Showing posts with label French. Show all posts
Showing posts with label French. Show all posts

Friday, 18 September 2020

FOR SALE: Battle of Waterloo, Revell 1/72 200th Anniversary Set


Well, this a first for me... I'm attempting to sell something via my blog, in addition to other more normal channels.

What I'm selling is a Revell Battle of Waterloo, 1/72 200th Anniversary Set.

Contents: Soft plastics - British Dragoons (complete), Prussian Infantry (Complete), French Guard Grenadiers (several missing). 

Condition: All miniatures are partially under-coated, and the paint is flaking off. 


I was given these in exactly the condition they are in now, by a model making pal. He gave up on them due to failing eyesight. I, on the other hand, have large Nap' white-metal armies in 6mm and 10mm that need painting and basing, so I don't want the distraction of dealing with these. 

I'm hoping any collectors of 20mm Nap' plastics, who might stumble across this post, may perhaps want them? £5 plus postage, or buyer collects.




My apologies for the crappy pics. I had to harvest them from my Gumtree listing for the set, under limited time constraints. I can be reached via this blog. I'd prefer that the buyer collected. But I will post within the UK, if the buyer pays postage.

Friday, 28 August 2020

Book Review: Tank Attack at Monte Cassino - Jeffrey Plowman



Although my reading has ground almost to a halt recently, I did read this excellent book a few months back. And finally I'm getting round to posting a review!

A fascinating account of a little known action in the long arduous campaign to take Monte Cassino. The somewhat crazy idea of outflanking the dominating heights of Cassino with a tank force - an undertaking which required the building of a road - in terrain highly unsuited to armoured warfare, ended up being something of a shambolic failure.

The attacking force is a mixture of Indians, New Zealanders, Americans and British - French and Poles also figure in the bigger picture! - fighting Germans (Italy having capitulated by this point). The book draws a vivid compelling picture of events, enlivened by firsthand accounts and illustrated with contemporary photos. 

A segment at the end covers the battlefield as it is now, for those interested in visiting. I'd have preferred more/better maps, as following the action during the narrative isn't always easy. Several appendices add further supporting info. 

All in all, an impressive and fascinating work. I'm left wanting to read more about the whole Cassino campaign. Thoroughly enjoyable!

Tuesday, 8 October 2019

Book Review: The Forgotten Soldier, Guy Sajer




Guy Sajer was a nom du plum of Guy Mouminoux. Interestingly and confusingly Sajer/Mouminoux also worked under the name Dimitri. In the decades after WWII Mouminoux/Sajer/Dimitri was chiefly a bandes dessinées artist, what we'd call a comic book illustrator or cartoonist, whose Rififi character appeared in the Tintin Journal for about a decade, winning its creator a prize

Rififi, the 'turbulent sparrow'.

My researches thus far find no mention of his passing. And his most recent work, as far as I know, was the 2000 Kursk, Tourment D'Acier - roughly Kursk, Storm of Steel - which you can read more about (in French) here. I also found a fascinating interview with him, also in French, here, in which he mentions having been in discussion with Paul Verhoeven about filming The Forgotten Soldier. I do hope that film does eventually get made!*

Anyway, as I suspect most folks who might wind up reading this would probably already know, there's been a lot of long-running debate as to whether Sajer's accounts are true, with people coming down on both sides. As already noted, Sajer was in fact a nom de plum, and possibly even nom de guerre as well, for Guy Mouminoux, Sajer being his mother's maiden name; Sajer's father was French, his mother of German origins. 

All I can really say is that it all seemed very genuine and convincing to me, and I thoroughly enjoyed reading The Forgotten Soldier. As military history nuts many of us read a lot of non-fiction accounts of war, and this book is like being dropped into the midst of the horrors that such books worst passages describe. Only where they often give us more of an overview, Sajer tells the horror story of his own decade fighting for the Nazi war-machine from within, a minor player embedded in a world of pain and brutality that seems like it will never end.

