. However, it can be said that the museum has a place in the futuristic approach that connects the future of humanity to space research with the effect of technology. This study focuses on the online digital exhibition "The Future of Museums", hosted by Ankara University Cultural House between 09-20 November 2020, on the official website of Ankara University and emphasizes the role of the museums discussed in the exhibition in the construction of the cultural future in the digital world.
Ankara Anadolu Medeniyetleri Müzesi 100 Yaşında , 2021
Ankara Anadolu
Medeniyetleri Müzesi’nin
Sergileme Tarihi ve Önerileri sunan bu makale müzenin olu... more Ankara Anadolu Medeniyetleri Müzesi’nin Sergileme Tarihi ve Önerileri sunan bu makale müzenin oluşumu sürecinden 2021'e dek sergilemesi hakkında araştırmadır
In this study, the perspective on cultural heritage and the change from the 18th century to the p... more In this study, the perspective on cultural heritage and the change from the 18th century to the present, the precautions taken by different countries and organizations for the protection of cultural heritage during and after the world wars are discussed. The precautions taken by UNESCO and the United Nations, which were established after the World War II, in this regard and the irregularities experienced despite this, the importance of public education in this sense are presented with examples. This study, which brings suggestions for the protection of cultural heritage, has approached the subject through certain examples. In particular, the precautions to be taken in case of war or occupation are discussed.
Armağan Erkanal'a Bir Armağan Anadolu Kültürlerine Bir Bakış , 2014
Yansıma teması ve metaforlarının farklı yaşam ve inanç sistemleri tarafından kullanımı üzerine bi... more Yansıma teması ve metaforlarının farklı yaşam ve inanç sistemleri tarafından kullanımı üzerine bir makaledir.
An Overview of Middle Eastern Museology through Cultural Heritage and Museum Studies with a Focus... more An Overview of Middle Eastern Museology through Cultural Heritage and Museum Studies with a Focus on Jordan Öz Arap Körfezi son on yılda ardı sıra açılan müzelerle uluslararası müze çevrelerinin gündemine yerleşmiştir. Bahreyn, Birleşik Arap Emirlikleri, Kuveyt ve Katar gibi Körfez ülkelerinde ve Ürdün gibi Orta Doğu coğrafyasının merkezinde müzelerin kültürel bir politika ile tanınmasını önerecek gelişmeler yaşanmıştır. Ulusal kimliği öne çıkaracak müzelerin açılmasıyla birlikte ulusal kültürel mirasın inşası hız kazanmıştır. Bu çalışma Ürdün'de Batı müzelerine benzer içeriklerle ulusal kültürü inşa etmeye çalışan Ürdün müzelerini derlemekte ve ülkedeki kültürel miras çalışmalarını çağdaş müzecilik yaklaşımları doğrultusunda tarihsel bir sıralamayla incelemektedir. Çalışmada Ürdün'de kültürel miras çalışmaları tarihsel gelişim ve uygulamalar dizgesinde ele alınmış, geleneksel Ürdün müzeleri ile çağdaş müze örnekleri tarihçeleri, misyon, vizyon ve müzecilik yaklaşımları doğrultusunda değerlendirilmiştir. Arkeoloji müzeleri, üniversitelere bağlı müzeler, çocuk müzesi ve Ürdün Ulusal Müzesi gibi örnekler değerlendirilmiş ve Orta Doğu'daki müzecilik hareketinin genel çerçevesi çizilmiştir. Ürdün müzelerinin sayısının ve çeşitliliğinin 1990'lardan itibaren artması olumlu bir gelişmedir ancak müzelerin mali zorluklarla ve nitelikli personel eksikliğiyle mücadele ettikleri saptanmıştır. Ülkede birkaç müze dışında eğitim birimleri bulunmaması, teknoloji kullanımına ihtiyaç duyulması, kurumlarla iş birliği sağlanamaması, konferans vb. tamamlayıcı etkinliklerin sayı ve sıklığının az olması, müzelerin kültür sektörünün diğer kuruluşlarıyla rekabet etmede zorlanması, referans kaynakların eksik olması, kültürel mirasa ilişkin kamuoyu oluşturulamaması sıkça karşılaşılan sorunlar olarak belirlenmiştir.
