
Murat Ozsahin
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Papers by Murat Ozsahin
of the continuity of the language, this situation is also an indication that the current time is not accepted as the process of the existence of the language. In contrast, the suffix combinations may also occur in the recent period within this continuity The study points out the existence of the +lIklI (+lIk+lI) suffix, which is detected in Tatar and Bashkir literary languages and used to express human qualities. Examples showing that the suffix +lIk forms new forms by combining with other suffixes have also been presented in different studies. This article aims to reveal a method for detecting a suffix combination comparatively from several aspects.
of the continuity of the language, this situation is also an indication that the current time is not accepted as the process of the existence of the language. In contrast, the suffix combinations may also occur in the recent period within this continuity The study points out the existence of the +lIklI (+lIk+lI) suffix, which is detected in Tatar and Bashkir literary languages and used to express human qualities. Examples showing that the suffix +lIk forms new forms by combining with other suffixes have also been presented in different studies. This article aims to reveal a method for detecting a suffix combination comparatively from several aspects.
The language and accordingly the ‘world information’ of the ‘other’ have been issues of concern as from the historical periods in which political and religious social relations began. It has also been the power encouraging dictionary studies. New dictionaries were compiled upon the transmission of the relations with the ‘other’ to the political and religious platforms and acceleration of these studies. If it is thought that grammatical differences are artificial categories, it will be undoubtedly accepted that remained vocabulary is the basic and concrete material showing the world relation of a language.
One important problem in terms of thematic dictionaries is whether they are the dictionaries of a specific field or a conceptual field. According to this point of view, in addition to the question of “Could another term be used instead of referring to ‘thematic’?” the field, scope, dimension and process of thematic dictionaries are also among the issues that should be considered. In addition that some of historic dictionaries belong to different fields (such as Kipchak dictionaries in the field of Mamluq), they also include some thematic classifications. It indicates that the dictionaries are much older in terms of the basis as different from today’s lexicography.
In this study, we will discuss the structure and scope of thematic dictionaries and offer some solutions to the difficulties and problems appearing while writing these dictionaries. Within this context, evaluation of thematic classifications of some modern Turcologists including Tanishev, Musaev and Keyekbaev was also done previously, as a result of this, common themes in main headings were determined.
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Weddings in various cultures mark both a beginning and an end, similar to birth and death. This ceremony is a stage of life and has created unique practices and oral literary texts in every culture. Bashkirs also have bridal ballads called senglevs, that tell about the bride’s sadness at being separated from her family and are sung on the wedding day. These folk songs have been preserved in the archive of Bashkir State University and were compiled from four regions of Bashkortostan (Burzyanzky, Khaybullinsky, Kugarchinsky-ZianchurinskyBaymaksky, and Salavatsky) between 1957-1969. Nine of the 18 bridal ballads had been compiled from the Salavatsky district. These bridal ballads have talk about the bride’s pain at leaving her family, longing for her childhood, and complaining to her father. This study explains the features of the Bashkir bridal ballads and shares etymological opinions regarding the word senglev. Basically, the article thematically studies the vocabulary of the bridal song lyrics and identified 15 themes: topography/geography/time, family, colors, animals, food, body, numbers, goods, clothes, abstract/concept, onomastics, plants, religion, society, metals/minerals, and home. The study also presents opinions, comments, and analyses regarding the words from these themes. The bride ballads are created and performed by women and reflect the world of Bashkir women in terms of vocabulary. The themes of geography/time, family, and animals occur more frequently than other themes, with the themes of minerals, foods, and religions occurring the least. The Bashkir bridal ballads consist of about 286 words, including some words and morphemes that are not found in dialectical dictionaries or monographies. Transcriptions and Turkish translations of the bridal texts are added at the end of the study.