
Charikleia Kanari
Charikleia (Chara) Kanari is Assistant Professor of Museum Education at the Aristotle University of Thessaloniki, School of Early Childhood Education. She holds two Bachelors in Museum Education and Special Education as well as a M.Ed. in "Modern Learning Environments and Didactic Material Development" from the University of Thessaly. She received her PhD in Museum Education and Special Education from the University of Thessaly with scholarship from the European PhD Scholarship Programme “Heraclitus II” (NSRF, Co-financed by the EU and Greece). The title of her PhD is “Museums and individuals with visual disability: Issues of access and education in museums for children with visual disability”.
Her research interests include issues of museum education, the educational and social role and responsibility of museums, the role of cultural heritage in the education, the conjunction of museum education, informal and nonformal learning with formal education, the Universal Design for Learning, accessibility and inclusion of children with diverse characteristics, with and without disabilities in culture and arts.
She has taught in undergraduate and postgraduate programmes in different universities (Aristotle University of Thessaloniki, University of Thessaly, University of Western Macedonia, Hellenic Open University, University of Nicosia), courses with regards to museum education, schools and nonformal/informal education and learning, culture, accessibility and disability, creative arts, inclusive education, differentiated instruction and teaching practice. She has also been invited as a lecturer to different university departments (Department of Fine and Applied Arts-University of Western Macedonia, Department of Early Childhood Care and Education - International Hellenic University, Department of Special Education, Department of Primary Education, Department of Early Childhood Education - University of Thessaly) for lectures with regards to museums, disability and accessibility, Universal Design for Learning in museums and schools, collaborative practices between informal/non formal and formal educational settings, inclusion, arts, museums and disability and early intervention.
She has collaborated with many organizations of Culture and Education (e.g., Hellenic Ministry of Culture and Sports, ICEVI-Europe, Μuseums and Μuseum Νetworks, Directorates of Primary and Secondary Education, Schools, Centers of Environmental Education) for the design of educational programs in museums, the development of differentiated, accessible and inclusive museum educational programs and material for children and adults with and without disabilities, in-service training courses for museum professionals in accessibility issues and in-service training courses for teachers in Museum Education.
She has also worked as special education teacher in different educational settings in Primary Education. She has collaborated as expert in Special Education with the Institute of Educational Policy (IEP) of the Ministry of Education and Religious Affairs of Greece for the development of training material for in-service teachers’ training in Differentiated Instruction at national level (2020). She has participated in a number of national and European research projects for the access and inclusion of students with disabilities in cultural nonformal learning environments (e.g. museums) and in formal education. She has participated in many national and international conferences and she has published papers in national and international peer-reviewed journals, chapters in books and conference proceedings. She is President of the Association of Museum Educators in Greece and Member of the Balkan Museum Network.
Her research interests include issues of museum education, the educational and social role and responsibility of museums, the role of cultural heritage in the education, the conjunction of museum education, informal and nonformal learning with formal education, the Universal Design for Learning, accessibility and inclusion of children with diverse characteristics, with and without disabilities in culture and arts.
She has taught in undergraduate and postgraduate programmes in different universities (Aristotle University of Thessaloniki, University of Thessaly, University of Western Macedonia, Hellenic Open University, University of Nicosia), courses with regards to museum education, schools and nonformal/informal education and learning, culture, accessibility and disability, creative arts, inclusive education, differentiated instruction and teaching practice. She has also been invited as a lecturer to different university departments (Department of Fine and Applied Arts-University of Western Macedonia, Department of Early Childhood Care and Education - International Hellenic University, Department of Special Education, Department of Primary Education, Department of Early Childhood Education - University of Thessaly) for lectures with regards to museums, disability and accessibility, Universal Design for Learning in museums and schools, collaborative practices between informal/non formal and formal educational settings, inclusion, arts, museums and disability and early intervention.
She has collaborated with many organizations of Culture and Education (e.g., Hellenic Ministry of Culture and Sports, ICEVI-Europe, Μuseums and Μuseum Νetworks, Directorates of Primary and Secondary Education, Schools, Centers of Environmental Education) for the design of educational programs in museums, the development of differentiated, accessible and inclusive museum educational programs and material for children and adults with and without disabilities, in-service training courses for museum professionals in accessibility issues and in-service training courses for teachers in Museum Education.
She has also worked as special education teacher in different educational settings in Primary Education. She has collaborated as expert in Special Education with the Institute of Educational Policy (IEP) of the Ministry of Education and Religious Affairs of Greece for the development of training material for in-service teachers’ training in Differentiated Instruction at national level (2020). She has participated in a number of national and European research projects for the access and inclusion of students with disabilities in cultural nonformal learning environments (e.g. museums) and in formal education. She has participated in many national and international conferences and she has published papers in national and international peer-reviewed journals, chapters in books and conference proceedings. She is President of the Association of Museum Educators in Greece and Member of the Balkan Museum Network.