V. ODTÜ Arkeometri Çalıştayı Türkiye Arkeolojisinde Takı ve Boncuk: Arkeolojik ve Arkeometrik Çalışmalar Prof. Dr. Ay Melek Özer Onu, 2021
Akdeniz' de cam üretiminin tarihçesi Uluburun Batığı'nda ele geçen cam külçelerle Tunç Çağı'na uz... more Akdeniz' de cam üretiminin tarihçesi Uluburun Batığı'nda ele geçen cam külçelerle Tunç Çağı'na uzanan geçmişe sahiptir. Cam boncuk yapımı belki de bu üretimin erken teknolojisini göstermesi açısından incelenmesi gereken bir konudur. Cam boncuk üretimi, üreticisi, üretim yeri, ticareti, farklı alan ve işlevde kullanımı boncuk çalışmalarının odak noktasıdır. Cam boncuğun üretildiği veya bulunduğu kültürde birlikte kullanıldığı boncuklarla gücü sembolize etmesi, mezar hediyesi tipleri, farklı işlevlerle kullanılışı çalışılmıştır. Bu çalışmada Gordion A4 Açması boncuk örneklerinin geldiği katmana göre tarihi, tipolojisi,yapım tekniği incelenmiştir. Arkeolojik kazılarda tarihlenebilir katmandan gelen boncuk sayısı oldukça azdır, bu anlamda Gordion örnekleri kronolojik açıdan önemlidir.
Post-Bronze Age Ceramic Data at Ilion, from In-Field Use to Digital Publication, 2010
This article discusses the database structures that support in-field processing and subsequent pu... more This article discusses the database structures that support in-field processing and subsequent publication of Post-Bronze Age (PBA) ceramics at Ilion. 1 Although grounded in a specific project, the following is not a complete description of the data management system employed by the PBA team at the site. During the more than twenty years of the project's work, technologies and methods have changed and the authors, along with others, have continued to adapt our specific systems to the increasing capabilities of the available tools. Accordingly, the database we use in the field accommodates that history while also enabling record-keeping processes that are idio-syncratic to our work. Many details of implementation are therefore not of interest beyond the project participants , a situation that is likely matched at many other excavations around the Mediterranean and beyond.
The content of this article include firstly the history of Japanese hand formed tea cups made wit... more The content of this article include firstly the history of Japanese hand formed tea cups made with the traditional raku ceramic technique, the contemporary raku pots by Serap Ünal, and the achievements of Avanos potters that produce raku technique pots. The 15th Generation of the Raku family Raku Kichizaemon's raku productions, and contemporary applications of raku technique by Serap Ünal and Avanos potters;Tayfun Küçükcan, Aydın Afacan were also investigated.
Orhan Bingöl’e 67. Yaş Armağanı A Festschrift for Orhan Bingöl on the occasion of his 67th Birthday Editor/Edited Görkem Kökdemir, 2013
Abstract: This paper surveys the use of color pigments by the ancients. The comments of ancient
a... more Abstract: This paper surveys the use of color pigments by the ancients. The comments of ancient authors and their later commentaries proven by the recent color analysis are considered. The survey of color use in the Troad region on the Archaic and Classical Troad on the sarcophagi, on the Hellenistic and Roman wall paintings at Troy and use of color on textiles is mentioned. The pigments used in ancient wall paintings and frescoes have been analyzed visually and by chemical methods prior to 21st century. The recent methods and analysis has shown the contents in mortar and choice for coloring pigment could vary by region. This paper attempts to survey the comments made by the ancient authors on the use of ancient pigments and color, then compares this evidence with the analysis done on the Classical sarcophagi and Roman frescoes in the 19th century and recently to illustrate differences of pigment use by region and the efficiency gained by using archaeometric results.
