forgot to mention the plays.
On friday we went to see
Snark: The Way of the Bravest as part of the
Sydney Festival. It is a one-man puppet show about the hunt for that most elusive creature. There's not much Lewis Carroll therein, but they use the poem as a skeleton around which to build a chaotic and funny series of absurdities. Greed, murder, sea-sickness, equine carnage and psychedelia combine in carefully choreographed mayhem -- it's all good stuff.
It is also the first play I've seen in ages where a significant percentage of the audience seemed younger than me.
Apart from
Boojum! and a previous stage production of
Alice, I guess what it reminded me most of was Svankmajer's animation, with ordinary objects coming alive in strange and disturbing ways.
(The
Alice in Wonderland play was great -- though since it's been twenty years, my memories are somewhat faded. I seem to recall it was constructed on a 3D stage, with the actors climbing up and down a series of gantries to represent the different levels of reality. I don't suppose anyone would know how to track down details of that. It would have played in Canberra in the 1980s.)
Two weeks ago we saw a rather different production, Stephen Sewell's
The United States of Nothing. Sewell is a renowned playwright and also the writer of
Lost Things and
The Boys. You certainly can't accuse him of complacency -- this was a brave and topical play, following the fortunes of a family trapped in a superdome during a hurricane. However, despite covering interesting ground, including lots of nifty moments and an ambitious finale, I don't think the characters quite came alive, leaving it somewhat strident and directionless.
I also forgot to mention comics, though that basically comes down to the fact that latter issues of
Platinum Grit are still very good, and I fully expect
Tango 6: Love and Sex to be great.