Edited collections by Philip Hager
Journal Articles by Philip Hager
Journal of Greek Media and Culture, 2017
Critical Stages/Scènes critiques, 2021
Σκηνή, 2020
ΦΙΛΙΠΠΟΣ ΧΑΓΕΡ Θέατρο, επιτέλεση και ιστορία: τόποι μιας φλεγόμενης χρονικότητας Η επανάσταση είν... more ΦΙΛΙΠΠΟΣ ΧΑΓΕΡ Θέατρο, επιτέλεση και ιστορία: τόποι μιας φλεγόμενης χρονικότητας Η επανάσταση είναι το διαλεκτικό άλμα υπό τον αχανή ουρανό της ιστορίας. 1 Η παραπάνω φράση, εμπνευσμένη από τις «Θέσεις για τη φιλοσοφία της ιστορίας» του Walter Benjamin, προβαλλόταν στον τοίχο του Bios κατά τη διάρκεια της παράστασης της ομάδας Nova Μelancholia Walter Benjamin: θέσεις για τη φιλοσοφία της ιστορίας.
Σύγχρονα Θέματα 140-141, 2018
Journal of Greek Media and Culture, 2017
In this article, I trace institutional transitions that have framed, produced and hosted theatre ... more In this article, I trace institutional transitions that have framed, produced and hosted theatre in Athens during the last four decades. In doing so, I seek to devise a methodology that examines the city’s changing theatrical landscapes against the backdrop of <i>Metapolitefsi</i>’s trajectories of transition and the post-2010 in-crisis permutations. Subsequently, I pursue a twofold argument: first, I observe the ways in which state subsidies forged theatrical economies that contributed to the shaping of Athens’ geographies; and by focusing on the example of the Onassis Cultural Centre, I propose that a key marker of change is a move towards an ethic of hospitality, concurrent with the systematization of the economies of debt in Greek society.

Synthesis, Vol. 8 (special issue ‘Living through the Interregnum: Democracy, the Polis and the Subject in Crisis.’ edited by Maro Germanou and Mina Karavanta)., 2016
In 2010, forty-eight years after Jerzy Grotowski's iconic 1962 performance of Stanisław Wyspiańsk... more In 2010, forty-eight years after Jerzy Grotowski's iconic 1962 performance of Stanisław Wyspiański's Akropolis, Greek director Michael Marmarinos presented to the Athenian audience Acropolis: Reconstruction. In his homage to the Polish director, Marmarinos asked the question that Grotowski (and Wyspiański before him) had raised: what is the contemporary Acropolis? Marmarinos’s Acropolis observes the ruins of contemporary Athens; frustrations, tensions and other dramaturgies of the crisis that was beginning to transform the urban fabric of the Greek capital. In this article, I map the in-crisis restructuring of Athens in dialogue with Acropolis: Reconstruction. Employing Deleuze’s idea of a ‘minor or minimising treatment’ of the classics, I examine the becoming-ruins of monuments in a city in crisis, by searching for the contemporary acropolises not in the ruins upon the hill (the remains of classical Athens and the symbol of its democracy) but in the ruins in its shadow.

Contemporary Theatre Review, Nov 20, 2013
This article examines Rimini Protokoll’s 100% London and Occupy LSX as two performances of citize... more This article examines Rimini Protokoll’s 100% London and Occupy LSX as two performances of citizenship that took place in London in the build-up to the 2012 Games. Drawing on ideas of the ‘urban commons’ (David Harvey), ‘agonistic citizenship’ (Chantal Mouffe) and the ‘civic transnational’ (Michael McKinnie), we interrogate how our examples articulate transnational urban communities and the ways in which representations of the ‘polis’ are in dialogue with dominant rhetorics on participation and belonging. We specifically ask whether the dramaturgies of participation and citizenship which emerge in both examples transgress commodified and consensual notions of participation and create symbolic spaces where the ‘possibility of disorder’ might propose a ‘conflictual consensus’ and an agonistic practice of citizenship. We propose that while Occupy LSX encourages an agonistic mode of participation in the urban fabric, 100% London participates in forging ‘civic transnational’ subjects as a desirable practice of citizenship that assuages conflicts between the citizen and the state.
IΠI Magazine No. 2., Nov 2013
in Backpages, Contemporary Theatre Review, 21:4, Nov 2011
Book Chapters by Philip Hager
Η φιλοσοφία επί σκηνής: θεατροφιλοσοφικές εστιάσεις (επιμέλεια Γιώργος Πεφάνης), 2019
Βυρσοδεψείο, ένα θέατρο στα χρόνια της κρίσης / Vyrsodepseio, Θeatre in times of crisis, 2018
Performances of Capitalism, Crises and Resistance, 2015
Performances of Capitalism, Crises and Resistance, 2015
Special Issues in Journals by Philip Hager
Journal of Greek Media and Culture 3:2, 2017
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Edited collections by Philip Hager
Journal Articles by Philip Hager
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Book Chapters by Philip Hager
Special Issues in Journals by Philip Hager
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