Gripping visceral stuff, it's also relentless. Sajer, who as mentioned above became a cartoonist after the war, says in numerous places how far short words are doomed to fall from capturing the starkly brutal inhumanity he witnessed and was part of. But, all things considered, and giving him the benefit of the doubt on the veracity front, he does a pretty convincing job of evoking hell on earth on the Eastern front.

An intriguing footnote to all this is that in several interviews in his later years he has said - and more than once - that, despite the horrors and hardships, it was actually a great time in many ways, and a period of his life that he was glad to have lived through and didn't regret. Interesting!

* I discovered during my researches for this post that, sadly, this potential film project was canned.

Thursday, 8 August 2019

Book Review: Napoleon's Elite Cavalry, Rousselot/Ryan.



This slightly larger than A-4 sized hardback is really beautiful. I picked up my copy at Partizan, 2019, from (?), for £15. 91 colour plates by Lucien Rousselot are beautifully reproduced, each accompanied by a short text by Edward Ryan. Sourced from the famous Anne S. K. Brown collection, in the U.S, plate one depicts Napoleon, after which there come four groups: the Guard Chausseurs a Cheval (27 plates), Guard Grenadiers a Cheval (13), Guard Empress Dragoons (25), and Guard Lancers (25).

Polish Lancers looking very dandy.

More dourly attired in bivouac. Still looking great!

So, whilst there's wealth of fabulous artwork, and immense amounts of uniform info' to be gleaned, this is not a comprehensive look at either Rousselot's work, nor even the cavalry of the Imperial Guard (never mind the French cavalry as a whole). As such, this is quite a specialist book. But for Napoleonic uniform addicts like me, particularly those who dig the French the most (me again!), this sort of thing is, well... essential!

The day I bought this, I took it to bed with me - that's how much I love this sort of stuff! - and it gave me several hours of intense pleasure. And all I was doing was perusing the illustrations, with a little bit of reference to the text, where particular images prompted curiosity. The multitude of images makes one doubly or trebly aware of what an enormous and complex, as well as endlessly fascinating, subject Napoleonic uniformology is.

Old Guard Chasseurs a Cheval.

Young Guard Chasseurs a Cheval.

On that first night of bliss, I only studied the first segment of images; the twenty-seven given over to the Guard Chausseurs a Cheval. Looking at the incredible paintings made me realise that, ideally, I'd like to have several versions of any given regiment, in my miniatures collections. For example, one iteration might have their pelisse worn 'properly', i.e. not in the dandy over the shoulder manner of the hussar, whilst another set might be wearing their two-tiered capes, with covers on their sabretache and busbys unadorned. 

I imagine some of these options may be covered in certain scales, most probably more so in larger scales. But they're certainly not options, at least that I'm aware of, in the scales in which I'm building forces, which are 6mm and 10mm. This prompts me to consider something I've long toyed with: sculpting and casting my own figures! I'd sooo love to do this. It's been an ambition since fairly early childhood. Perhaps this book will be the catalyst that galvanises me into action?

Trumpeters of the Empress' Dragoons, looking incredibly natty!

Or perhaps not? Witness the piles of unpainted French and Russian hordes. I struggle to get anything done half the time. Never mind ambitious stuff. It's so easy to think of great plans on the sofa. Getting up and putting them into action? Well, that's a whole 'nother ball game!

Any road, the book itself ends with this beautiful sabretache, on the back cover. Like the thing it depicts, this book is, to me at least, a precious and wonderful thing.

The End!

Tuesday, 30 July 2019

Kit Build/Review: 54mm Airfix Napoleonics, Pt II - Imperial Guard Grenadier, 1815



Well, my 400th post on this here blog. I wanted it to be on something special, to celebrate attaining this... er, well, whatever it is... !? You probably know what I'm driving at!

This kit has a very special place in my heart, as it's a smaller version of a kit my dad built when I was a kid. A kit which was probably instrumental in fomenting my interest in the era. My dad's was the 1/12 kit, which stood on a round base. He had done, as I remember it, a very good job, if also rather basic: blocked out in the appropriate colours, with little or no shading, but very neatly painted. The face looked like it had been done in oils, and had a more detailed washed range of colours, to look lifelike, rosy cheeks, etc.