Özet Çanakkale seramikleri ile ilgili çalışmalar, yayınlar ve ilk üretimiyle ilgili görüşlerin de... more Özet Çanakkale seramikleri ile ilgili çalışmalar, yayınlar ve ilk üretimiyle ilgili görüşlerin derlemesi olan bu yayın; seramiklerin Çanakkale'de 17. Yüzyıl'da üretildiğine ilişkin belgeler, yabancı gezginler ve bölgeye gelen görevlilerin belgelerinin incelenmesi ve Çanakkale 18 Mart Üniversitesi tarafından sürdürülen disiplinlerarası araştırmaları, arkeolojik kazılarla gün ışığına çıkan seramiklerin belgelenmesiyle üretimin ilk Akköy, Ezine'de başladığının bilgisini de içerir. Günümüzde süren üretim ve usta geleneği aktarımından da bahsedilmiştir. Abstract This paper covers the publication and a summary of earlier production of Çanakkale ceramics, it also serves as a survey of notifications by visitors to Çanakkale. It also contains views through the recent research through archaeological finds and interdis-ciplinary research conducted by Çanakkale 18 Mart University that provided information on the beginnings of the production in Akköy, Ezine. The paper also contains views on the contemporary production of ceramics in Çanakkale and the continuation of the potters tradition.
This article aims to evaluate the commercial interaction of the
Black Sea region through the dist... more This article aims to evaluate the commercial interaction of the Black Sea region through the distribution of amphorae by typological study of imported amphoras dating back to the Roman imperial period. The 35 imported commercial amphorae from the Roman period, recovered from the sea or foundation excavations and purchased by the Sinop Museum, are indicators of the commercial potential of the Black Sea coast and the chronological importance of this potential. It is very important to trace the commercial activity and maritime trade routes of the Black Sea coast in the ancient period through the amphora finds examined in this article. Publication of the amphorae in Turkish museums is essential to represent economic history of the regions. These artifacts were found sporadic not via scientific excavations, they are still important in terms of evaluating the role of the Anatolian Peninsula in the Mediterranean-Black Sea- Aegean-Eastern Mediterranean trade. In this study, Brindisi, Sicilian Tubular, Dressel 1, Lamboglia II, Carrot Formed, DR 2-4, Late Rhodian, DR 24 similis, Kapitän II, Zemer 41, Augst 46, LRA 1, LRA 2 and LRA 4 amphorae were examined. With the borders of the Roman Empire reaching the Levant, the change taking place in the Eastern Mediterranean was also reflected in the Black Sea Region. The close commercial ties of the Black Sea Basin with the Mediterranean Region, the establishment of many new cities, especially after the Black Sea came under Roman rule, and the establishment of civil or military colonies in existing cities are closely related to the imports during the Roman period. Ancient Sinope is known to have been located on an active maritime route since the 8th century BC. The amphorae analyzed in this article show that the city maintained its importance during the Roman imperial period.
Die mittel- bis spätbyzantinische Besiedlung innerhalb des Nationalparks 'Troia und die Troas... more Die mittel- bis spätbyzantinische Besiedlung innerhalb des Nationalparks 'Troia und die Troas' wird in ihrem historischen Umfeld genauer betrachtet, wobei einige neue Fundorte erstmals vorgestellt werden sollen. Das Fundbild zeigt, dass nach den Auseinandersetzungen des Nizänischen Reiches mit den lateinischen Eroberern unter Johannes III. Batatzes (1221–1254) und der gewonnenen Schlacht von Poimanenon (1224) große Anstrengungen von den Byzantinern unternommen wurden, um die wieder gewonnene Troas durch den Bau von Burgen, neuen Dörfern und Gehöften zu konsolidieren.
In parallel with the development of technology, the diversification of art has brought out digita... more In parallel with the development of technology, the diversification of art has brought out digital painters and designers, so the understanding of museology and exhibition has also changed. As digital art makes the viewer a part of the work of art, in other words, it causes them to become completely active, museum visitors have moved from the position of spectator to a position where they experience the work of art and indirectly contribute to the art. In our age where the artistic transfer of technology has moved from the gallery to the museum or shopping center, with the emergence of digital museums, we are faced with the fact that works of art use digital technologies as one of the production methods, in other words, they have turned digital technologies into existential objects. In this study, the use of technology in the field of art and the pioneering artists (Nam June Paik, Refik Anadol et al.), the way they use technology in their own age and the media reflected in their arts has been studied. In recent years, the concept of museum has turned into a whole that should be perceived from multiple perspective. The changing concept of museum can come together with the audience in different locations and places with the effective use of digital technologies (such as exhibition areas, galleries, shopping malls) and at the same time, it is moving in a direction that is more focused on the audience experience than the work, with exhibitions where interactive sharing is increasing. The functioning of these concepts in our age when the artwork produced by NFT is popular. This article contains an overview and comment on these matters.
