
Catrin Jones
Address: United Kingdom
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Papers by Catrin Jones
The paper sets out recommendations on how to ensure that bilingual
residents in Wales receive equal access to dementia services.
As Wales enters a new phase in tackling dementia this paper outlines
examples of innovative work in Wales, the UK and internationally set in the context of the WHO Global Plan of Action on the Public Health Response to Dementia 2017- 2025.
Research reviews highlight methodological limitations and gaps in the evidence base for the arts in dementia care. In response, we developed a 12-week visual art program and evaluated the impact on people living with dementia through a mixed-methods longitudinal investigation.
Methods:
One hundred and twenty-five people living with mild to severe dementia were recruited across three research settings in England and Wales (residential care homes, a county hospital, and community venues). Quantitative and qualitative data on quality of life (QoL), communication and perceptions of the program were obtained through interviews and self-reports with participants and their carers. Eight domains of well-being were measured using a standardized observation tool, and data compared to an alternative activity with no art.
Results:
Across all sites, scores for the well-being domains of interest, attention, pleasure, self-esteem, negative affect, and sadness were significantly better in the art program than the alternative condition. Proxy-reported QoL significantly improved between baseline and 3-month follow-up, but no improvements in QoL were reported by the participants with dementia. This was contrasted by their qualitative accounts, which described a stimulating experience important for social connectedness, well-being, and inner-strength. Communication deteriorated between baseline and follow-up in the hospital setting, but improved in the residential care setting.
Conclusions:
The findings highlight the potential for creative aging within dementia care, the benefits of art activities and the influence of the environment. We encourage dementia care providers and arts and cultural services to work toward embedding art activities within routine care provision.
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was formulated. This multidisciplinary project brings together the arts and humanities with the social sciences with their different epistemological philosophies and subsequent understandings of research methods. The main objective was to determine how visual arts activities may change, sustain and catalyse community cultures, beliefs, attitudes and behaviours to create dementia-friendly communities. This project involves 6 different UK universities, 14 researchers, 10 formal partners, 7 project artists, 3 research artists and a large number of civil society organisations. The analysis presents a series of themes that have been identified as influencing the approach taken to develop methods which aimed to speak to different audiences in the social sciences, arts and humanities, policy/practice and public domains. It is concluded that a research project of this type needs to embrace a wide variety of epistemological positions if it is to successfully achieve its objectives. This paper contributes to knowledge about how the methodology of large-scale multidisciplinary projects may be constructed which will be of value to those building research consortia across different universities and between universities and community partners.
Two thirds of people living with dementia live in the community (Alzheimer’s Society, 2013) and isolation is a common factor for people living with memory impairment. Numerous opportunities exist for social engagement but attendance at some groups can be low. The barriers to engagement and challenges related to successful recruitment will be shared with delegates. This paper focuses on the recruitment process within three regions in Wales. People living with memory impairment and living independently were recruited from the community. The strategy adopted to successfully recruit four consecutive groups over a year will explain the importance of a multifaceted approach to raising awareness and interest in a new programme.
Debates about the optimum number for a group dynamics have also been included and a number of recommendations for overcoming some of the issues facing those working to reduce isolation for people living with dementia in the community will be included.
The paper sets out recommendations on how to ensure that bilingual
residents in Wales receive equal access to dementia services.
As Wales enters a new phase in tackling dementia this paper outlines
examples of innovative work in Wales, the UK and internationally set in the context of the WHO Global Plan of Action on the Public Health Response to Dementia 2017- 2025.
Research reviews highlight methodological limitations and gaps in the evidence base for the arts in dementia care. In response, we developed a 12-week visual art program and evaluated the impact on people living with dementia through a mixed-methods longitudinal investigation.
Methods:
One hundred and twenty-five people living with mild to severe dementia were recruited across three research settings in England and Wales (residential care homes, a county hospital, and community venues). Quantitative and qualitative data on quality of life (QoL), communication and perceptions of the program were obtained through interviews and self-reports with participants and their carers. Eight domains of well-being were measured using a standardized observation tool, and data compared to an alternative activity with no art.
Results:
Across all sites, scores for the well-being domains of interest, attention, pleasure, self-esteem, negative affect, and sadness were significantly better in the art program than the alternative condition. Proxy-reported QoL significantly improved between baseline and 3-month follow-up, but no improvements in QoL were reported by the participants with dementia. This was contrasted by their qualitative accounts, which described a stimulating experience important for social connectedness, well-being, and inner-strength. Communication deteriorated between baseline and follow-up in the hospital setting, but improved in the residential care setting.
Conclusions:
The findings highlight the potential for creative aging within dementia care, the benefits of art activities and the influence of the environment. We encourage dementia care providers and arts and cultural services to work toward embedding art activities within routine care provision.
View all notes
was formulated. This multidisciplinary project brings together the arts and humanities with the social sciences with their different epistemological philosophies and subsequent understandings of research methods. The main objective was to determine how visual arts activities may change, sustain and catalyse community cultures, beliefs, attitudes and behaviours to create dementia-friendly communities. This project involves 6 different UK universities, 14 researchers, 10 formal partners, 7 project artists, 3 research artists and a large number of civil society organisations. The analysis presents a series of themes that have been identified as influencing the approach taken to develop methods which aimed to speak to different audiences in the social sciences, arts and humanities, policy/practice and public domains. It is concluded that a research project of this type needs to embrace a wide variety of epistemological positions if it is to successfully achieve its objectives. This paper contributes to knowledge about how the methodology of large-scale multidisciplinary projects may be constructed which will be of value to those building research consortia across different universities and between universities and community partners.
Two thirds of people living with dementia live in the community (Alzheimer’s Society, 2013) and isolation is a common factor for people living with memory impairment. Numerous opportunities exist for social engagement but attendance at some groups can be low. The barriers to engagement and challenges related to successful recruitment will be shared with delegates. This paper focuses on the recruitment process within three regions in Wales. People living with memory impairment and living independently were recruited from the community. The strategy adopted to successfully recruit four consecutive groups over a year will explain the importance of a multifaceted approach to raising awareness and interest in a new programme.
Debates about the optimum number for a group dynamics have also been included and a number of recommendations for overcoming some of the issues facing those working to reduce isolation for people living with dementia in the community will be included.