The instructions.

Unlike some of these kits, this one's only got parts for one pose. What it does have, however, by way of variety, is alternate legs - one pair in gaiters, one in trousers - and an alternate (cord/tassel-free) bearskin. I was intending to use the trousers, and not the gaiters. Perhaps on account of the fact the last figure was in gaiters. But in the end I didn't, because of issues of fit.

The two sprues.

I always dreamed of making Historex 54mm kits as a kid, which I'd see in old copies of Military Modelling. But I never did. Nor did I build any kits like these. So this is all part of an unfulfilled childhood dream finally coming to fruition. Which is rather nice! The parts are nicely sculpted, and pretty well cast, with only a little flash. Clean up was pretty easy and straightforward.

Parts separated and ready for clean up.

At this point everything's cleaned up and laid out ready for assembly, excepting the straps. I was still hoping the trousers would fit, so to speak. But whereas the gaitered legs had a corresponding male notch for the female cleft in the waistcoat, the trousered legs didn't. Something I only twigged when I went to assemble these parts.

Everything cleaned up. Thinking I'll use campaign style legs.

Once the legs, torso and head sub-assemblies were built, I cut the supplied thin styrene sheet into the strips for the straps. I make the musket strap longer than suggested, so I can add more detail, looping it over with buckles, etc. Fitting the straps is quite a tricky stage of the build. Especially when, as I usually do, you balls it up repeatedly! 

Straps cut from the very thin plastic sheet that's supplied.

By this point I've got the full figure assembled, having changed over to the gaiter-clad legs, and with straps and epaulettes all in place as well.  In the picture below I've cut his right hand off, and I'm making a wrist sized wedge to get a better angle/grip on his musket.

Wound up using the gaiter legs, and doing surgery on his right hand.

When it came time to undercoat him in Halfords grey primer, I opted to also undercoat the Hasegawa 1/72 Grant tank I've been building on my visits to the Wisbech IPMSmeetings. That'll probably appear in another post, when it's done. 

Getting ready to aerosol undercoat a few models in one go.

On this occasion I kept a couple of items - sword/bayonet scabbard, and cartridge box - separate. This was because completely assembling the previous model had made accessing certain areas very tricky. This time I wanted better access to these areas. So I decided to paint the figure pretty thoroughly, and those parts to, but whilst unattached, before bringing them all together. 

Starting to block in colours.

Whilst I'd modified the pose of the previous line Infantryman model, I was building this as suggested. But I did still want to jazz it up a little. I thought about doing him as a Dutch Grenadier (all in white, with red facings). But the desire to do it in the same pose and uniform as dad's model won out. The four mods I did were: texturing his backpack (with a heated pin); making a more detailed musket strap; improving the right hand grip on the musket;  and a pair of tiny - and I mean teeny-weeny -golden earrings, such as an old grognard might well have sported.

In this pic I'm making a tiny earring for his right ear. Can you spot it?

I forgot to take any more pics for quite a while, becaming deeply absorbed in the processes of detailing, shading, etc. The next few photos are much later, after much to-ing and fro-ing, working very slowly. The shading is starting to cover more areas: backpack, face, waistcoat and leggings, etc.

Starting to do a bit of shading.

My first attempt at attaching the cartridge box and scabbards was a bit off. The cartridge box was ok, but the sword and bayonet scabbard were unsatisfactory, and only very tenuously connects anyway. 

The sword and bayonet in fixing attempt no. 1...

In the pictures above and below I hope it can be seen that I textured the backpack, which is supplied as a very smooth boxy thing, to make it look more like a raw cowhide rucksack. I did this by heating a needle-tipped tool I made over a flame. Laborious, yes. But a great result, I think. When appropriately painted, I think it looks rather lovely!

Not sure if you can see, but I textured his backpack with a heated needle.

The last few pictures show how he was looking when I stopped, at about 11pm, having spent most of the day slowly painting him. I spent ages working very laboriously on him. Not exactly time-efficient. But enjoyable. Several areas were worked over repeatedly, such as the tunic buttons, as I kept lousing them up! 

This is how he looks at close of play today.