Ankara Araştırmaları Dergisi - Journal of Ankara Studies, 2023
This paper aims to present glaze ceramics recovered from ST (South Trench), A4 (Area 4), and Op.5... more This paper aims to present glaze ceramics recovered from ST (South Trench), A4 (Area 4), and Op.54 (Operation 54) trenches of Gordion in Phrygia. As a working method, instead of casting the finds of each trench separately, grouping them according to form characteristics under the technical features indicated by the glazes and decorations was preferred. It is observed that the ceramic groups discussed in this study are similar in terms of fabric and form. There is also a similarity with the finds from Amorium Upper City, Karacahisar Castle and its surroundings, Anaia, Pergamon, and Ephesus. Although more detailed analysis is required regarding the production locations of the ceramics discovered, Gordion and its nearby geography have a high potential to be a production center. Pottery sherds unearthed from the contexts of Gordion excavations enable us to obtain data about the location and purposes of use of the settlement in the Principalities Period. The article's purpose is to examine the socioeconomic identity of the local people of Gordion through this data. The main premise of the research is the problem of determining the chronological gaps (hiatus) seen after the Late Antique Period in Gordion and determining the exact chronology of the settlement continuity through the vessel forms belonging to the Principality Period.
LATE ROMAN WEST ASIA MINOR LIGHT COLORED WARE FROM GRANICUS SURVEYED SITES, 2023
The contents of this system and all articles published in Journal of SRMKA are licenced under the... more The contents of this system and all articles published in Journal of SRMKA are licenced under the "Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International".
With the museum functions updated in 2019 by the International Council of Museums (ICOM), it is s... more With the museum functions updated in 2019 by the International Council of Museums (ICOM), it is seen that the museum of our age has more inclusive responsibilities. In addition to being a polyphonic environment for critical dialogues about the past and the future, the museum has to provide equal opportunities for participation in the heritage for all people, which changes the way of working within the framework of these responsibilities, intensifies the work in the museum and in this context, it is necessary to make more comprehensive plans for the future of the museum. Many museums, built in remarkable and largely futuristic architectural styles and increasing in number with this content, have taken the stage as a dizzying combination of art, culture, engineering and construction. With these features, museums are regarded as the designer, developer, maintainer and guarantor of the tradition. In addition to promoting the memories they secure for future generations with interesting methods and striking buildings, digitalization is considered among the contemporary expression methods of the new museology concept. Transforming the diversity of cultural, natural and technological heritage into formats that can keep up with time with advanced technologies in order to preserve, protect and sustain; in short, heritage should also be digitalized. In addition to the interesting museum architecture, digital archives, digital collections, digital exhibitions, video presentations and virtual exhibitions are the prominent museology practices of the 21st century. The digitalization tendency of museums can be considered as a reflection of technological developments. With an emphasis on culture, art, nature and technology with a focus on heritage, the role of museums in transferring this heritage to future generations continues to increase. New museology practices are on the agenda to ensure the global welfare and sustainability in all fields. However, it can be said that the museum has a place in the futuristic approach that connects the future of humanity to space research with the effect of technology. This study focuses on the online digital exhibition "The Future of Museums", hosted by Ankara University Cultural House between 09-20 November 2020, on the official website of Ankara University and emphasizes the role of the museums discussed in the exhibition in the construction of the cultural future in the digital world.
In this study, the perspective on cultural heritage and the change from the 18th century to the p... more In this study, the perspective on cultural heritage and the change from the 18th century to the present, the precautions taken by different countries and organizations for the protection of cultural heritage during and after the world wars are discussed. The precautions taken by UNESCO and the United Nations, which were established after the World War II, in this regard and the irregularities experienced despite this, the importance of public education in this sense are presented with examples. This study, which brings suggestions for the protection of cultural heritage, has approached the subject through certain examples. In particular, the precautions to be taken in case of war or occupation are discussed.