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Papers by Charikleia Kanari
αντιμετωπίζουν διαφορετικοί άνθρωποι με διαφορετικές αναπηρίες στα μουσεία και της επίδρασης των φραγμών αυτών στην, επίσης, αλληλεπιδραστική φύση της μουσειακής εμπειρίας και μάθησης. Επιπλέον, παρουσιάζονται τα βασικά θεωρητικά μοντέλα του Καθολικού Σχεδιασμού και του Καθολικού Σχεδιασμού για τη Μάθηση και η εφαρμογή τους στον μουσειακό χώρο υπό το πρίσμα των χαρακτηριστικών και των «ποιοτήτων» της μουσειακής εμπειρίας και μάθησης. Μέσα από την προσέγγιση αυτή αναδεικνύεται η σημασία μιας ολιστικής θεώρησης ζητημάτων προσβασιμότητας και συμμετοχής αλλά και η σπουδαιότητα ανάπτυξης μιας οργανωσιακής κουλτούρας
που θα προωθεί βιώσιμες, συμμετοχικές, προσβάσιμες και συμπεριληπτικές εκπαιδευτικές και επικοινωνιακές πρακτικές και διαδικασίες.
Abstract
The present paper focuses on persons with disabilities and issues of accessibility and equal participation in museums. It presents a synthetic approach based on the interdependence and interactive dynamics of access barriers that persons with disabilities face in the museums and the impact of these barriers on the, also, interactive nature of the museum experience and learning. Furthermore, it presents the theoretical models of the “Universal Design” and the “Universal Design for Learning” and their implementation in the museum space in light of the characteristics and "qualities" of the museum experience and learning. This dynamic process reveals the importance of a holistic approach to issues of accessibility and participation of persons with disabilities in museums. It also stresses the importance and the need for the development of an organizational culture towards accessibility and inclusion that will promote sustainable, participatory, accessible and inclusive educational and communication practices and processes within museums.
αντιμετωπίζουν διαφορετικοί άνθρωποι με διαφορετικές αναπηρίες στα μουσεία και της επίδρασης των φραγμών αυτών στην, επίσης, αλληλεπιδραστική φύση της μουσειακής εμπειρίας και μάθησης. Επιπλέον, παρουσιάζονται τα βασικά θεωρητικά μοντέλα του Καθολικού Σχεδιασμού και του Καθολικού Σχεδιασμού για τη Μάθηση και η εφαρμογή τους στον μουσειακό χώρο υπό το πρίσμα των χαρακτηριστικών και των «ποιοτήτων» της μουσειακής εμπειρίας και μάθησης. Μέσα από την προσέγγιση αυτή αναδεικνύεται η σημασία μιας ολιστικής θεώρησης ζητημάτων προσβασιμότητας και συμμετοχής αλλά και η σπουδαιότητα ανάπτυξης μιας οργανωσιακής κουλτούρας
που θα προωθεί βιώσιμες, συμμετοχικές, προσβάσιμες και συμπεριληπτικές εκπαιδευτικές και επικοινωνιακές πρακτικές και διαδικασίες.
Abstract
The present paper focuses on persons with disabilities and issues of accessibility and equal participation in museums. It presents a synthetic approach based on the interdependence and interactive dynamics of access barriers that persons with disabilities face in the museums and the impact of these barriers on the, also, interactive nature of the museum experience and learning. Furthermore, it presents the theoretical models of the “Universal Design” and the “Universal Design for Learning” and their implementation in the museum space in light of the characteristics and "qualities" of the museum experience and learning. This dynamic process reveals the importance of a holistic approach to issues of accessibility and participation of persons with disabilities in museums. It also stresses the importance and the need for the development of an organizational culture towards accessibility and inclusion that will promote sustainable, participatory, accessible and inclusive educational and communication practices and processes within museums.
Περίληψη: Η δημιουργική γραφή αποτελεί ένα πεδίο με ποικίλες εφαρμογές και στον χώρο των μουσείων για διαφορετικές ομάδες κοινού με στόχο την ουσιαστική και ενεργητική εμπλοκή των συμμετεχόντων στη διαδικασία της μάθησης, την ενδυνάμωση της προσωπικής εμπειρίας και «συνομιλίας» με τα μουσειακά εκθέματα και τη δημιουργική έκφραση. Η παρούσα εργασία αναφέρεται σε ένα εργαστήριο δημιουργικής γραφής με φοιτητές/τριες Παιδαγωγικού Τμήματος στο Μουσείο Πλινθοκεραμοποιίας Ν. & Σ. Τσαλαπάτα. Το εργαστήριο δημιουργικής γραφής πραγματοποιήθηκε στο πλαίσιο του προγράμματος και της αντίστοιχης έκθεσης με τίτλο «Ταξιδεύοντας την Τέχνη» που υλοποιήθηκε από την «ARTOGETHER, Τέχνη Ατόμων με και χωρίς Αναπηρία» με την υποστήριξη του Ιδρύματος Σταύρος Νιάρχος και σε συνεργασία με το Πολιτιστικό Ίδρυμα Ομίλου Πειραιώς. Με αφορμή την καλλιτεχνική σύμπραξη εικαστικών με αναπηρία και Ελλήνων λογοτεχνών, στην εργασία παρουσιάζονται: α. στοιχεία του σκεπτικού και του περιεχομένου της έκθεσης, β. η δομή του εργαστηρίου δημιουργικής γραφής με τίτλο «Η τέχνη έχει φωνή», και γ. αντιπροσωπευτικά κείμενα φοιτητών/τριών που προέκυψαν από την επεξεργασία εικαστικών έργων και λογοτεχνικών κειμένων της έκθεσης. Μέσα από τα κείμενα και την αποτίμηση της δράσης το μουσείο αναδεικνύεται σε χώρο «συνάντησης» του διαφορετικού, προώθησης του πολιτισμικού, κοινωνικού και δια-καλλιτεχνικού διαλόγου, ενθαρρύνοντας παράλληλα την προσωπική δημιουργική έκφραση και τον προσωπικό αναστοχασμό.