Still needs a little more doing...

I also removed the scabbards, retouched the areas underneath, and re-attached them, but in a better position. They're also more firmly attached as well. Although there's still a bit to do, mostly on his bearskin, such as detailing/shading the cords and tassels, and improving the grenade emblem atop it, that'll have to wait. But in conclusion, I love the kit, and have thoroughly enjoyed building and painting it.

...such as shading of his cords/tassels.

Sword/bayonet in position no. 2.

The two Airfix figures I've made so far.

Tuesday, 23 July 2019

Kit Build/Review: 54mm Airfix Napoleonics, Pt I - Line Infantryman, 1815

Bagged these cool kits!

At last mondays Wisbech IPMS my pal Sean very kindly gave me four old Airfix 54mm Napoleonic figures. I made a start on the Line Infantryman today. I have a yen to do this figure as a soldier from one of the Swiss regiments in French service. I'm even thinking of perhaps doing him as a drummer. But I'm not sure that that might not be a bit too much for me right now?

The box art kind of suggests many figures!

The instructions, showing the two pose options the kit offers.

Laying out the parts, for prepping/cleaning up.

Note Milliput moustache and shako badges pressed into Milliput.

Major body assembly completed. Not sure what to do with his arms?

I've been tidying the figure up a little; removing mould lines, filling in a dimple in the left crotch - some sort of casting defect? - with Milliput. I even added a Milliput moustache. Just like lots of other stuff, superglue, decals, etc, I found the Milliput would adhere to anything and everything except what I wanted, in this case the figures' upper lip!

Going to leave him now, and let the Milliput set. Tomorrow I'll start doing the plastic card straps and equipment. What fun!

Fully assembled, gun slung over shoulder, and holding a pipe.

As ever, things got pretty tough at various points. Scratch-building a more detailed musket strap was in order. But it turned out to be very tricky. In the end I opted to have his musket sling over his right shoulder, and a scratch-built pipe in his left hand. I guess this makes him a southpaw!? I reckon I'll start painting him today.



Having built the figure, and in a converted pose of my own design, I decided to crack on with painting. After a Halfords matt gray undercoat, I could see a few bits needed filling or sanding. Then it was on to blocking in the colours. And after that came the slow and painstaking work of detailing, and even a bit of shading.


The gray undercoat revealed areas that needed filling.

Starting to block-in colours.

I got so engrossed in the painting I forgot to take any pictures of the various stages. Below are a number of photos showing him as he looks now, at close of play today. I've painted him up as a soldier of the 4th Swiss regiment. I used several reference sources, but chiefly this Carle Vernet. 1812 image, below.

A beautiful Carle Vernet plate depicting the 4th Swiss Regt.

I have to confess I'm actually quite pleased with how he's turned out.

I'm leaving the painting quite basic, not going mad with shading, etc.

I like this angle, 'cause you can see the shape of his pipe.

A slightly closer frontal view.

A change of lighting to add shade/contrast.

Rear view in second lighting scenario.

I'm going to let him dry overnight, then apply a couple of coats of varnish (matt). And then it's a question of deciding how to base him. But that's another challenge for another day.



Cloudy varnish, most obvious on figure's footwear!

Almost looks like shading. 

Bugger! Just sprayed matt varnish on my Airfix 54mm Infantryman, and gloss varnish on a Revell Sopwith triplane. Both have gone 'cloudy'. Its ludicrously hot and humid right now. Plus I didn't shake the cans enough. And it's also very humid. So a 'perfect storm' of causes concatenate and all my hard work painting is jiggered. I've read online and watched some YouTube vids, mostly suggesting either a gloss coat and then another matt coat (if required), or... olive oil! Anyway, I think I'll try gloss coat first, applied with a brush this time... fingers crossed!


Gloss overpainting didn't do the job.

Hmm? Sadly the extra coat of gloss varnish didn't do the trick. The picture above was taken after a hand painted application of gloss varnish to the most affected areas. The shako and shoes/gaiters still look awful. So I'll be overpainting them in black, to remedy this. Hopefully this experience will teach me to be more patient when applying varnish?