Japon geleneksel çay partilerinde kullanılmak üzere çoğunlukla elle şekillendirilen çay fincanı f... more Japon geleneksel çay partilerinde kullanılmak üzere çoğunlukla elle şekillendirilen çay fincanı formunda üretilmiş raku tekniğinde kapların geleneksel yöntemle yapılan geçmişi, çağdaş raku örnekleri, raku tekniğini çağdaşa aktaran Serap Ünal ve Avanoslu ustalar bu makalenin içeriğini oluşturur. Makalede Raku ailesinin XV.Kuşak ustası Raku Kichizaemon'un üretimleri, Serap Ünal'ın raku uygulamaları, Avanos çömlek ustaları Tayfun Küçükcan ve Aydın Afacan'ın raku uygulamaları da araştırılmıştır.
This article discusses the database structures that support in-field processing and subsequent pu... more This article discusses the database structures that support in-field processing and subsequent publication of Post- Bronze Age (PBA) ceramics at Ilion.1 Although grounded in a specific project, the following is not a complete description of the data management system employed by the PBA team at the site. During the more than twenty years of the project's work, technologies and methods have changed and the authors, along with others, have continued to adapt our specific systems to the increasing capabilities of the available tools. Accordingly, the database we use in the field accommodates that history while also enabling record-keeping processes that are idiosyncratic to our work. Many details of implementation are therefore not of interest beyond the project participants, a situation that is likely matched at many other excavations around the Mediterranean and beyond.
... New defensive walls in the Dardanelles were added by the Grand Vizir of the Ottoman Empire,Me... more ... New defensive walls in the Dardanelles were added by the Grand Vizir of the Ottoman Empire,Mehmet Köprülü, in 1659. ... In the early years of production, potters were only respon-sible for throwing the pots; others, called meydancı, were responsible for transporting clay from its ...
This paper covers the publication and a summary of earlier production of Çanakkale ceramics, it a... more This paper covers the publication and a summary of earlier production of Çanakkale ceramics, it also serves as a survey of notifications by visitors to Çanakkale. It also contains views through the recent research through archaeological finds and interdisciplinary research conducted by Çanakkale 18 Mart University that provided information on the beginnings of the production in Akköy, Ezine. The paper also contains views on the contemporary production of ceramics in Çanakkale and the continuation of the potters tradition.
Özet Çanakkale seramikleri ile ilgili çalışmalar, yayınlar ve ilk üretimiyle ilgili görüşlerin de... more Özet Çanakkale seramikleri ile ilgili çalışmalar, yayınlar ve ilk üretimiyle ilgili görüşlerin derlemesi olan bu yayın; seramiklerin Çanakkale'de 17. Yüzyıl'da üretildiğine ilişkin belgeler, yabancı gezginler ve bölgeye gelen görevlilerin belgelerinin incelenmesi ve Çanakkale 18 Mart Üniversitesi tarafından sürdürülen disiplinlerarası araştırmaları, arkeolojik kazılarla gün ışığına çıkan seramiklerin belgelenmesiyle üretimin ilk Akköy, Ezine'de başladığının bilgisini de içerir. Günümüzde süren üretim ve usta geleneği aktarımından da bahsedilmiştir. Abstract This paper covers the publication and a summary of earlier production of Çanakkale ceramics, it also serves as a survey of notifications by visitors to Çanakkale. It also contains views through the recent research through archaeological finds and interdis-ciplinary research conducted by Çanakkale 18 Mart University that provided information on the beginnings of the production in Akköy, Ezine. The paper also contains views on the contemporary production of ceramics in Çanakkale and the continuation of the potters tradition.
