
Willemien Anaf
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Papers by Willemien Anaf
The ArtGarden research project test and develop an efficient ("best practices") matrix (tool - protocol) for monitoring, imaging and documenting (art-technical), fragile historic mixed-media objects. This will be used to facilitate decision making during conservation and preservation practice.
The focus of the project is the guiding and evaluation of conservation treatment and the transportation, display in a museum environment and long-term storage of complex degraded historic multi-media artefacts. Up until now, guidelines have concentrated on one material characteristic. The complex nature of a large number of historic mixed-media artefacts in museum collections is more challenging and less developed. The ArtGarden project is combining documentation, conservation and preservation protocols (Terminology defined by ICOM-CC, New Delhi, 2008) to create an innovative tool to support collection care, maintenance, display and valorization of complex historic collection artefacts. The casus in ArtGarden is the conservation and preservation of the unique collection of seven Enclosed Gardens from the Mechelen City Museums.
The 16th-century Enclosed Gardens of the Hospital Sisters of Mechelen, listed as masterpieces by the Flemish ‘Topstukken’ decree, are very rare in Belgian and even world heritage. Most Enclosed Gardens have been lost, mainly due to a lack of interest. This recently changed: these ‘popular retables’ are now considered as testimonies of a 16th-century (women’s) spirituality that by their unique pictorial vernacular give an idea of life in convent communities. They testify to a cultural identity closely connected to mystical traditions. They are a gateway to a lost world, an essential part of culture in the Southern Netherlands.
The Enclosed Gardens or ‘Horti Conclusi’ are extremely fragile heritage objects made of a large variety of materials such as silk, parchment, glass, metals, insignias, paint layers and bones (relics). Many of these materials, either alone or in combination with other materials, are vulnerable to natural ageing through breaking, corroding, fading, etc.
filters in various rooms of four Belgian cultural heritage buildings, installed with various heating/ventilation
systems. Soiling/blackening and deposition of inorganic, water-soluble aerosol components were considered. The
extent of soiling was determined by means of two independent methods: (1) in terms of the covering rate of the
samplers by optical reflection microscopy and (2) the reduction in lightness of the samplers using the CIE L*a*b*
color space by spectrophotometry. A fairly good correlation was found between both methods. The inorganic composition
of the deposited water-soluble TSP was quantified by means of ion chromatography. Compared to controlled
environments, uncontrolled environments showed increased water-soluble aerosol content of the total
deposited mass. Higher chloride deposition was observed on horizontal surfaces, compared to vertical surfaces.
The ArtGarden research project test and develop an efficient ("best practices") matrix (tool - protocol) for monitoring, imaging and documenting (art-technical), fragile historic mixed-media objects. This will be used to facilitate decision making during conservation and preservation practice.
The focus of the project is the guiding and evaluation of conservation treatment and the transportation, display in a museum environment and long-term storage of complex degraded historic multi-media artefacts. Up until now, guidelines have concentrated on one material characteristic. The complex nature of a large number of historic mixed-media artefacts in museum collections is more challenging and less developed. The ArtGarden project is combining documentation, conservation and preservation protocols (Terminology defined by ICOM-CC, New Delhi, 2008) to create an innovative tool to support collection care, maintenance, display and valorization of complex historic collection artefacts. The casus in ArtGarden is the conservation and preservation of the unique collection of seven Enclosed Gardens from the Mechelen City Museums.
The 16th-century Enclosed Gardens of the Hospital Sisters of Mechelen, listed as masterpieces by the Flemish ‘Topstukken’ decree, are very rare in Belgian and even world heritage. Most Enclosed Gardens have been lost, mainly due to a lack of interest. This recently changed: these ‘popular retables’ are now considered as testimonies of a 16th-century (women’s) spirituality that by their unique pictorial vernacular give an idea of life in convent communities. They testify to a cultural identity closely connected to mystical traditions. They are a gateway to a lost world, an essential part of culture in the Southern Netherlands.
The Enclosed Gardens or ‘Horti Conclusi’ are extremely fragile heritage objects made of a large variety of materials such as silk, parchment, glass, metals, insignias, paint layers and bones (relics). Many of these materials, either alone or in combination with other materials, are vulnerable to natural ageing through breaking, corroding, fading, etc.
filters in various rooms of four Belgian cultural heritage buildings, installed with various heating/ventilation
systems. Soiling/blackening and deposition of inorganic, water-soluble aerosol components were considered. The
extent of soiling was determined by means of two independent methods: (1) in terms of the covering rate of the
samplers by optical reflection microscopy and (2) the reduction in lightness of the samplers using the CIE L*a*b*
color space by spectrophotometry. A fairly good correlation was found between both methods. The inorganic composition
of the deposited water-soluble TSP was quantified by means of ion chromatography. Compared to controlled
environments, uncontrolled environments showed increased water-soluble aerosol content of the total
deposited mass. Higher chloride deposition was observed on horizontal surfaces, compared to vertical surfaces.