In the archaeological excavations after the initial processing of pottery, pottery specialist can... more In the archaeological excavations after the initial processing of pottery, pottery specialist can select ware groups for scientific analysis. This process may define different groups not detectable by visual investigation. This paper summarizes the analysis of early Roman glazed table ware at Tarsus and Troia. Analysis on Tarsus lead glazed products suggests that lamp and coroplast producers may have worked side by side with the potters who produced glazed ware. The differences of workshops by stylistic considerations was done by Hochuli-Gys, but after her work, new excavations brought about the possibility of new workshops in the Mediterranean and Aegean area. This paper also comments on the advantages of interdisciplinary work between archaeologists, chemists, geochemists and geologists for conducting archeometric analysis.
Moignard's book is intended as a textbook for beginning students of Greek vases. Her approach is ... more Moignard's book is intended as a textbook for beginning students of Greek vases. Her approach is significant for its fresh approach to questions of interpretation, dating, hidden aspects of value, style, and the impetus behind the collector's choice of Greek vases.
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Medeniyetleri Müzesi’nin
Sergileme Tarihi ve Önerileri sunan bu makale müzenin oluşumu sürecinden 2021'e dek sergilemesi hakkında araştırmadır
authors and their later commentaries proven by the recent color analysis are considered. The survey of
color use in the Troad region on the Archaic and Classical Troad on the sarcophagi, on the Hellenistic
and Roman wall paintings at Troy and use of color on textiles is mentioned. The pigments used in ancient
wall paintings and frescoes have been analyzed visually and by chemical methods prior to 21st century.
The recent methods and analysis has shown the contents in mortar and choice for coloring pigment
could vary by region. This paper attempts to survey the comments made by the ancient authors on the
use of ancient pigments and color, then compares this evidence with the analysis done on the Classical
sarcophagi and Roman frescoes in the 19th century and recently to illustrate differences of pigment use
by region and the efficiency gained by using archaeometric results.
Medeniyetleri Müzesi’nin
Sergileme Tarihi ve Önerileri sunan bu makale müzenin oluşumu sürecinden 2021'e dek sergilemesi hakkında araştırmadır
authors and their later commentaries proven by the recent color analysis are considered. The survey of
color use in the Troad region on the Archaic and Classical Troad on the sarcophagi, on the Hellenistic
and Roman wall paintings at Troy and use of color on textiles is mentioned. The pigments used in ancient
wall paintings and frescoes have been analyzed visually and by chemical methods prior to 21st century.
The recent methods and analysis has shown the contents in mortar and choice for coloring pigment
could vary by region. This paper attempts to survey the comments made by the ancient authors on the
use of ancient pigments and color, then compares this evidence with the analysis done on the Classical
sarcophagi and Roman frescoes in the 19th century and recently to illustrate differences of pigment use
by region and the efficiency gained by using archaeometric results.
Black Sea region through the distribution of amphorae by typological
study of imported amphoras dating back to the Roman imperial
period. The 35 imported commercial amphorae from the Roman
period, recovered from the sea or foundation excavations and
purchased by the Sinop Museum, are indicators of the commercial
potential of the Black Sea coast and the chronological importance of
this potential. It is very important to trace the commercial activity and
maritime trade routes of the Black Sea coast in the ancient period
through the amphora finds examined in this article. Publication of the
amphorae in Turkish museums is essential to represent economic
history of the regions. These artifacts were found sporadic not via
scientific excavations, they are still important in terms of evaluating
the role of the Anatolian Peninsula in the Mediterranean-Black Sea-
Aegean-Eastern Mediterranean trade. In this study, Brindisi, Sicilian
Tubular, Dressel 1, Lamboglia II, Carrot Formed, DR 2-4, Late
Rhodian, DR 24 similis, Kapitän II, Zemer 41, Augst 46, LRA 1, LRA 2
and LRA 4 amphorae were examined. With the borders of the Roman
Empire reaching the Levant, the change taking place in the Eastern
Mediterranean was also reflected in the Black Sea Region. The close
commercial ties of the Black Sea Basin with the Mediterranean Region,
the establishment of many new cities, especially after the Black Sea
came under Roman rule, and the establishment of civil or military
colonies in existing cities are closely related to the imports during the
Roman period. Ancient Sinope is known to have been located on an
active maritime route since the 8th century BC. The amphorae
analyzed in this article show that the city maintained its importance
during the Roman imperial period.